Une ville paisible de la Nouvelle-Angleterre cache des secrets et des scandales.Une ville paisible de la Nouvelle-Angleterre cache des secrets et des scandales.Une ville paisible de la Nouvelle-Angleterre cache des secrets et des scandales.
- Nommé pour 9 oscars
- 2 victoires et 17 nominations au total
Avis en vedette
Grace Metalious' explosive best-selling novel is given the Hollywood treatment in 1957's "Peyton Place". Devoid of so much of the nonsense that has been known to permeate other melodramas, "Peyton Place" is a beautifully filmed, effective film that uncovers the hidden scandals of a quaint, New England town. With fine acting, score and cinematography, this screen classic translates well from its literary heritage. And the film's unraveling of the town's secrets is handled well - building up like a ball of snow as each successive scandal is unearthed.
We meet the townspeople from the point-of-view of Allison Mackenzie(Diane Varsi), the sweet and sheltered daughter of Constance(Lana Turner). Constance struggles to be a good mother and community member, while rebuffing the advances of handsome school principal, Michael Rossi(Lee Philips). On the other side of the tracks live Constance's housekeeper whose daughter, Selena(Hope Lange), struggles as a victim of abuse by her own step-father. In the midst of these primary plots are several other tales revolving around sex, love and the war. No one is immune to the reveal of secrets, which have a domino effect all across town.
"Peyton Place" shook the foundation of Hollywood's censorship board by exposing such taboo topics as sexual abuse and abortion, but not once does it come off as exploitative. On the contrary, the film is firmly grounded in emotion and genuine feeling. And while the movie straddles the line of good taste, a plot involving the war effort and its effect on the young men of Peyton Place proves to be profound. Lana Turner does her job well as the repressed mother. In fact, heated passion can be sensed underneath her aloof, icy-cold exterior - a chill factor even more effective 2 years later in "Imitation of Life". And the incredibly good-looking Lee Philip is a perfect match the screen beauty. But it is really with the sensitive performances of Diane Varsi and Hope Lange that this film gains its legs. And Lloyd Nolan cannot be overlooked as the town's warm-hearted doctor. "Peyton Place" could have been a heaving, overblown showcase, but instead made its way into becoming an important melodrama that has stood the test of time.
We meet the townspeople from the point-of-view of Allison Mackenzie(Diane Varsi), the sweet and sheltered daughter of Constance(Lana Turner). Constance struggles to be a good mother and community member, while rebuffing the advances of handsome school principal, Michael Rossi(Lee Philips). On the other side of the tracks live Constance's housekeeper whose daughter, Selena(Hope Lange), struggles as a victim of abuse by her own step-father. In the midst of these primary plots are several other tales revolving around sex, love and the war. No one is immune to the reveal of secrets, which have a domino effect all across town.
"Peyton Place" shook the foundation of Hollywood's censorship board by exposing such taboo topics as sexual abuse and abortion, but not once does it come off as exploitative. On the contrary, the film is firmly grounded in emotion and genuine feeling. And while the movie straddles the line of good taste, a plot involving the war effort and its effect on the young men of Peyton Place proves to be profound. Lana Turner does her job well as the repressed mother. In fact, heated passion can be sensed underneath her aloof, icy-cold exterior - a chill factor even more effective 2 years later in "Imitation of Life". And the incredibly good-looking Lee Philip is a perfect match the screen beauty. But it is really with the sensitive performances of Diane Varsi and Hope Lange that this film gains its legs. And Lloyd Nolan cannot be overlooked as the town's warm-hearted doctor. "Peyton Place" could have been a heaving, overblown showcase, but instead made its way into becoming an important melodrama that has stood the test of time.
10acukurin
A sheer number of society issues this film covered is staggering, and it was done in warm and kind way, with great scenario and good performances from the actors. The only sad thing is that most of the themes they covered are still taboo and unresolved in 2020. Really enjoyable film, glad I had the chance to watch it!
