La noia
- 1963
- 1h 45m
ÉVALUATION IMDb
6,8/10
1,1 k
MA NOTE
Ajouter une intrigue dans votre langueThe son of a dead Italian nobleman and a wealthy American woman forgets the disappointment of finding he has no talent for being a painter by succumbing to the sexual advances of an amoral m... Tout lireThe son of a dead Italian nobleman and a wealthy American woman forgets the disappointment of finding he has no talent for being a painter by succumbing to the sexual advances of an amoral model who believes in indiscriminate love affairs.The son of a dead Italian nobleman and a wealthy American woman forgets the disappointment of finding he has no talent for being a painter by succumbing to the sexual advances of an amoral model who believes in indiscriminate love affairs.
- Prix
- 1 victoire au total
Nadia Balabine
- Party Guest
- (uncredited)
Micaela Dazzi
- Prostitute
- (uncredited)
Mario Lanfranchi
- Police Officer
- (uncredited)
Eleonora Marchianti
- Party Guest
- (uncredited)
Avis en vedette
It's unfortunate that movies and television have become so slanted in their attempt to convey. Maybe drugs have dimmed imagination, both for the creator, and for the viewer. As a 15 year-old in 1963, it was easy for me to recognize the gist of The Empty Canvas. It was about sex, especially sexual obsession. Few films have handled this subject so effectively. Eyes wide Shut, a film snubbed by general audiences, shines light on the lower aspects of human sexuality, stunningly. The Empty Canvas is equally striking, without the budget. I strongly recommend this film as a very interesting, well-acted, sober exploration into a very important subject.
Saw this a long time ago. Few memories left. Scenery-chewing Bette Davis, young handsome Buchholz, good b&w photography, waste of Moravia's novel. All the memories go back to 18-year-old Catherine Spaak, in the summit of her beauty, youth, freshness, sexiness. Spaak was probably the sexiest teenage star in movies ever (arguably tied with Nastassja Kinski). AND there's the scene in the bed, when Buchholz "buys" her covering her with money bills. Go see.
'The Empty Canvas' of Alberto Moravia's novel literally represents the emptiness of life of mediocre painter Dino. He finds solace with a tantalising but vacuous teenage girl whose lies and infidelities almost destroy his sanity until a near-fatal rendezvous with Death brings him to his senses........
As Dino's mother we have the riveting Bette Davis in the first of her two Italian films. She is adequately dubbed by character actress Rina Morelli but with Miss Davis of course, it is her looks that speak volumes. Her son, who affects to despise money but still sponges off her, is played by Horst Bucholz, not the easiest actor to get along with by all accounts. He has a definite presence and convey's well enough his character's Existential angst. Catherine Spaak is physically ideal as his female Nemesis. There are small but telling appearances by Isa Miranda, Lea Padovani and Georges Wilson whilst Daniella Rocca in a maid's outfit is actually far sexier than a naked Miss Spaak covered in bank notes!
Moravia himself referred to his novel as being about 'my kind of boredom' and in this adaptation even the sex is boring. The film itself alas is also a bit of a bore. Damiano Damiani's direction lacks the touch of a master and reminds us that Antonioni and Bolognini do this sort of thing so much better.
As Dino's mother we have the riveting Bette Davis in the first of her two Italian films. She is adequately dubbed by character actress Rina Morelli but with Miss Davis of course, it is her looks that speak volumes. Her son, who affects to despise money but still sponges off her, is played by Horst Bucholz, not the easiest actor to get along with by all accounts. He has a definite presence and convey's well enough his character's Existential angst. Catherine Spaak is physically ideal as his female Nemesis. There are small but telling appearances by Isa Miranda, Lea Padovani and Georges Wilson whilst Daniella Rocca in a maid's outfit is actually far sexier than a naked Miss Spaak covered in bank notes!
Moravia himself referred to his novel as being about 'my kind of boredom' and in this adaptation even the sex is boring. The film itself alas is also a bit of a bore. Damiano Damiani's direction lacks the touch of a master and reminds us that Antonioni and Bolognini do this sort of thing so much better.
With a German lead actor, a French lead actress, and an American second lead, you'll be surprised at the audio track when you watch The Empty Canvas. No one is speaking their own lines; they're all dubbed by Italian actors! It's quite ridiculous, but I can only think of one reason why this happened: the nudity and sexual content could only be passed by the Italian film board. Even with the demise of the Hays Code, there were some barriers Americans hadn't crossed yet.
This is one nasty movie! Horst Buchholz plays a drifting artist, a poor little rich boy without purpose. He can't stand his mother, Bette Davis, and treats her with contempt while taking her allowance. When he sees Catherine Spaak, who modeled nude for an elderly artist (recently deceased after a bedroom excursion with her), he can't control his hormones. While it may appear they can't keep their paws off each other, they actually do for long enough for Catherine to cheat on him. Why would she do that? He's such a cutie! Even with the pain of sharing her with another man, Horst can't let her go.
It's an interesting take on the romance genre, if you think about the story itself. On paper, if you reversed the genders of the characters, it would be a classic romantic storyline. A woman repeatedly hurt by her boyfriend, suffering one humiliation after another but hanging in there because her hormones make her think it's love. If you imagine Catherine's character as a man, being so callous and hurtful, it's much more familiar. Why won't Horst ever kick her to the curb? Watch this very steamy movie to find out if he ever does. After a while, you won't even notice they're speaking Italian; there are other things to pay attention to.
This is one nasty movie! Horst Buchholz plays a drifting artist, a poor little rich boy without purpose. He can't stand his mother, Bette Davis, and treats her with contempt while taking her allowance. When he sees Catherine Spaak, who modeled nude for an elderly artist (recently deceased after a bedroom excursion with her), he can't control his hormones. While it may appear they can't keep their paws off each other, they actually do for long enough for Catherine to cheat on him. Why would she do that? He's such a cutie! Even with the pain of sharing her with another man, Horst can't let her go.
It's an interesting take on the romance genre, if you think about the story itself. On paper, if you reversed the genders of the characters, it would be a classic romantic storyline. A woman repeatedly hurt by her boyfriend, suffering one humiliation after another but hanging in there because her hormones make her think it's love. If you imagine Catherine's character as a man, being so callous and hurtful, it's much more familiar. Why won't Horst ever kick her to the curb? Watch this very steamy movie to find out if he ever does. After a while, you won't even notice they're speaking Italian; there are other things to pay attention to.
10phatdan
It is interesting that sex is often used in movies as garnish. But, when sex becomes the entrée, it is usually viewed as boring. This is exemplified in James Bond movies and in movies like The Empty Canvas. But why sex becomes drab is what makes The Empty Canvas so interesting. To those of us who believe that sex is merely a mechanical act devoid of deeper meaning, this film may be preachy. To those of us who view the act as something more, this film should be revealing. Eyes Wide Shut, Smooth Talk, and Looking for Mr. Goodbar are also films with sex as the main theme. How people respond to such films can say a lot. Playboy magazine hated Taxi Driver because Travis Bickle didn't make it with Betsy. Obviously and unfortunately, this skin deep mentality has made Hugh Heffner exceedingly rich and films like The Empty Canvas rare.
Le saviez-vous
- AnecdotesThe only conversation Catherine Spaak had with co-star Bette Davis on the set was one word "hello".
- GaffesA set of studio lights is visible outside Dino's studio window in the ending scene.
- ConnexionsReferenced in The Possession of Damiani (2013)
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- Durée1 heure 45 minutes
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- 1.85 : 1
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