The Sheepman

"The Sheepman" is a comedy-drama...with an emphasis on either that changes throughout the course of the movie. It begins with Mr. Sweet (Glenn Ford) arriving in a new town and thoroughly ticking off almost everyone he meets. Why would be behave so? Apparently, he expects to be hated and he's just speeding up the process. And, the reason to hate him? He's planning on raising sheep in the range--a place where cattle is king and folks hate sheep! The rest of the film is about how the town tries to get rid of Sweet and how the clever Sweet takes to this unkindness.

Aside from some amazingly crappy rear projection used throughout the movie, it's a rather unusual and enjoyable film. The mood is odd however...at times a bit funny and at others deadly serious.

Although "The Sheepman" is full of comic moments, none of them could quite be considered to be of the parody or even the self-reflexive variety. George Marshall's 1958 western was produced a few years before the genre began imitating television westerns by moving in that direction with films like "Cat Ballou" and "Support Your Local Sheriff". Most of this film's humor comes from the off-kilter nature of Glenn Ford's cowboy hero Jason Sweet. He is my all-time favorite Ford character, alternating between standard western hero and detached manipulator. His scenes with Mickey Shaughnessy (as town bully Jumbo) are funny because they totally break genre conventions. The Coen Brothers have used a similar technique in many of their films, writing dialogue totally mismatched with what one expects from a particular movie stereotyped character. The effectiveness of the device (and its novelty in 1958) led to William Bowers & James Edward Grant receiving an Oscar nomination for the screenplay.

The story gets moving right away as the title character (Sweet) hits the town of Powder Valley, seemingly on a mission to alienate every citizen with whom he comes into contact. This also serves as a quick introduction to most of the supporting cast as he insults the railroad station master (Percy Helton), gives unsolicited advice to a young lady (Shirley MacLaine), tricks the livery stable owner (Edgar Buchanan of "Petticoat Junction" fame); and gets the better of the general store proprietor (Harry Harvey). He then picks a fight with Jumbo (Shaughnessy) and ends the day by announcing his intention to graze sheep on the nearby public lands. This puts him into conflict with a local cattleman named "The Colonel" (a very young and uncharacteristically serious Leslie Neilsen).

MacLaine's often exasperated heroine would serve as inspiration for the Suzanne Pleshette and Joan Hackett characters in "Support Your Local Gunfighter" and "Support Your Local Sheriff".

"The Sheepman" is refreshingly different; witty, unpredictable, and extremely entertaining.

Then again, what do I know? I'm only a child.

Terrific M-G-M oater with both a comedic and a romantic slant has Glenn Ford playing the new sheep farmer in a cattle community; he deliberately stirs up trouble for himself with the locals, particularly villainous old acquaintance Leslie Nielsen, when reminding them that the grazing land is his to use as well--and if they wanna run him out of town, he'll fight them to the bitter finish. Shirley MacLaine is at the peak of her charms as a sarcastic gal who initially plays both sides of the fence. Very entertaining western with colorful production makes no overtures to deep meanings or powerful statements. On the frivolous side though it may be, it is one of the most satisfying westerns of the 1950s. Screenwriters William Bowers and James Edward Grant (Oscar-nominated) have fashioned a surefire character for Glenn Ford, who is irresistible. Good show! *** from ****

This movie is played for laughs, particularly in the early scenes. The Fall scenery of the Colorado Rockies is gorgeous. The pretty title theme by composer Jeff Alexander reappears later in another Glenn Ford outing, "The Rounders". The strong cast includes Glenn Ford, Shirley McLaine, and Leslie Nielson. Edgar Buchanan is particularly good in a supporting role.

This movie is fun to watch. Ford is good as the sheepman and Shirley McLain does well with her role as the almost-wife of bad guy Leslie Nielson. The film is a little short on action, but the witty script more than makes up for it. Most of the action occurs at the end with Sheepman Ford shooting the bad guys.

I particularly enjoyed Shirley McLain's performance. The script gives her a character with some potential and she makes the most of it. If she's done another Western I can't remember what it is.

>

It's hard not to like Glen Ford. He made some terrific westerns. Some call this one a comedy. Light hearted yes, perhaps in the same vane as McClintock. But not a comedy. The real charm is the script I reckon. It's natural, clever and kind of real. Sweet is a cool character who can be ruthless instantly. The pacing is good thanks to the script and the actors are engaging. I have to say, there's not a great deal of chemistry between McClaine and Ford and her personality is too "modern" for me; if that makes sense. Anyhow, it's not a film that requires too much analysis. It's just a really enjoyable flick.