Ajouter une intrigue dans votre langueScenes from the Grand Canyon set to Ferde Grofé's "Grand Canyon Suite."Scenes from the Grand Canyon set to Ferde Grofé's "Grand Canyon Suite."Scenes from the Grand Canyon set to Ferde Grofé's "Grand Canyon Suite."
- Director
- A remporté 1 oscar
- 1 victoire au total
Avis en vedette
Academy Award-winning short subject was the movie prelude for many of the early showings of Walt Disney's "Sleeping Beauty" in 1959--and while the two pictures could not be further apart in subject matter, each includes the sweep and spectral beauty (one live action, one animated) courtesy of the Disney Studio. I'm not sure whether Ferde Grofe's music suite was inspired by the sights of the Grand Canyon or whether the footage here inspired Grofe, but either way the pieces are lovely (grand in their own right). The first section, introducing us to the mountains and valleys of Arizona (with clouds hanging low in the sky, casting deep, dark shadows on the desert below), is certainly the best. The waters of the Colorado River are hypnotizing to watch (the intricate culmination of rage and steady flow of the Colorado puts on a show for us all by itself, and the camera-work and editing here are superlative). The wilderness footage is reminiscent of Disney's True-Life Adventure films, however this portion--albeit brief--may have been handled with more care (there's some 'funny' music to accompany a snake slithering up a hill, but the tone of "Grand Canyon" is surprisingly solemn). On the big screen, this must have looked (and sounded) majestic and prestigious--no wonder it copped the Oscar, it probably dwarfed the competition. *** from ****
An uneven but beautiful attempt to do an early widescreen "music video" with Grofe's Grand Canyon Suite. The musical sequences are competently performed, though edited for time, and they do not appear strictly in order. What matters about this film are the visual elements. The Painted Desert sequence is as beautiful yet austere as the music, however it drags a bit. In the "Sunrise" sequence a trip down the Colorado climaxes in shooting the rapids. Innovative, but the constant downward angle with no sky ahead becomes claustrophobic. Just when you think it's going to be a so-so movie, it picks up beautifully as "On the Trail" displays the wildlife in a sensitive, natural and compelling way. The sunset and cloudburst sequences--well--see it for yourself. I won't spoil it for you. The movie involved a lot more thought than it appears. Finally, they released it in widescreen on the Deluxe Edition DVD of Sleeping Beauty. A long overdue reissuance, and very appropriate since they debuted together in the cinema.
Disney deservedly won an Oscar for this mostly well-executed documentary. Visually breathtaking, the narration has a kind of monotone, almost flat-lined quality that would practically served as a cure for insomnia in most instances. This is an Achilles heel for a great number of Disney documentaries-narration. All too often, it either drones or is too cute by at least half. Still quite good here for the visuals. Recommended.
Edit: I've been meaning to get back to this comment for some time now, for more than a couple of years now, because I watched it again back in 2003 or so, when watching the tape I recorded it on from a broadcast off the Disney Channel and realized (to my embarrassment) that I'd been mistaken in recalling it as having narration-it has only a musical score with no voice-over. I want to correct the mistake, but I choose to leave the original comment in place, as I made the mistake and it's been here for five years. Wiping it out would be self-serving. An explanation and addition is called for. I will say that I've seen this in widescreen on the Special Edition release of Sleeping Beauty and it's even more impressive in the proper ratio than it is in pan-and-scan. It isn't perfect, but it is one of Disney's better live-action short films and deserved to win its Oscar. It and Sleeping Beauty are well worth getting. Recommended.
Edit: I've been meaning to get back to this comment for some time now, for more than a couple of years now, because I watched it again back in 2003 or so, when watching the tape I recorded it on from a broadcast off the Disney Channel and realized (to my embarrassment) that I'd been mistaken in recalling it as having narration-it has only a musical score with no voice-over. I want to correct the mistake, but I choose to leave the original comment in place, as I made the mistake and it's been here for five years. Wiping it out would be self-serving. An explanation and addition is called for. I will say that I've seen this in widescreen on the Special Edition release of Sleeping Beauty and it's even more impressive in the proper ratio than it is in pan-and-scan. It isn't perfect, but it is one of Disney's better live-action short films and deserved to win its Oscar. It and Sleeping Beauty are well worth getting. Recommended.