10nowlang
Peyton Place is a great and realistic observation of human behavior taken in the context of when and where it was written, no matter how shocking truth may appear. After years of medical practice, I have lived many experiences not unlike that of Dr. Swain in this novel/movie. I saw "Peyton Place" for the first time in my late forties as part of a CineClub presentation. I grew up naively in a small North East farm town in the late 50's. My grand uncle was our local Country Doctor. I was frightened if not scandalized by the big city lifestyle when I moved to the city to attend medical school. He assured me that "we" had the same "scandals" in our community, it was just "hidden or kept secret". In all honesty, I had already witnessed some of these issues as they shook my own family of origin. Later, I returned to practice in a rural town. As I got closer to the native citizens, I discovered many secrets, secrets not unlike some of the tragic events that took Peyton Place by storm. As I grew older (and hopefully wiser), I realized that each town has their own "Peyton Place". It's all around us, it's is part of our human nature, part of it is in each one of us. Mrs. Metalious, the author of this great novel, paid the price of her own honesty with her life. This novel and the movie that it is based on, have to be taken in the time context it was created. Unfortunately, many of these events are still taking place around us today. I have witnessed them through my interaction with many patients and friends. Love, lust, passion, ambition, greed, envy... are all basic instincts that drive us through the meanders of life, some leading us to good outcomes others to tragedy. I recently returned from our occupation in Iraq where I was severely injured in combat, ending my career as a physician. I saw the best and also the worst of what man can do to mankind. I witnessed many issues that I saw in Peyton Place, only on a larger scale. Peyton Place bears witness to a part of the world we live in, it is in all of us. The events taking place in her youth were the source of Grace Metalious' novel and shaped the course of her story. I highly recommend this movie, it is part of history, our American history, good or bad. Finally, I greatly appreciate all the viewers that take time to share their opinion about movies with the readers through IMDb's Comments Place. May God or your "Higher Power" bless you all, GLN.
Okay, so I wasn't alive in the 50s. But my father certainly was.
He recommended this movie to me, and I have to say -- I was impressed.
It represents one of the few mainstream films of the era that presented day-to-day life as it really was. Peyton Place is a movie that strips away the candy-coated exterior which surrounds many a 50s film, and shows the raw and flawed lives of people who are struggling with issues that viewers in today's society can still relate to.
Although a different genre, it wasn't until I delved deeper into Film Noir that I discovered more films that presented an edgier and raw window into the world of the 40s and 50s. I appreciate a writer or director that has the guts to risk losing viewers by insisting on honest presentation of culture or events.
This film is worth a look.
He recommended this movie to me, and I have to say -- I was impressed.
It represents one of the few mainstream films of the era that presented day-to-day life as it really was. Peyton Place is a movie that strips away the candy-coated exterior which surrounds many a 50s film, and shows the raw and flawed lives of people who are struggling with issues that viewers in today's society can still relate to.
Although a different genre, it wasn't until I delved deeper into Film Noir that I discovered more films that presented an edgier and raw window into the world of the 40s and 50s. I appreciate a writer or director that has the guts to risk losing viewers by insisting on honest presentation of culture or events.
This film is worth a look.
The Granddaddy of all soap operas, Peyton Place has its place in film and television history. When the steamy best seller by Grace Metalious and film by Jerry Wald and 20th Century Fox were converted into a television series, it set a standard for evening prime time soap operas that some will argue has never been equaled.
Times have surely changed. Set in New England as it is if Peyton Place existed it's now in the vanguard of blue state America. But in 1941 Peyton Place in New England would probably have enjoyed keeping cool with native son Calvin Coolidge and no doubt voted for Hoover, Landon, and Wilkie instead of that radical FDR in the White House.
In this prim and proper New England town it's all about keeping up appearances. Everybody knows everyone so if things aren't quite fitting the America of Norman Rockwell you keep them behind closed doors.
Like Lana Turner never bothering to tell daughter Diane Varsi that she's an out of wedlock child, like poor Russ Tamblyn not being able to relate to the opposite sex in his teen years, like Hope Lange living with a brutal rampaging father in Arthur Kennedy who physically abuses her mother Betty Field and does more than that with her.
Leon Ames as the town's employer, owner of the mill where most of the town works maybe the leading citizen, but the town's moral authority is Lloyd Nolan, a very wise and caring doctor, the kind of small town doctor who's a passing memory.
It's impossible to describe the plot of Peyton Place because there are so many strands in the plot fabric. It all works very well courtesy of screenwriter John Michael Hayes and director Mark Robson. The whole thing is narrated by Diane Varsi as Allison McKenzie who grew up and wrote a book about her home town.
