[go: up one dir, main page]

    Calendrier de lancementLes 250 meilleurs filmsFilms les plus populairesParcourir les films par genreBx-office supérieurHoraire des présentations et billetsNouvelles cinématographiquesPleins feux sur le cinéma indien
    À l’affiche à la télévision et en diffusion en temps réelLes 250 meilleures séries téléÉmissions de télévision les plus populairesParcourir les séries TV par genreNouvelles télévisées
    À regarderBandes-annonces récentesIMDb OriginalsChoix IMDbIMDb en vedetteGuide du divertissement familialBalados IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalPrix STARmeterCentre des prixCentre du festivalTous les événements
    Personnes nées aujourd’huiCélébrités les plus populairesNouvelles des célébrités
    Centre d’aideZone des contributeursSondages
Pour les professionnels de l’industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de visionnement
Ouvrir une session
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'application
  • Distribution et équipe technique
  • Commentaires des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Le Cher disparu

Titre original : The Loved One
  • 1965
  • Approved
  • 2h 2m
ÉVALUATION IMDb
6,9/10
4,1 k
MA NOTE
Jonathan Winters, Anjanette Comer, and Robert Morse in Le Cher disparu (1965)
Satire on the funeral business, in which a young British poet goes to work at a Hollywood cemetery.
Liretrailer2 min 00 s
1 vidéo
89 photos
ComédieComédie noireSatire

Ajouter une intrigue dans votre langueSatire on the funeral business, in which a young British poet goes to work at a Hollywood cemetery.Satire on the funeral business, in which a young British poet goes to work at a Hollywood cemetery.Satire on the funeral business, in which a young British poet goes to work at a Hollywood cemetery.

  • Director
    • Tony Richardson
  • Writers
    • Evelyn Waugh
    • Terry Southern
    • Christopher Isherwood
  • Stars
    • Robert Morse
    • Jonathan Winters
    • Anjanette Comer
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,9/10
    4,1 k
    MA NOTE
    • Director
      • Tony Richardson
    • Writers
      • Evelyn Waugh
      • Terry Southern
      • Christopher Isherwood
    • Stars
      • Robert Morse
      • Jonathan Winters
      • Anjanette Comer
    • 102Commentaires d'utilisateurs
    • 49Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 victoire et 1 nomination au total

    Vidéos1

    Trailer
    Trailer 2:00
    Trailer

    Photos89

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    + 84
    Voir l’affiche

    Rôles principaux77

    Modifier
    Robert Morse
    Robert Morse
    • Dennis Barlow
    Jonathan Winters
    Jonathan Winters
    • Wilbur Glenworthy…
    Anjanette Comer
    Anjanette Comer
    • Aimee Thanatogenous
    Rod Steiger
    Rod Steiger
    • Mr. Joyboy
    Dana Andrews
    Dana Andrews
    • Gen. Brinkman
    Milton Berle
    Milton Berle
    • Mr. Kenton
    James Coburn
    James Coburn
    • Immigration Officer
    John Gielgud
    John Gielgud
    • Sir Francis Hinsley
    Tab Hunter
    Tab Hunter
    • Guide
    Margaret Leighton
    Margaret Leighton
    • Mrs. Kenton
    Liberace
    Liberace
    • Mr. Starker
    Roddy McDowall
    Roddy McDowall
    • D.J. Jr.
    Robert Morley
    Robert Morley
    • Sir Ambrose Ambercrombie
    Barbara Nichols
    Barbara Nichols
    • Sadie Blodgett
    Lionel Stander
    Lionel Stander
    • The Guru Brahmin
    Roxanne Arlen
    Roxanne Arlen
    • Whispering Glades Hostess
    Dort Clark
    Dort Clark
    • Col. Burt
    Pamela Curran
    Pamela Curran
    • Whispering Glades Hostess
    • Director
      • Tony Richardson
    • Writers
      • Evelyn Waugh
      • Terry Southern
      • Christopher Isherwood
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs102

    6,94.1K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis en vedette

    10B24

    The View from 1965

    Several of you youngsters have added comments here to the effect you wanted to know how this film was received in 1965. Here is the lowdown.

    It was skewered by the few uptight critics who got it, and passed off as sheer nonsense by the ones who didn't. It had a big, big promotional sendoff on television and in the newspapers, featuring its over-the-top ending that is commented on elsewhere in these archives. That, in fact, is the single characteristic placing this film in the history books as one of the first real anti-war, anti-establishment, anti-bourgeois relics of popular culture just at the cusp of an entirely new epoch.

    I am still dumbfounded that it went generally over the heads of most people in 1965. (Well, at least I am bemused by it.) "Dr. Strangelove" received much the same treatment. It was as if the country was still on overdrive after the assassination of President Kennedy, numb and oblivious as to what was about to happen. Only the very young, influenced as they were by the Beatles and other revolutionary pop music icons, seemed to have a clue. But they were powerless within the political vacuum that led up to the war in Vietnam, and by the time all the turmoil of 1968 came along, this movie had been long forgotten.