This is a very interesting and well executed documentary. It consists mostly in images and visuals, leaving dialogs for last place.
The visuals, sceneries and landscapes of the Grand Canyon are truly breathtaking. I'll go even farther as describe them as majestic, stunning, gorgeous and one of the world's seven wonders.
Every detail captures our attentions: those gigantic mountains, the immense desert such place is, the sun shining all over the place, the luminosity, those magical waters... all of this creates a fantastic, out-of-this-world environment.
In fact, looking at this documentary, I can't help but think of "2001: A Space Odyssey". The legendary Kubrick's film has a sequence with apes which lasts about 15 minutes in the beginning - its sceneries, landscapes and the place itself looks incredibly similar to what we see here. I bet this inspired "2001: A Space Odyssey". The fact that this documentary features classical music as background accents even more these similarities.
This documentary, which came out in 1958, is included as a bonus in the 2008 Special Edition DVD of Walt Disney's "Sleeping Beauty". Frankly, I don't see what this has to do with "Sleeping Beauty". Not that it matters. It's a great documentary, so who cares if this has something to do with the movie or not? In "The Rescuers" DVD, there is a documentary about water birds which has little to do with the movie, but it's a good documentary anyway.
The visuals, sceneries and landscapes of the Grand Canyon are truly breathtaking. I'll go even farther as describe them as majestic, stunning, gorgeous and one of the world's seven wonders.
Every detail captures our attentions: those gigantic mountains, the immense desert such place is, the sun shining all over the place, the luminosity, those magical waters... all of this creates a fantastic, out-of-this-world environment.
In fact, looking at this documentary, I can't help but think of "2001: A Space Odyssey". The legendary Kubrick's film has a sequence with apes which lasts about 15 minutes in the beginning - its sceneries, landscapes and the place itself looks incredibly similar to what we see here. I bet this inspired "2001: A Space Odyssey". The fact that this documentary features classical music as background accents even more these similarities.
This documentary, which came out in 1958, is included as a bonus in the 2008 Special Edition DVD of Walt Disney's "Sleeping Beauty". Frankly, I don't see what this has to do with "Sleeping Beauty". Not that it matters. It's a great documentary, so who cares if this has something to do with the movie or not? In "The Rescuers" DVD, there is a documentary about water birds which has little to do with the movie, but it's a good documentary anyway.
One critic at the time said this short had "Fire, splendor and tenderness." I would agree.
I think the reasons it was originally teamed with Sleeping Beauty were: 1) Both used great music, although SB's Tchaikovsky was lightened a bit. 2) Both were in multi-channel stereo, and the theaters exhibiting SB during the first several months had to be equipped for 70mm to qualify, therefore were also equipped for multi-channel stereo. SB was in Super Technirama 70 and 6 channel stereo, and Grand Canyon was in 35 mm CinemaScope and 4 channel stereo.
I think the reasons it was originally teamed with Sleeping Beauty were: 1) Both used great music, although SB's Tchaikovsky was lightened a bit. 2) Both were in multi-channel stereo, and the theaters exhibiting SB during the first several months had to be equipped for 70mm to qualify, therefore were also equipped for multi-channel stereo. SB was in Super Technirama 70 and 6 channel stereo, and Grand Canyon was in 35 mm CinemaScope and 4 channel stereo.
Le saviez-vous
- AnecdotesThe order of some of the music has been changed. In the original suite, "Sunrise" comes before "The Painted Desert". In the film, the two selections are switched so that "The Painted Desert" comes first. In the suite, "Cloudburst" is the last movement, while in the film, "Sunset" is the final selection, and the ending of "Cloudburst" is attached to the end of "Sunset". Disney had done a similar re-sequencing of sequences from "The Rite of Spring" in Fantasia (1940)
- ConnexionsFeatured in The Fantasia Legacy: The Concert Feature (2000)
- Bandes originalesGrand Canyon Suite
Music by Ferde Grofé Sr.
Played by uncredited orchestra
Conducted by Frederick Stark
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Durée29 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Grand Canyon (1958) officially released in India in English?
Répondre