Jinny

Every time I read the threads about the comparison between these shows, I must question the age of the writer. While both shows were based upon very beautiful magical ladies, they had very different reasons to exist. I grew up watching both of these shows in the 60's, and liked each of them very differently. Bewitched was created after the success of the movie "Bell, Book, and Candle" (staring Jimmy Stewart and Kim Novak). In the early sixties, the women's movement was strong and changed the shape of society. June Cleaver (Leave it to Beaver) cleaning the house in "pearls and high heels" was to be challenged. Bewitched offered a love story between a husband and wife, where the wife had real power (in this case Samantha's magic). This presented a new tension to what viewers were used to (although it always ended with a love note). With Jeannie, we have a great deal of sexual tension created! What man would not wish for a beautiful magical servant, albeit deviant at times. Kinda sexy in the sixties when sexual openness was being discussed for the first time (although not directly in the media). Bewitched, I would argue, was marketed towards both sexes (men wanting a Samantha, and women wanting to be her), and IDOJ being more of a men's fantasy series where many women watched just to see Jeannie get even. Both good shows in my book!

I would say that "I Dream of Jeannie," "Bewitched" and "The Flying Nun" constitute the trifecta of ultimate 1960's TV shows. That is, they were all fantasies and had very loony premises. In all three cases, a new kind of person enters the scene and upsets the status quo.

In Jeannie's case, when Maj. Nelson brings her home, she turns Cocoa Beach, Florida, upside down. The whole city goes from being a drab, old-order bastion, to a wacky, hippie-like enclave. In that sense, Jeannie's colorful outfit is a great contrast to Maj. Nelson's monochromatic uniform.

On a given episode, Maj. Nelson can expect Jeannie to do something like put an elephant in his house or repaint his office like an Arabian palace. Her antics always catch the attention of psychiatrist Dr. Bellows, who reports it to the general. But, as is always the case in silly comedy, she fixes it before Dr. Bellows can show the general, and Dr. Bellows ends up looking like an imbecile.

Maj. Nelson's hopeless romantic friend, Maj. Healey, hilariously has the worst luck of all. Every time he asks Jeannie for help, it always gets him in trouble.

One of the funniest aspects of this show is the fact that even people who do not know that Jeannie exists get affected by her magic. Dr. and Mrs. Bellows suffer the most, but even guest characters see their lives turned crazy when some misused magic messes something up.

So that's "IDOJ." This is one show that I never miss a chance to watch on TVLand. One thing that would have been really neat would have been if Jeannie and Samantha ("Bewitched") could have teamed up. Knowing what each woman did individually, just imagine what they could have done if they had combined their magic!

In conclusion, I will always dream of Jeannie.

Much as "The Addams Family" had to be compared to "The Munsters," "I Dream of Jeannie" will perpetually be held up to scrutiny against "Bewitched" as two 1960s sitcoms with similar appearing concepts. In this case, a magical woman complicates the life of a mortal man, even as she tries to help him through his problems.

But let's stay on topic. NASA Astronaut Captain Anthony Nelson (Larry Hagman), on a space mission, went up, but something went wrong and they had to bring him down. His capsule came to earth on a tiny desert island where he discovers a bottle; he opens it and in a puff of smoke a genie (Barbara Eden) appears. She explains that because he freed her, she is his, forever, then blinks and a rescue helicopter appears.

When she follows him home, things instantly become complicated. His best friend, Captain Roger Healey (Bill Daily) gets in on the secret in short order, and helps Tony with his fiancé, who happens to be the General's daughter! Eventually, that engagement got broken off, leaving Tony free to play the field, and Jeannie to get angry about his other women. And the two buddies get promotions from Captains to Majors.

Lots more complications, like Jeannie's Sister, an evil, raven haired twin who was out to enslave Nelson for her boy toy, The Blue Djinn turns up (played by Eden's husband at the time, Michael Ansara), who first put Jeannie into the bottle, and even her dog Djinn Djinn (didn't the writers know any other Arabic words?) who had a penchant for disappearing and then tearing any uniform he saw to shreds... not a good thing on an Air Force Base!