    This is one fan, however, who still regards this wonderful satire as one of the top ten of the 20th century, right up there with the best of Chaplin, the Marx Brothers, and Saturday Night Live (in its better days, of course).
    10jimi99

    top-10 comedy

    As a follow-up to the hugely popular "Tom Jones" the iconoclastic director Tony Richardson chose a modern Evelyn Waugh darkly satiric novel that was ostensibly about the funeral business but in Richardson's (& Terry Southern's) hands became a savagely funny commentary on Hollywood and America as well. The cast is awesome--even disregarding some of the cameos like Milton Berle, Liberace, and Tab Hunter--particularly good are Gielgud, Jonathan Winters in a fabulous dual role, Rod Steiger as the immortal Joyboy, and Roddy McDowell. Hilarious! The leads are strangely effective: Bobby Morse doing the knowing nebbish character that he perfected in the mid-60s, and Anjanette Comer as the aptly-named Amy Thanatogenis. One of my alltime favorite comedies, I've seen it close to 20 times since 1965...For anyone who ever had to save up for "Mom's big tub." Increpitable!
    lbcsrw

    The Blackest of Black Comedies

    It is hard to place any kind of meaningful description to this film because it takes cultural, social, and moral ideals and stomps on them. Additionally, the casting of the film goes against type, with Jonathan Winters, for example, as a dark, imposing religious force. The acting is superb, intense and, at times, intentionally campy and over-the-top. Each scene seems outrageous and, at times, ridiculous but inexorably moves the characters, and the audience, to a lip-biting conclusion.

    Terry Southern, one of the credited screen writers, was also responsible for Kubrick's Dr Strangelove, Barbarella, Candy, Easy Rider, The Magic Christian, and many other wacky films. Knowing this may help to place it in some familiar context. Of all his films, though, this is the darkest.

    If you are disturbed or offended by the funeral business, death in general, dead pets, or slightly veiled hints at necrophilia then you might want to give this one a miss. If you're brave and open-minded, however, I highly recommend this truly strange and wonderful film.
    Lechuguilla

    Not Much Joy Here, Boy

    Maybe in its time this film was provocative and entertaining. The decade of the 1960s was known for its cinematic audacity and spunk, descriptions befitting the film's underlying concept. But what seems daring and futuristic today can look stunningly grotesque when the future actually arrives. And forty years after it was made, "The Loved One" just seems ... bizarre.

    We're led to believe that the film lampoons the funeral and burial industry. And part of the film's first half does just that. Here, humor derives partly from dialogue, especially as it relates to burial terminology. Our casket salesman, Mr. Starker (Liberace), explains to the film's protagonist: "I can give you our eternal flame in either perpetual eternal or standard eternal". Then he asks: "propane or butane, Mr. Barlow?" Marvelous. And part of the humor is visual, as we watch the finicky embalmer, Mr. Joyboy (Rod Steiger), trying out various expressions on the loved one's face.

    But the funeral and burial industry satire consumes less than half of the film's two-hour runtime. The rest of the plot is a mishmash of assorted gags, skits, and pranks, strictly tangential to the stated concept. You get the feeling that the script was written by a committee. Some of this plot tangle derives from too many celebrity cameos. These actors (James Coburn, Milton Berle, Tab Hunter, and many others) appear in a scene or two, then vanish, to be replaced later by others, none of whom are essential to the plot.

    Probably the best elements of the film are its B&W cinematography and the production design. Outdoor scenes at Whispering Glades are visually lush. And the interior is interestingly ornate, although far more Gothic than any funeral home I've ever been in.

    The film's casting and acting for major roles get mixed grades from me. Robert Morse as the protagonist, Sir John Gielgud as his uncle, and Rod Steiger as the embalmer are all fine. But as much as I like Jonathan Winters, his performance here, for whatever reason, just does not work; I found it grating and annoying.

    If I had seen this film when it first came out, I might have had a more favorable impression of it. And, to repeat, it does have a certain charm, if only sporadic. But so much has happened in the last forty years, and there's been so many changes in America's culture, "The Loved One", for all its intended courage and boldness in 1965, now seems, for the most part, just puerile and pointless.
    RALL

    Something else.

    Having worked in the funeral industry, I have met some of these characters in real life, I can really appreciate this great satirical movie. There was not any bad scenes in this movie. The actors all gave good performances. The movie was stolen by Rod Steiger with his Mr. Joyboy roll. Rod Steiger almost repeated his Joyboy roll in No Way To Treat A Lady, as Dorian Smith. If you are a fan of dark comedies, do not miss one of the greatest dark comedies.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Evelyn Waugh disowned this movie of his famous novella and tried unsuccessfully to get his name taken off of the credits. Three days after the movie's London opening, he died unexpectedly at his house in Somerset. It is thought that he had not seen it.
    • Gaffes
      While the Blessed Reverend delivers his upsetting monologue to Aimee, the naked "statues" behind him can be seen moving (before the big orgy scene).
    • Citations

      Dennis Barlow: They told me, Francis Hinsley, they told me you were hung. With red protruding eyeballs and black protruding tongue.

    • Connexions
      Featured in Moviedrome: The Loved One (1990)
    • Bandes originales
      Pomp and Circumstance
      Composed by Edward Elgar

    Meilleurs choix

    Connectez-vous pour évaluer et surveiller les recommandations personnalisées
    Se connecter

    FAQ

    • How long is The Loved One?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 11 octobre 1965 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • The Loved One
    • Lieux de tournage
      • Harold Lloyd's Greenacres Estate - 1740 Green Acres Drive, Beverly Hills, Californie, États-Unis(Whispering Glen exteriors)
    • société de production
      • Filmways Pictures
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 4 000 000 $ US (estimation)
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 2 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.85 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la façon de contribuer
    Modifier la page

    En découvrir davantage

    Consultés récemment

    Veuillez activer les témoins du navigateur pour utiliser cette fonctionnalité. Apprenez-en plus.
    Télécharger l'application IMDb
    Connectez-vous pour plus d’accèsConnectez-vous pour plus d’accès
    Suivez IMDb sur les réseaux sociaux
    Télécharger l'application IMDb
    Pour Android et iOS
    Télécharger l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Données IMDb de licence
    • Salle de presse
    • Publicité
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une entreprise d’Amazon

    © 1990-2025 by IMDb.com, Inc.