Quatermass and the Pit

A remarkable 6-part television "mini-series" from the 1950s, this programme is an object lesson in how much can be achieved with comparatively little. By modern standards the special effects are almost non-existent, the camera work is poor and often badly focussed, the continuity between episodes is occasionally bad, the acting is a little sloppy, etc. However none of these mere technical problems matter because they are all forgotten as the viewer is swept away by the intelligence, ingenuity and originality of the plot, which becomes totally involving. The shadowy black-and-white scenes and the excellent (often electronic) soundtrack create a brooding and tense atmosphere which is just right. At 3 hours in length (with an intermission break in the middle) this makes a perfect night's viewing for science fiction fans who can appreciate a good story well told.

Quatermass and the Pit was remade 9 years later and although it is a much leaner, faster film (at only 90 minutes in length) it also has much to offer. See both and enjoy both.

Quatermass and the Pit is a truly remarkable piece of television. An excellent script, brilliant atmospheric direction and great performances from the cast. Anthony Bushell's Colonel Breen is an utterly unlikable character without being a clichéd hissable villain figure. The guy is so uptight you can almost feel his buttocks clenching! Cec Linder is a very likable character and his friendship with Quatermass is totally believable. As for Quatermass himself... whilst Brian Donlevy played a totally different character (let's be honest the character in the first two Hammer movies is Quatermass in name only, or should that be'Quittermuss'?) John Robinon was really good in the role, Reginald Tate, Andrew Keir and John Mills were all excellent but Andre Morell makes the role his own and completely outshines all the other very fine actors who played this part. He's a charismatic figure full of charm, authority and compassion (if I was a scientist I'd like to be this guy!). Morell is totally convincing in all aspects of the role, whether arguing with pompous ministers or fighting the Martian influence he carries the whole thing along with considerable style. Rudolph Cartier creates a truly chilling atmosphere, complimented by the sinister incidental music. The design is also magnificent. The Martians were an inspired design and Hammer's version of the creatures ten years later are very poor in comparison. A brilliant piece of television science fiction, rarely (if at all) equalled in nearly fifty years!

Oh boy, do I remember this one ! I can only agree with all the reviewers' comments so far. I was 10 at the time, and our TV had broken down, so I went to watch it a couple of streets away. This was the episode that ended with Sladdon running to the churchyard and the gravel path starts rippling . . . . I have never run so fast as I ran home that evening ! Wonderful plot - it can still make the hairs on my neck stand up just recalling it all.

I first watched this when it was first broadcast during the autumn/winter 1958/1959 and it had me on the edge of my seat throughout. I bought the video a few years ago and even though the editing spoiled the end of episode cliffhangers it is still worth seeing. This was BBC Drama at its best. Made on a low-budget, it was wonderfully produced and acted. Who could ever forget those special moments: The Corporal who saw a ghost walk through the wall; the opening of the missile revealing three long dead Martians; and the drill operator running through the streets of London as if was being pursued by real Martians; and the final scenes of the Devil hovering above a ruined London. A classic indeed.

I've only found this site today, and it's tremendous to know that so many commentators felt about the BBC 1958 original in exactly the same way that I did. (I was far too young to watch it - only ten! - and spent most of the episodes peering out from behind the armchair...) I read recently that the classic scary moment when one of the disinterred Martians suddenly falls through its supports was actually a repeat of an accident that took place in rehearsal, and which the special effects people kept in the final version. I would personally highlight the title and incidental music, by Trevor Duncan (who was also the composer of the "Dr Finlay" theme music), which seems to me to be the final vital ingredient in creating the chilling atmosphere we all experienced. It's marvellous news that BBC Worldwide are going to release a DVD set of all the surviving episodes of all three BBC Quatermass serials in April 2005. If I can only dare to watch them!