Ajouter une intrigue dans votre langueA stranger rides into town and says he is looking for a local Indian. Told he left town, the truth everyone has been hiding comes out, including the stranger's true identity.A stranger rides into town and says he is looking for a local Indian. Told he left town, the truth everyone has been hiding comes out, including the stranger's true identity.A stranger rides into town and says he is looking for a local Indian. Told he left town, the truth everyone has been hiding comes out, including the stranger's true identity.
- Director
- Writers
- Stars
Francis McDonald
- Joe Dakota
- (uncredited)
Avis en vedette
JOE DAKOTA, directed by Richard Bartlett in 1957, is one of the best B Westerns I remember watching. Jock Mahoney, Charles McGraw (playing villain against type), Luana Patten, Claude Akins and Lee Van Cleef were all B picture names in 1957. Van Cleef went on to earn some considerable visibility with leading roles in Spaghetti Westerns in the late 60s.
Despite their modest status, all act rather competently in a solid and credible Western done at a point when racism was beginning to come into question in US society and the world at large. As another crit points out, it bears some similarities with the storyline of BAD DAY AT BLACK ROCK, done two years earlier.
In spite of some similarities, the script is very good in that it slowly draws out its real aim. Jock Mahoney does particularly well as the calm stranger with "the gall" to stand up to an entire town to try to learn about the Indian who was hanged for reportedly trying to rape a white girl.
His initial visit to the oil rig, Akins and van Cleef dropping him in the oil pool, and his bath in the town's watering hole are sequences of the highest quality, far above and beyond what one would expect from a B pic.
JOE DAKOTA keeps its slow, deliberate pace throughout, until the final showdown, but it is arresting throughout thanks to credible dialogue.
I had never heard of it, and accidentally found it on Youtube. As an avid Western watcher, I just had to watch this hitherto unknown flick, and I am glad I did.
I recommend it, too!
Despite their modest status, all act rather competently in a solid and credible Western done at a point when racism was beginning to come into question in US society and the world at large. As another crit points out, it bears some similarities with the storyline of BAD DAY AT BLACK ROCK, done two years earlier.
In spite of some similarities, the script is very good in that it slowly draws out its real aim. Jock Mahoney does particularly well as the calm stranger with "the gall" to stand up to an entire town to try to learn about the Indian who was hanged for reportedly trying to rape a white girl.
His initial visit to the oil rig, Akins and van Cleef dropping him in the oil pool, and his bath in the town's watering hole are sequences of the highest quality, far above and beyond what one would expect from a B pic.
JOE DAKOTA keeps its slow, deliberate pace throughout, until the final showdown, but it is arresting throughout thanks to credible dialogue.
I had never heard of it, and accidentally found it on Youtube. As an avid Western watcher, I just had to watch this hitherto unknown flick, and I am glad I did.
I recommend it, too!
This is a pretty nice little western though inspired - it is so obvious - by John Sturge's BAD DAY AT BLACK ROCK. Yes, it is well done, full of charm and charisma, helped by a Jock Mahoney as convincing as ever. There is nothing spectacular, as in any Richard Bartlett's movie, nearly an oater, so for once I advise you to forget cavalry, Indians on warpath, outlaws, and focus on this cute story of a man in search of his pal. It is not a harsh drama, on the contrary, light hearted movie, perfect for sunday matinees at home or in your favourite theater. Of course, Sturges' film was far far better in terms of directing and overall making matters, and the actors different too: Spence Tracy, Bob Ryan, Ernest Borgnine.... But is was not a grade B picture either.
TV's Range Rider tried his hand at big screen westerns and this one, Joe Dakota is one of them. Sad to say though that Jock Mahoney came along a bit too late to be a big screen cowboy hero. And the film while good is not anything you wouldn't see as a Gunsmoke episode.
The plot is considerably borrowed from MGM's Bad Day At Black Rock, but its hero is a soft spoken Tom Destry like character. Jock Mahoney is in the title role and he comes to town looking for someone the locals only knew as 'The Old Indian'. He's disappeared now and a bunch of the locals under the supervision of town tough Charles McGraw are drilling an oil well on the Old Indian's land.
Only it's not his land, it's Mahoney's land which 'the old Indian' was squatting on for Mahoney. Mahoney starts investigating, start asking questions and pretty soon the town is riled. Something McGraw hopes to use when the time comes.
Mahoney does make a good cowboy hero, born a little too late to have made a career on the big screen. I remember him well as the Range Rider during my childhood years. As for 'the Old Indian' and McGraw if you've seen Bad Day At Black Rock you know how this one comes out.
