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Apur Sansar

  • 1959
  • PG
  • 1h 45m
ÉVALUATION IMDb
8,4/10
18 k
MA NOTE
Apur Sansar (1959)
Apu Trilogy
Liretrailer2 min 03 s
1 vidéo
62 photos
TragedyDrama

Ajouter une intrigue dans votre langueThis final installment in Satyajit Ray's Apu Trilogy follows Apu's life as an orphaned adult aspiring to be a writer.This final installment in Satyajit Ray's Apu Trilogy follows Apu's life as an orphaned adult aspiring to be a writer.This final installment in Satyajit Ray's Apu Trilogy follows Apu's life as an orphaned adult aspiring to be a writer.

  • Director
    • Satyajit Ray
  • Writers
    • Bibhutibhushan Bandyopadhyay
    • Satyajit Ray
  • Stars
    • Soumitra Chatterjee
    • Sharmila Tagore
    • Alok Chakravarty
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    8,4/10
    18 k
    MA NOTE
    • Director
      • Satyajit Ray
    • Writers
      • Bibhutibhushan Bandyopadhyay
      • Satyajit Ray
    • Stars
      • Soumitra Chatterjee
      • Sharmila Tagore
      • Alok Chakravarty
    • 71Commentaires d'utilisateurs
    • 64Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
    • Nominé pour le prix 1 BAFTA Award
      • 4 victoires et 2 nominations au total

    Vidéos1

    Apu Trilogy
    Trailer 2:03
    Apu Trilogy

    Photos62

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    Rôles principaux19

    Modifier
    Soumitra Chatterjee
    Soumitra Chatterjee
    • Apurba Roy
    • (as Soumitra Chattopadhyay, Soumitra Chatterji: in subtitles)
    Sharmila Tagore
    Sharmila Tagore
    • Aparna
    Alok Chakravarty
    • Kajal
    • (as Shriman Alok Chakraborty, Aloke Chakravarty: in subtitles)
    Swapan Mukherjee
    • Pulu
    • (as Swapan Mukhopadhyay, Swapan Mukerji: in subtitles)
    Tushar Bandyopadhyay
    Gupi Banerjee
      Panchanan Bhattacharya
      Shanti Bhattacherjee
      • Office Associate
      Jiten Bhons
      Abhijit Chatterjee
      • Aparna's Brother
      • (as Abhijit Chattopadhyay)
      Jogesh Chatterjee
        Asha Devi
        Belarani Devi
        • Apu's Neighbor
        • (as Belarani)
        Sefalika Devi
        Sefalika Devi
        • Shashinarayan's wife
        Biren Ghosh
        Dhiren Ghosh
        • Landlord
        Biresh Majumdar
        Dhiresh Majumdar
        • Shashinarayan
        • Director
          • Satyajit Ray
        • Writers
          • Bibhutibhushan Bandyopadhyay
          • Satyajit Ray
        • Tous les acteurs et membres de l'équipe
        • Production, box office et plus encore chez IMDbPro

        Commentaires des utilisateurs71

        8,417.7K
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        10

        Avis en vedette

        Jag85

        Superb finale to the saga

        I found Apur Sansar, the final part of the Apu Trilogy, every bit as superb as its prequels. I liked the pacing even better than its predecessors, as there was not a single moment that didn't keep me interested. Although the ending wasn't as powerful as its prequels, I thought it was a more hopeful and fitting ending for the saga. However, it did give me the feeling that I didn't want the story to end at all.

        Soumitra Chatterjee's debut performance as the adult Apu was truly Oscar-worthy (like Karuna Bannerjee who played his mother in the first two films) and a young Sharmila Tagore was also convincing in her debut performance as his wife. Overall, I'd say Apur Sansar is my second favourite in the Apu Trilogy, after Aparajito.

        Now that I've finally finished watching the Apu Trilogy, I must say this is probably the greatest film trilogy I've ever seen. Although it's a simple story about a country boy's growth to adulthood, it felt like I was watching a truly epic saga. Satyajit Ray really is one of the greatest filmmakers of the 20th century in my opinion.

        10/10
        10ShamimH

        The final episode of the Apu Trilogy

        The final episode of the Trilogy takes us to a young adult Apu. IMdb seems to have missed the British Film Award that this and Sathyajits' other two episodes (Song of the Road, Unvanquished) received.

        This movie together with the other two movies are a monumental work in movie making. The way the story is portrayed, and the use of many details, enrich the emotional experience it provides. One can recall the way the screen of the movie theatre fades into the window of the horse carriage, or the way the hole on the window curtain reverberates with the spotted decorations on the actress face and etc.

        This a "must see" movie for all, in the different ways emotions are expressed and the way it takes the audience in a roller coater ride of emotions. It is an enriching and a moving experience. It reinforces and reinvigorates the humanity within each of us.

        To enjoy the movie most, viewers should see the first two episodes in sequence before viewing "Apur Sangsar."
        10ShamimH

        The final episode of the Apu Trilogy

        The final episode of the Trilogy takes us to a young adult Apu. Received the British Film Award which Sathyajits' other two episodes (Song of the Road, Unvanquished) also received.

        This movie together with the other two movies are a monumental work in movie making. The way the story is portrayed, and the use of many details, enrich the emotional experience it provides. One can recall the way the screen of the movie theatre fades into the window of the horse carriage, or the way the hole on the window curtain reverberates with the spotted decorations on the actress face and etc.

        This a "must see" movie for all, in the different ways emotions are expressed and the way it takes the audience in a roller coater ride of emotions. It is an enriching and a moving experience. It reinforces and reinvigorates the humanity within each of us.

