Do Ankhen Barah Haath
- 1957
- 2h 23m
ÉVALUATION IMDb
8,4/10
1,9 k
MA NOTE
Ajouter une intrigue dans votre langueProgressive, reform-minded young warden gets permission to take six surly murderers from prison to dilapidated country farm, to rehabilitate it and themselves through hard work and kindly gu... Tout lireProgressive, reform-minded young warden gets permission to take six surly murderers from prison to dilapidated country farm, to rehabilitate it and themselves through hard work and kindly guidance.Progressive, reform-minded young warden gets permission to take six surly murderers from prison to dilapidated country farm, to rehabilitate it and themselves through hard work and kindly guidance.
- Director
- Writer
- Stars
- Prix
- 2 victoires et 2 nominations au total
Avis en vedette
This is a great movie which touches the hearts of the viewers.Actually, I wanted to watch this film only because this film is said to be to be one of the best ones directed by V.Shantaram. A simple story well presented with good performances by all the actors. The music is good and the best song is undoubtedly the "Ai Malik,tere bandhe hum". The film is all about how a young jailer reforms 6 hardcore criminals without using any sorts of violence. The film scores primarily in the sentimental part,especially in the climax.The major plus point of the film is that it never bores you even for a minute.Easily,one of the best films made in Hindi.
I recently got the opportunity to see this movie (was airing on a movie channel), and felt really blessed and privileged to see it.
It may not be a technically perfect movie, but V.Shantaram has crafted a masterpiece in terms of portraying the characters and the plot to the audience in the simplest way. The movie is high on emotions as it tries to dig into some hard to call humans (convicts of single/multiple murders) and a warden who believes that with forgiveness and love, they can be cured to live in a civilized society.
In a lot of scenes the movie uses metaphorical representation/dialogues to convey the underlying emotion to the audience and I found this to be very very intriguing. The end specially I feel is unmatched on it. Something that a non-interested movie goer can understand, and something that an enthusiast can really appreciate.
I think the movie is not way ahead of it's time, but way behind. Something like Ramayana and Mahabharata, timeless.
It may not be a technically perfect movie, but V.Shantaram has crafted a masterpiece in terms of portraying the characters and the plot to the audience in the simplest way. The movie is high on emotions as it tries to dig into some hard to call humans (convicts of single/multiple murders) and a warden who believes that with forgiveness and love, they can be cured to live in a civilized society.
In a lot of scenes the movie uses metaphorical representation/dialogues to convey the underlying emotion to the audience and I found this to be very very intriguing. The end specially I feel is unmatched on it. Something that a non-interested movie goer can understand, and something that an enthusiast can really appreciate.
I think the movie is not way ahead of it's time, but way behind. Something like Ramayana and Mahabharata, timeless.
A real classic. I watched it about 25 years back and watched again yesterday. I did the magic both times on me, as a child and as a middle aged man. A jailer fights the eternal battle of good against evil when he decides to make 'men' out of 6 hard-core criminals.
Story doesn't meander. Plot is simple and filled with surprises and mythological grandiose. At times movie becomes sheer art and work of genius when V Shantaram through his spectacular framing and simple screenplay details talk about the psychology of a common man or uncommon man in dynamic society. Scenes like grandmother, Shankar walking out, first night sleep etc are just mind blowing. My favorite scene is when Jailer drags the barbed wire woods.
Making of the film is extremely artistic. All the scenes are thoroughly conceived. You can make out each and every actor moves from spot to spot. Camera moves in spots. Every single frame is detailed to its last frame. Acting is extremely animated but works in favor in a film like this. Background music is extremely provocative as lots of drums are used. Very entertaining drama. 9/10.
Story doesn't meander. Plot is simple and filled with surprises and mythological grandiose. At times movie becomes sheer art and work of genius when V Shantaram through his spectacular framing and simple screenplay details talk about the psychology of a common man or uncommon man in dynamic society. Scenes like grandmother, Shankar walking out, first night sleep etc are just mind blowing. My favorite scene is when Jailer drags the barbed wire woods.
Making of the film is extremely artistic. All the scenes are thoroughly conceived. You can make out each and every actor moves from spot to spot. Camera moves in spots. Every single frame is detailed to its last frame. Acting is extremely animated but works in favor in a film like this. Background music is extremely provocative as lots of drums are used. Very entertaining drama. 9/10.
The master piece of all times .Nothing more to add
During a phase of my life, I had a roommate who had used to sing "Ai malik tere bande hum" (O Lord, we're thy servants!) pretty often, and that was the only reason I watched this movie (the song was from this movie, he had told me!), when it was broadcast by Dordarshan, the National Television Channel of India, a few years later. And I must admit, it was a good movie. Sure, it had all those mandatory songs, but yet the songs didn't intrude into the movie, at least for an Indian such as I, used to heavy and endless dose of songs in movies.
To me, the most impressive point of this movie was its simple yet nice story (apparently based on a real-life incident), which was devoid of many so-called masalas (spices!)in spite of the era in which it was made (Compare Do Bigha Zamin for cheap sentimentality, for example) and yet executed well.
It's long-enduring impact can be seen from the spoof enacted by Annu Kapoor for a T.V. series (I don't remember its name, though) which used to be in Zee TV as recently as in 2003.
To me, the most impressive point of this movie was its simple yet nice story (apparently based on a real-life incident), which was devoid of many so-called masalas (spices!)in spite of the era in which it was made (Compare Do Bigha Zamin for cheap sentimentality, for example) and yet executed well.
It's long-enduring impact can be seen from the spoof enacted by Annu Kapoor for a T.V. series (I don't remember its name, though) which used to be in Zee TV as recently as in 2003.
Le saviez-vous
- Anecdotes"Ae Maalik Tere Bandhe Hum" sung by Lata Mangeshkar from this movie has been adopted as the anthem by a school in Pakistan.
- ConnexionsReferenced in Jawan Muhabat (1971)
- Bandes originalesHo Umad Ghumad Kar Aayi Re Ghata
Lyrics by Bharat Vyas
Music by Vasant Desai
Sung by Lata Mangeshkar and Manna Dey
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Zwei Augen - Zwölf Hände
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée2 heures 23 minutes
- Couleur
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By what name was Do Ankhen Barah Haath (1957) officially released in Canada in English?
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