Dr Who contre les Daleks

The first time I saw Dr Who and the Daleks, I used to cower behind the sofa every time the Daleks appeared, and the music I remembered was incredibly haunting. Seeing it again, it isn't quite as good as I remembered, but it is an entertaining and passable enough piece of nostalgia. The script lacks bite at times, the plot isn't as inventive as any of the ones used in the landmark TV series, Roy Castle and the comedy relief felt out of place and on occasions because of the overuse of pink plastic sheeting the art direction was a little on the cheap side. However, the music is very haunting, the Daleks are still as intimidating as I remembered, the pacing is fast and fun, the length is amiable and Peter Cushing is terrific as the Doctor, more serious than any of the other doctors but it suits him. The female characters are admittedly on the vapid side, but the alluring personalities of Roberta Tovey and Jennie Linden made up for it. Overall, fun and nostalgic, even with its many faults. 6/10 Bethany Cox

First of all, I've seen several episodes of the Dr. Who series, but I don't follow it. It has its fan base and that's fine. If you are looking for a good Dalek adventure without getting into the whole Dalek "genesis," then this movie works well. You don't have to know all about Who-ville as a prerequisite.

There are some visual elements that needed more budget or something - miniature exteriors of the city, the burnt forest set, and the make-up on the humanoids don't quite make the grade. But the Daleks themselves inside their metal city are something to see (be sure to look for the lava lights). The Dalek robot mechanisms are very convincing, and they are very menacing as they roll around with their modulated voices trying to exterminate anything with two legs. The camera work is good - it looks like the director tried to add some interesting angles and follow shots when others maybe wouldn't bother. The cast plays well in their roles, and the story is simple and straight-forward. This is no "2001 A Space Odessey," but then again, you don't have to think too hard about what the ending really means.

This movie will probably disappoint most loyal Dr. Who followers, but it will entertain sci-fi fans who enjoy some light fare and aren't too attached to the series.

I have fond memories of seeing this at the cinema (a treat on a friend's birthday) when it first came out. I was a big Dr Who fan anyway as a 12 year old, and this big screen colour adaptation of the 2nd Dr Who serial and first Dalek story was just what the Doctor ordered.

It never occurred to me, as a 12 year old in 1965, that the Doctor was a mere human and not a Time Lord from Gallifrey, and that was because, at the time, he was a mere human and not a Time Lord from Gallifrey on TV, too. That particular wrinkle wasn't introduced until long after the first couple of Dalek TV series and the two movies.

That said, while the film brings back fond memories, and is particularly good to see in widescreen, it is very much a product of its time, and specifically targetted at its market - youngsters who were mad keen on Daleks. That market is not there any more. The movie shows its age, and doesn't stand up that well to today's demands. For all that, there's still a genuine sense of jeopardy involved, the principals play well, the production values are (for the time and the UK cinema industry) very high, and it remains good, colourful innocent fun.

The eccentric doctor Who (the always watchable Peter Cushing) takes his familiars , a little girl (Tovey) and a young woman (Jennie Linden , Women in love) along with her fiancé (Roy Castle) on a trip throughout space and time . They're transported to another world and end up on a planet inhabited by strange and peace-loving people fighting the mutants named Daleks . These are robot-like and belong to kind of war-mongering mutant creatures who have hidden their brittle bodies in armour shells . The planet has been devastated by an atomic war and they must help the humans facing the Daleks , living various adventures with creepy landscapes , spooky monsters and deep cliffs . Finally , they're wrongfully transported to Roman empire .

This is an enjoyable cinematic adaptation about the interminable British television series . The ever popular Peter Cushing is magnificent reviving his classic interpretation as Dr. Who , furthermore a beautiful Jennie Linden and a sympathetic Roy Castle . The film displays a a rare electronic music and colorful and glimmer cinematography by John Wilcox , Hammer's usual . It's followed by ¨Daleks , invasion Earth 2150 AD¨ about title mutants who are trying to take over Earth . Others Dr. Who for television in the long-running serial are Tom Baker , Paul McGann and Christopher Eccleston . The motion picture is professionally directed by Gordon Fleming . He's a fine director such as ¨The split¨ about a blaxploitation heist and ¨Philby , Burgues and McLean , spy scandal of the century¨ , a chilling tale about tree of Britain's most notorious spies and ¨Daleks 2150¨ . The flick will appeal to Sci-Fi fans and juvenile public.

When visiting his girlfriend Barbara, Ian is given a tour of the TARDIS by Dr Who. However he accidentally activates it and sends them to an unknown planet. Keen to explore they find themselves prisoners in a city controlled by the Daleks. The Daleks seek to rule the whole planet and get rid of the peace loving natives. When Dr Who et al accidentally help the Daleks to achieve this, they have no choice but to work with the natives to stop the Daleks.

Made to cash in on the huge popularity mid-sixties of both Dr Who and the Daleks, this film version has much higher values than the TV show, but doesn't mean it's better. The story is weak – like an introduction to the Doctor. It's very basic and provides little opportunity for thrills – right up until the final battle. It's not that bad, but for a film you'd expect more.

The Daleks themselves are good but the film uses them badly – we see them as things trapped in a city with little power outside of their own walls. To make matters worse them seem very vulnerable and easy to beat – all you have to do is push them very hard! They also don't `do' dialogue very well – they are used several times for long scenes where they talk to each other and explain the plot to the audience, these scenes are poor as their delivery mixed with the dialogue is terrible!

Cushing makes a good doctor and is better than many of the TV incarnations. Record breaking Roy Castle is quite good as Ian, but his comedy clowning doesn't really fit in with the tone of the film. The female lead is vapid but Susan (played by Tovey) is actually pretty good.

Overall this is TV standard – fans will enjoy it but anyone looking for thrills or good plotting will be disappointed. Check out Dalek Invasion Earth – that is a much better use of these tin-can bad guys.