The charm of the show was in Hagman's incredible ability to go from deadpan to fully reactionary on a dime (something he was required to do in nearly every episode), and Eden's brilliance at playing the petulant brat still learning about the 20th Century World, and with whom no one could be angry for very long. Daily was a great foil for both of them, (though I never understood why his uniform was GREEN) and of course, there was Dr. Bellows (the incomparable Hayden Roarke), intrepid base psychiatrist, who always knew something funny was going on, but could never quite prove it to anyone. Certainly part of the show's success was in his slow burns after whatever he was going to prove to whichever General was in command didn't pan out!

Though one has to wonder how they managed to do a contemporary mid 1960s program on and around a Military installation without so much as a passing reference to Vietnam! Yes, it's NASA, but still! Air Force Generals were on duty! Of course, in the end, it turned out to be for the best, as not referencing the war was likely part of the reason a diversionary program like this was on the air in the first place: all part of the magical, mystical lineup of comedy programs all of the networks were airing during the 1960s through the 1970s, designed to divert audiences from the newscasts of the day.

The irony of the censors not permitting Eden's belly button to be shown was that on the same network (NBC) and during the same hour (8pm, before "Jeannie" moved to 7:30 in its final seasons), "Rowan & Martin's Laugh-In" had Bikini clad Goldie Hawn fully exposed and dancing in body paint!

Despite the stock footage of Atlas rockets and Gemini missions, there is a certain timeless quality to the series and an obvious charm and sweetness that won't soon wane. It's certainly one of the best "special effects" sitcoms of all time, and is genuinely one of the funniest.

The 1960s saw some very good to classic shows. One doesn't have to have been born then or before to feel that way, speaking as someone born in the 1990s but has always been fascinated by older shows. 'I Dream of Jeannie' is one such show, has much enjoyment still and perhaps deserves more credit.

'I Dream of Jeannie', with the unique (then and even now) concept of the pairing of a genie and an astronaut, is a dream to watch when at its best and is still watchable when it isn't quite. Like 'Bewitched', a show that is often compared with 'I Dream of Jeannie' (put them about equal myself), the early seasons fare better than the later ones, where the stories do start to lack freshness and the sexual tension is stronger in the earlier seasons.

Also, 'I Dream of Jeannie' can have some sloppy continuity errors and can fall into silliness, like going back in time in Persia.

On the other hand, 'I Dream of Jeannie' is particularly noteworthy for the very likable and memorable assortment of characters, the regulars are not easy to forget and the supporting/secondary cast are really good fun, and a great cast.

Barbara Eden is beautiful, charming and sensual, you would be hard pressed to find genies portrayed in this way. Larry Hagman's mannerisms are a true joy and Hagman has wonderful comic timing and endearment that is deserving of more credit. His chemistry with Eden is one of a kind, one of television's finest ever chemistries and a huge part of the show's appeal.

There has probably never been a funnier doctor in television than the hilariously prissy one portrayed by Hayden Rorke. Bill Daily's Healey doesn't develop as much, or as much as could, but Daily clearly has fun with the character and makes it his own.

Production values were clearly made with love and affection, with beautiful use of both black and white and colour, and the slick photography complements them well. For the 60s, the show does still look pretty good. Like with 'Bewitched', the effects are not always special (particularly early on) and there could have been more of them but most of the time they are hardly slapdash and have real charm. The bottle is famous for good reason.

Music is dynamic and groovy, with all the theme music tunes being noteworthy. The animated opening sequence is both beautiful and lively and is utilised cleverly. The expository narration of the first few episodes, up to episode 8, delivered by Paul Frees was not used as much and not as striking as the animated sequence, but nonetheless was interesting and made its mark.

Writing is funny, snappy, charming and thoughtful, while the stories have magic, sexual tension, charm and immense likability on the most part, though the earlier seasons have more freshness.

Overall, a dream to watch. 8/10 Bethany Cox

What heterosexual male over the age of puberty wouldn't have wanted to have Barbara Eden as their own devoted and affectionate Jeannie?

Like most series built on some pent-up romantic tension between the leading characters ("Nanny and the Professor," to "Moonlighting") the problems arose when the series creators decided to put the couple together. It was a death knell...

It was hilarious that the network censors wouldn't allow them to show Barbara Eden's navel and a pity as well. She's closing in on 70 now but for those of us hitting puberty when the series premiered, she'll always have a special place in our...hearts.