        To enjoy the movie most, viewers should see the first two episodes in sequence before viewing "Apur Sangsar."
        9utpal-61109

        Change your perception towards Movie by watching it.

        After watching 'Pather Panchali' & 'Aparajito'; the 1st and 2nd two epics of Apu Trilogy, I unable to control myself to wait for sometime to watch the third epic 'The World of Apu' directed by Academy Honorary Award winning(in 19992), the great director Satyajit Ray. Satyajit Ray paints how much covered a bitter pain that breaks someone's heart in his life. Someone means the main character Apu; which half of life is already reflected in his 1st & 2nd epic.

        It is seen that Apu had lost his elder sister and father before he knows the value of life. His mother struggles for his life and making him into a educated person though he should turn into a priest as his their family profession. But director have no mercy upon him. His mother had passed away when he was studying at Kolkata after 10th passing. The story ends up here and so we don't know what happened in his life after everything lost.

        At the 1st light of "The World of Apu" we have seen that Apu is grown up and become turn into a healthy young man, struggling to live without any distress of his past life. He learns to live into a new life. He lives as a tenant in a small room of Kolkata unable to give rent for several months. The story is running on and then suddenly changes the track. We are happy to see his delightful face after getting his life partner or wife suddenly after many years. Now he lives in a romantic world. But again the track changes. He losses everything. After 5 years he is ready to meet a boy named Kajal(5 years old) who always wait to see his father's face. Is Kajal Apu's son? If yes, does Kajal accept him as a father?...to know everything you should watch the movie which is easily available on torrent.

        There have no error in direction. You can feel a different taste. Acting is everywhere perfect. Great work is done by Soumitra Chatterjee(as Apu), Sharmila Tagore(as Aparna, wife of Apu) and other actors. Alok Chakravarty who acts in a very sort periods as the 5 years old boy touches the heart. Director is successful to reflect the story in his three trilogy. So before watching Apur Sansar(3rd part,called it in Bengali) you should watch 1st Pather Panchali and then Aparajito. Though it is released in 1955-1959, still it is the best i ever seen.
        8Joel-61

        Beautiful poignant film

        I am not usually drawn to slow-moving, "artistic" films. But this film is of rare beauty and insight. I found it much more moving than the first two films in the Apu trilogy. The themes of loss, of running away from grief, and ultimately of reconciliation and responsibility have rarely been handled with a wiser eye.

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        Le visiteur

        Histoire

        Modifier

        Le saviez-vous

        Modifier
        • Anecdotes
          Sharmila Tagore, who plays Aparna, the wife of Apu (played by Soumitra Chatterjee), and who was only 14-years-old when she appeared in the film, later recalled filming the scene in which Apu brings his new bride back to his untidy apartment in the city. The director, Satyajit Ray, gave Tagore no direction, other than that she was to enter the room and look around, and she did not view the apartment set before they shot the scene. So when Chatterjee opened the door and they both walked in, Aparna's reaction to Apu's living quarters was actually Tagore's own spontaneous reaction. Later, she realized that Ray deliberately did not prepare her, in order to obtain exactly that spontaneous response from her.
        • Gaffes
          When Apu arises from bed, there is a spilled inkwell on his left side. However, when he is cleaning up the mess, there is an ink stain on the right side of his shirt.
        • Citations

          Pulu: So are you writing anything? What are you writing?

          Apurba Roy: A wonderful novel.

          Pulu: And you've kept it mum all this time?

          Apurba Roy: You know a good publisher?

          Pulu: All in good time.

          Apurba Roy: Listen to this: a young boy. A young boy. A village boy. Poor but sensitive. His father's a priest. The father dies. The boy comes to the city. He doesn't want to be a priest. He'll study. He's ambitious. He studies. Through his education and struggles, we watch as he sheds his old superstitions and fixed views. He questions everything and takes nothing on trust. Yet he has imagination and sensitivity. Little things move him and bring him joy. Perhaps he has greatness in him, the ability to create, but...

          Pulu: He doesn't make it.

          Apurba Roy: That's right. But it doesn't end there. It's not a tragedy. He does nothing great. He remains poor, in want. But he never turns away from life. He doesn't run away. He wants to live. He says living itself brings fulfillment and joy. He wants to live!

        • Autres versions
          There is an Italian edition of this film on DVD, re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
        • Connexions
          Featured in Apur Panchali (2013)
        • Bandes originales
          For He's a Jolly Good Fellow
          Played by the band

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        FAQ18

        • How long is The World of Apu?Propulsé par Alexa

        Détails

        Modifier
        • Date de sortie
          • 1 mai 1959 (India)
        • Pays d’origine
          • India
        • Langue
          • Bengali
        • Aussi connu sous le nom de
          • The World of Apu
        • Lieux de tournage
          • Inde
        • société de production
          • Satyajit Ray Productions
        • Consultez plus de crédits d'entreprise sur IMDbPro

        Box-office

        Modifier
        • Brut – États-Unis et Canada
          • 134 241 $ US
        • Fin de semaine d'ouverture – États-Unis et Canada
          • 16 064 $ US
          • 10 mai 2015
        • Brut – à l'échelle mondiale
          • 134 241 $ US
        Voir les informations détaillées sur le box-office sur IMDbPro

        Spécifications techniques

        Modifier
        • Durée
          1 heure 45 minutes
        • Couleur
          • Black and White
        • Mixage
          • Mono
        • Rapport de forme
          • 1.37 : 1

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