Le faux coupable

Based pretty much on the actual events & people of a miscarriage of justice that took place in Queens County, New York in the early 50's. The names of most of the people who took part in the event are unchanged in the movie and the location shots where the actual events took place add a touch of dark realism to the movie. The basic plot revolves around a musician who worked at the world famous Stork Club who was mis-identified by witnesses and arrested because he resembled an armed robber. Hitchcock dwells on the slow descent into helplessness and powerlessness that a citizen endures as he wends his way through the NYC (or any other) criminal justice meat grinder. There are chilling shots of his transport , by paddy wagon, into the Ridgewood Felony court and the Long Island City House of Detention. The lawyer he hired, Frank O'Connor, (his real name) went on to become District Attorney of Queens county and was later heavily involved in the infamous Kitty Genovese case. Not your typical Hitchcock film but one well worth seeing if for no other reason than to see one of Henry Fonda's better performances as the quietly stunned Christopher Emmanuel (Manny) Balestrero who sees his life, career and family endangered by forces he has little control over.

This is a very underrated Hitchcock film that features amazing performances from it's two stars, Henry Fonda and (especially) Vera Miles. It is a sad, cynical offering from the Master Of Suspense that has a familiar theme (the title says it all), yet it also is perhaps one of Hitch's most unusual works.

The films runs more like a documentary in it's approach, and it feels inherently 'real'. The casting of 'everyman' Fonda in the role of Manny Balestero, a man accused of crimes he did not commit, works very well as we can feel empathy for Fonda and place ourselves in his position. Ditto with Miles. She is so convincing in her role as the mentally fragile wife Rose that her scenes are almost uncomfortable to witness. Portraying a person self-destructing is one of the hardest tasks an actor can face, but Miles does it subtly and movingly. It is a brilliant performance that ranks alongside Bergman's role in 'Notorious' and Wright's 'Charlie' in 'Shadow Of A Doubt' for best female acting honors in a Hitchcock film.

'The Wrong Man' has a sentimental, tender yet dark atmosphere. The sentimentality is perhaps due to the fact that the central action revolves around a family grouping in this film.There are no elaborate scenes of courtship and romance as in 'Vertigo' or sexy double entendres seen in 'Notorious'- Instead, we get the feeling that this is a real, normal family we are watching unravel at the seams due to the crimes of another.

Appropriately slow-moving to keep in check with Hitch's low-key approach for this one. New York in the 1950's was possibly never photographed so darkly real as it is here. Boasting great performances from the two leads, this is a must-see Hitchcock.

Before i watched The Wrong Man, a lot of people were saying bad things about it, saying it was one of hitchcock's masterpieces gone wrong... and that the acting was wooden and the rest of it, but whatever you do, do not listen to any negative comments about this film!! it is absolutely brilliant !!! It was Hitchcocks first and only documentary style thriller and it works beautifully i think !!! It's based on a true story and i love the opening sequence when Hitchcock tells you about it being a true story... it is very different to any other Hitchcock film you've ever and i think will ever see, but it's brilliant. In my opinion he should have done more films like this.... Also Henry Fonda is absolutely wonderful as Manny... the whole way he handles the situation is wonderful to watch.... Also Vera Miles is amazing as the distressed wife... her perhaps best performance on screen !!

Over all my last words to you would be ... don't listen to negative reports go out and see this film !! it's brilliant and definitely a new and unique Hitchcock Film !!!!!!!!

A must see for all Hitchcock fans !!!

THE WRONG MAN is a bleak Alfred Hitchcock movie filmed in suitably low-key style with crisp B&W photography and two very deeply felt performances by HENRY FONDA and VERA MILES.

Hitch's fear of police (traumatic experience as a youth) serves him well in crafting the kind of intimidation a man feels when he's unjustly accused of a crime he hasn't committed. Eyewitnesses place him at the scene of the crime and the police are ready to lock him up and put him away in prison.

The only one who believes in him (or his innocence) is his wife, VERA MILES, but she begins to undergo serious mental stress as the situation seems to get more and more hopeless. Eventually, she is driven to the brink of insanity and her heart hardens toward her husband. Vera Miles is excellent in the role, subtle and completely believable.

What distinguishes THE WRONG MAN from other Hitchcock films is that it's all filmed in a brisk, documentary style that leaves no room for the usual gimmicks. It's about as straightforward in its story-telling manner as any of his films has ever been, based on a true life incident in the life of a man falsely accused.

Summing up: Well worth watching, but not unless you're willing to be more than a little depressed by the somber mood.

Although the theme of "The Wrong Man" could apply to several of Hitchcock's more famous thrillers, this movie is unique in holding closely to a series of events as they actually happened. That means there is a lot less of some of the usual Hitchcock features, such as his famous set pieces or his subtle humor. They are replaced by a different kind of suspense, still done with Hitchcock's usual craftsmanship.

Henry Fonda and Vera Miles play a factual ordinary couple whose lives are thrown into turmoil when the police confuse the husband with a man who has been committing a series of robberies. The first part of the movie concentrates on the nightmare he undergoes in being interrogated, jailed, and arraigned. Fonda's convincing acting, along with Hitchcock's detail-oriented filming, enable the viewer to feel the anxiety and helplessness of an innocent man being horribly misjudged. In the second part of the movie, as Fonda gets ready to go to trial, the ordeal finally starts to take its toll on his wife.

Although this has to be ranked as a minor work compared to Hitchcock's long list of masterpieces, it is a worthwhile film in its own right, as long as you have the right expectations in watching it. It can be quite uncomfortable to watch these things happen when you know that it all really occurred, and Hitchcock uses his skill to help us see just what an ordeal it was.