Operatsiya 'Y' i drugie priklyucheniya Shurika

The Adventures of Shurik are cult films of the Soviet period, also included in the golden fund of Russian cinema. In Russia, everyone knows this film by heart and it has long been disassembled into quotes. It would seem that the jokes there are very simple, but they are funny, even when you hear them repeatedly. The cast simply shines from so many stars of Soviet cinema. Alexander Demyanenko suffered certain inconveniences, for example, his hair was dyed in a poisonous red dye, so that on the screen he looked blond. So, it one of the best soviet comedy.

One of the most enduring aspects of this film is its wealth of quotable lines that have become ingrained in popular culture. These phrases have transcended the film itself, becoming part of everyday language for many. The characters and situations in the film, though specific to their time, have a universal appeal, illustrating the quirks and follies of human nature in a manner that is both amusing and insightful.

The film's use of satire was particularly significant in the Soviet era, serving as one of the few available outlets for creative expression and social commentary. Its humor, while rooted in the context of its time, has a timeless quality that continues to resonate with audiences, even for generations who discovered it much later.

"Operation Y and Shurik's Other Adventures" stands out for its clever storytelling and sharp wit. It's a film that not only entertained its initial audiences but continues to delight and engage viewers of all ages. Its ability to blend humor with a subtle critique of society makes it a standout piece of cinematic history.

This feature actually consists of three half-hour-long story lines one after another, related only in that they all star the same hapless protagonist. I read somewhere that the director took Charlie Chaplin as a model for his comedy, and the influence shows here, even to the point of the short-subject-length segments -- and especially in the first story. That one is basically a pure slapstick comedy, drawing gags from the situation of the Sharik character (who actually ends up resembling Harold Lloyd in appearance and behavior more than Chaplin) working part time on a construction site, alongside the man who he caused to be working there as a sentence.

The second segment is the one I thought to be the greatest success, as it combines the visual humor (many sequences of which, throughout, would work without dialogue at all) with a well-tuned funny situation and good actor chemistry. The third and titular segment is amusing as well, but perhaps get a little too involved in its own story.

Overall, it's funny material and recreates well what made the silent comedies of the short-subject era funny, if without the inspiration of an actual Chaplin on set.

Three stories about a young man - Shurik and his adventures. for the fans of Soviet comedies from "60-"80 - nothing new. for the viewer from East Europe, all familiar. because the moral lessons, the romanticism , the gags - inspired by American mute comedies , Yuri Nikulin ,Aleksandr Demyanenko are pieces of a cinema who defines the Comunist period in profound sense. and, maybe, this is the difference of perception between different European publics.the work site, the emotions beyound an exam. the citizen lookout for protect the proprieties of the state are the small pieces defining a period, a political system and, sure, a kind of public.

I really liked this film -- I laughed all the way! I liked the first short story the best, which is about a nerdy student Shurik and a tough criminal Fedya who work together in a building site. They are like Tom and Jerry: Tom is he stronger one, but he is constantly made fun of by his seemingly weaker enemy. In this film, I remembered the two chasing each other in the shabby residential building, and Fedya's whole body burned dark or poured with flour. Once I think about it, it almost feels like an irritating racial allusion. But of course most of political significance of this film derives from its unusual subject. It reminds us of how the Soviet society is spoiled by "alcoholics and hooligans" and how these people actually participated in the socialist construction of new metropolises.