Ajouter une intrigue dans votre langueA blind American Army officer becomes involved in a murder mystery and solves it after regaining his sight.A blind American Army officer becomes involved in a murder mystery and solves it after regaining his sight.A blind American Army officer becomes involved in a murder mystery and solves it after regaining his sight.
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Robert McKenzie is a US tank officer who is temporarily blind. He goes to visit a friend, finds a corpse, and two men knock him out. When he wakes up, he's back in the base hospital. The doctor tells him he knocked himself out falling down a stair. The Scotland Yard inspector who's there tells him that he's mistaken. Later, when his eyes are back in working order, he investigates on his own. The clues all point to a young pilot who died in a crash a year earlier.
It's from the usually reliable producing team of Monty Berman and Robert S. Baker, but it's a terrible movie. Sometimes it's hard to tell if a script is bad, or the actors are not very good. I was doubly confounded by McKenzie's performance. He adopts one of those flat accents that English people with poor ears think is typical of Yanks; in this case, it occasionally slides into Irish lilts. In addition, he does not act like a man who is recently blind. When sightless, he never turns to look at whoever is speaking. Other problems with the script is that no one ever addresses him by his army rank, even though he is a serving officer, and the mystery of whodunnit was apparent about twenty minutes in, despite an utter lack of clues.
Gordon Jackson and John Le Meseurier have prominent roles, which they manage decently, despite the illogical writing.
It's from the usually reliable producing team of Monty Berman and Robert S. Baker, but it's a terrible movie. Sometimes it's hard to tell if a script is bad, or the actors are not very good. I was doubly confounded by McKenzie's performance. He adopts one of those flat accents that English people with poor ears think is typical of Yanks; in this case, it occasionally slides into Irish lilts. In addition, he does not act like a man who is recently blind. When sightless, he never turns to look at whoever is speaking. Other problems with the script is that no one ever addresses him by his army rank, even though he is a serving officer, and the mystery of whodunnit was apparent about twenty minutes in, despite an utter lack of clues.
Gordon Jackson and John Le Meseurier have prominent roles, which they manage decently, despite the illogical writing.
I caught this minor gem many years back on afternoon tv. I was very entertained by the plot of an American Army officer who is stationed in contemporary (late 50's) England, suffers a brain injury that blinds him, and while trying to find the address of a friend enters the wrong flat (still blind), gets thumped on the head by an unknown assailant who promptly takes off, and leaves our hero cured of his blindness--and in the middle of a big crime conspiracy...all in the first ten minutes of the film! Movie buffs may remember this for Michael Caine's bottom-listing in the opening credits(it turns out he has lot more to do with the plot than first apparent. My favorite feature of this is hero Robert Mackenzie( whom you may recognize as the antagonist Gibbons in "Fiend Without A Face") trying very hard --and almost succeeding--in hiding his Scots accent. If you see it in your listings, give it a look.
The only reason for watching this spectacularly undistinguished little clinker is the presence of Michael Caine thirteenth in the cast list. We see his framed photograph early on and he's talked about a lot before finally emerging smirking from the shadows like Harry Lime in 'The Third Man'.
The story starts like 'The Day of the Triffids' with the hero temporarily blinded following treatment to his eyes. A lot then happens before you reach the conclusion but you won't care; and Delphi Lawrence is completely wasted as the foreign-accented femme fatale who puts in an occasional appearance.
Every now the music on the soundtrack barges in to tell you something dramatic has just happened; which, annoying as it is, is probably just as well since that's the only way you'd know.
The story starts like 'The Day of the Triffids' with the hero temporarily blinded following treatment to his eyes. A lot then happens before you reach the conclusion but you won't care; and Delphi Lawrence is completely wasted as the foreign-accented femme fatale who puts in an occasional appearance.
Every now the music on the soundtrack barges in to tell you something dramatic has just happened; which, annoying as it is, is probably just as well since that's the only way you'd know.
Good fun...with R Mckenzie sounding a bit like Connery in the untouchables...difficult to lose that Scots accent eh ..great to see all the future famous actors... 2 out of dads army..also a very young G Jackson...and M Caine..plot a bit run of the mill...sort of british noire...but the soon to be famous actors step it up a notch.
To a-mccleave
You can see this film on Talking pictures TV.
If you have a Humax Freeview Box you will be able to record it and keep it indefinately.
Hope this helps.
Donald
Le saviez-vous
- AnecdotesLook out for an uncredited Arthur Lowe as the mechanic in the garage.
- GaffesAt the end when Michael Caine crashes his car, the inspector says "There's nothing we can do" but his lips are saying something different.
- ConnexionsReferenced in Svengoolie: Fiend Without a Face (2021)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Der blinde Rächer
- Lieux de tournage
- Walton Studios, Walton-on-Thames, Surrey, Angleterre, Royaume-Uni(studio: made at)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 12m(72 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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