Peyton Place got nine Oscar nominations, but unfortunately lost a lot of awards it was up for to The Bridge On The River Kwai. Lana Turner's one and only nomination came in a year that the Academy voters gave the Best Actress Award to relative newcomer Joanne Woodward. Russ Tamblyn and Arthur Kennedy split the vote and Red Buttons won for Sayonara for Best Supporting Actor and the same thing happened with the Best Supporting Actress with Diane Varsi and Hope Lange splitting for Miyoshi Umeki to win for Sayonara as well.
The Code was still firmly in place and had it not been I think Russ Tamblyn's character would have been more explicitly gay. Here he's a timid young man not comfortable with the opposite sex and not real popular among his own heterosexist males. Then as now, gays are not real comfortable in most small towns.
Still for those who like their big screen soap operas, you'll love Peyton Place, even with changing mores the film holds up well.
Times have surely changed. Set in New England as it is if Peyton Place existed it's now in the vanguard of blue state America. But in 1941 Peyton Place in New England would probably have enjoyed keeping cool with native son Calvin Coolidge and no doubt voted for Hoover, Landon, and Wilkie instead of that radical FDR in the White House.
In this prim and proper New England town it's all about keeping up appearances. Everybody knows everyone so if things aren't quite fitting the America of Norman Rockwell you keep them behind closed doors.
Like Lana Turner never bothering to tell daughter Diane Varsi that she's an out of wedlock child, like poor Russ Tamblyn not being able to relate to the opposite sex in his teen years, like Hope Lange living with a brutal rampaging father in Arthur Kennedy who physically abuses her mother Betty Field and does more than that with her.
Leon Ames as the town's employer, owner of the mill where most of the town works maybe the leading citizen, but the town's moral authority is Lloyd Nolan, a very wise and caring doctor, the kind of small town doctor who's a passing memory.
It's impossible to describe the plot of Peyton Place because there are so many strands in the plot fabric. It all works very well courtesy of screenwriter John Michael Hayes and director Mark Robson. The whole thing is narrated by Diane Varsi as Allison McKenzie who grew up and wrote a book about her home town.
Peyton Place got nine Oscar nominations, but unfortunately lost a lot of awards it was up for to The Bridge On The River Kwai. Lana Turner's one and only nomination came in a year that the Academy voters gave the Best Actress Award to relative newcomer Joanne Woodward. Russ Tamblyn and Arthur Kennedy split the vote and Red Buttons won for Sayonara for Best Supporting Actor and the same thing happened with the Best Supporting Actress with Diane Varsi and Hope Lange splitting for Miyoshi Umeki to win for Sayonara as well.
The Code was still firmly in place and had it not been I think Russ Tamblyn's character would have been more explicitly gay. Here he's a timid young man not comfortable with the opposite sex and not real popular among his own heterosexist males. Then as now, gays are not real comfortable in most small towns.
Still for those who like their big screen soap operas, you'll love Peyton Place, even with changing mores the film holds up well.
Le saviez-vous
- AnecdotesSome of the shots of the New England fall were shot for Mais qui a tué Harry? (1955).
- GaffesAll of the women's hair styles and clothing are strictly 1957, not 1941.
- Citations
Mr. Harrington: This job starts at 3,000 a year.
Michael Rossi: Then we're all wasting our time. That's only $5 a week more than I was making as a teacher, Mr. Harrington
Mr. Harrington: But this offers you security -- a long term contract.
Michael Rossi: Guaranteed poverty is not security.
- Autres versions(Spoiler) Originally premiered at 162 minutes. Cut by 5 minutes, shortly after premiere, reputedly in the scene involving the murder of Arthur Kennedy's character.
- ConnexionsFeatured in 20th Century-Fox: The First 50 Years (1997)
- Bandes originalesWonderful Season of Love (Theme from Peyton Place)
(uncredited)
Music by Franz Waxman
Lyrics by Paul Francis Webster
[Sung by chorus over closing credits]
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Jerry Wald's Production of Peyton Place
- Lieux de tournage
- Camden, Maine, ÉTATS-UNIS(Exterior)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 25 600 000 $ US
- Durée2 heures 37 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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By what name was Peyton Place (1957) officially released in India in English?
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