Such fine folks as Luana Patten, Barbara Lawrence, Paul Birch, Claude Akins and Lee Van Cleef fill out the cast. Sad Jock Mahoney came along too late to be a big screen cowboy hero.
The plot is considerably borrowed from MGM's Bad Day At Black Rock, but its hero is a soft spoken Tom Destry like character. Jock Mahoney is in the title role and he comes to town looking for someone the locals only knew as 'The Old Indian'. He's disappeared now and a bunch of the locals under the supervision of town tough Charles McGraw are drilling an oil well on the Old Indian's land.
Only it's not his land, it's Mahoney's land which 'the old Indian' was squatting on for Mahoney. Mahoney starts investigating, start asking questions and pretty soon the town is riled. Something McGraw hopes to use when the time comes.
Mahoney does make a good cowboy hero, born a little too late to have made a career on the big screen. I remember him well as the Range Rider during my childhood years. As for 'the Old Indian' and McGraw if you've seen Bad Day At Black Rock you know how this one comes out.
Such fine folks as Luana Patten, Barbara Lawrence, Paul Birch, Claude Akins and Lee Van Cleef fill out the cast. Sad Jock Mahoney came along too late to be a big screen cowboy hero.
A mysterious stranger (Mahoney) comes to town asking after the whereabouts of former resident Joe Dakota. Townsfolk are not very obliging, which seems to have something to do with a recently drilled oil well and who owns it.
The movie year 1957 was saturated with westerns. This one tries to be different, and largely succeeds. Notice that no one—not even arch-movie villains Van Cleef or Akins—sports a six- gun. And, unless I missed something, not even a single shot is fired. Add to that an oil well, of all things, plus a woebegone little prairie town that's definitely not a studio set, and you've got a different looking western.
Then too, the first part manages some pretty good low-key humor; at the same time, Mahoney gets an oil bath, courtesy the townsfolk, that leaves him looking like a human inkblot. For a western, however, there's not much action and none of the usual suspense of good-guy vs. bad-guy showdown. And truth be told, the basic plot is borrowed from 1955's mega-hit Bad Day at Black Rock. But the writers have added enough clever twists and turns to keep the viewer entertained. All in all, it's an interesting, if not very intense, little western.
(In passing—I checked to see if the oil well was an anachronism for this time period. It's not. The first well was drilled in Pennsylvania in 1859. Also, note that William Tallman who played the DA on the old Perry Mason series is one of the two screenwriters here.)
The movie year 1957 was saturated with westerns. This one tries to be different, and largely succeeds. Notice that no one—not even arch-movie villains Van Cleef or Akins—sports a six- gun. And, unless I missed something, not even a single shot is fired. Add to that an oil well, of all things, plus a woebegone little prairie town that's definitely not a studio set, and you've got a different looking western.
Then too, the first part manages some pretty good low-key humor; at the same time, Mahoney gets an oil bath, courtesy the townsfolk, that leaves him looking like a human inkblot. For a western, however, there's not much action and none of the usual suspense of good-guy vs. bad-guy showdown. And truth be told, the basic plot is borrowed from 1955's mega-hit Bad Day at Black Rock. But the writers have added enough clever twists and turns to keep the viewer entertained. All in all, it's an interesting, if not very intense, little western.
(In passing—I checked to see if the oil well was an anachronism for this time period. It's not. The first well was drilled in Pennsylvania in 1859. Also, note that William Tallman who played the DA on the old Perry Mason series is one of the two screenwriters here.)
I stumbled upon this movie one day on Encore Westerns, our favorite channel and it is very well done! Joe Dakota was well written and played out very nicely. It was sweet and charming along with great character development and extremely witty. Unlike some other classic westerns that are "to cute" and wrap up quickly to a very predictable end, this movie was fluid and swept you right along a smooth ride! A must see for any true classic western lover! Jock Mahoney was great! I will truly look out for more of his work in the future! His role was thought out and kept you thinking and wondering up until that "uh huh!" moment. I can only say I'm disappointed it took me this long to see it!
Le saviez-vous
- AnecdotesWriter Norman Jolley would later adapt his original screenplay for this movie into an episode of the popular western TV series Wagon Train (1957) (Season 6, Episode 34) entitled Alias Bill Hawks (1963) which aired on May 15, 1963.
- GaffesWhen Joe Dakota is taking his bath in the horse trough, sometimes that soap bubbles are in front of him, and sometimes they are behind him.
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La Venganza del Muerto
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 19 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant