Le cardinal

The Cardinal l'd watched in 1984 on TV, an overlong movie, in that time l didn't have any idea how meaning of the pictures itself, today after a long time l've the opportunity to re-watch this one from Otto Preminger's unknown movie, after almost three hours long l finally recognized this picture is really amazing, telling a story about a young priest in Boston until a high position in Catholic Church, the movie is showing in flashbacks since the beginning, all the facts one of the most remarkable is about the Father Ned Halley played by Burgess Meredith who died in poverty, another was when he has to help a nigro priest in Georgia and has to confront the segregationist system in this town, the story through the time have many faces until the final, once more Otto Preminger proves as one of best directors for all times!! Underrated movie!!

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First watch: 1984 / How many: 2 / Source: TV-DVD / Rating: 8.5

The Cardinal is a historically significant film because of what was happening in the Roman Catholic Church at the time it premiered -- the Second Vatican Council. Called by Pope John XXVIII to bring about reforms in the Church, many of the issues touched upon in the film -- the liturgy, the role of lay persons and women in the Church, rights of the mother vs. the child, mixed marriage, ecumenism -- were being hotly debated by the bishops in Rome. The film added to that debate among ordinary Catholics.

I was a student at a Catholic high school in 1963. To many of us who hoped to see significant and even radical changes toward a more modern Church, the Cardinal dramatized many of the problems that we believed needed correcting. The Second Vatican Council didn't go as far as some of us would like, and the Church hasn't seen much reform since, but when I see the Cardinal today, I'm reminded how much more confining Church doctrine was before the Council did its work.

By the way, in response to the comment that no one could have done all the things that the Cardinal was portrayed as doing in the film, my understanding is that the story is based on the life of Cardinal Spellman of New York. The details are changed, but in fact Cardinal Spellman was from Boston and did undertake many of the same roles in his career, including working as a Vatican diplomat from 1925-1932.

I have seen his film so many times and with very few exceptions have come to the conclusion that it is one of the most rewarding films I have ever enjoyed. The photography and art direction are beautiful but the music is stunning and available on a recent CD release. I truly feel it has been very much forgotten and am delighted that it is available in letterbox format for all to enjoy.

Otto Preminger's blockbuster film, The Cardinal, is kind of like an ecclesiastical Winds of War with its priest/protagonist seemingly on the scene of a whole lot of history from before World War I until just before the outbreak of World War II. The church of those times is vastly different than the Roman Catholic Church of today.

Tom Tryon plays Stephen Fermoyle whose parents, Cameron Prudhomme and Dorothy Gish as did so many Irish married couples, determined that one of their kids would be a priest. They put aside money for same and the film opens with young Tryon completing his ordination in Rome and coming back to be assigned to the Boston Archdiocese.

Tryon undergoes many crises of faith, both personal and historical. As The Cardinal is history as how the church would write it for itself, a lot of things are passed over and answers we might come up with today would not be what Catholic folks especially would have thought back then.

One thing that did get me, though maybe it was in the novel the film is based on, is the big event for American Catholics in that time period was the 1928 presidential campaign and the nomination of Alfred E. Smith by the Democrats, the first Roman Catholic to be nominated by a major party for president. I could not believe that Preminger made a film about the Catholic church in that period with an American protagonist and didn't mention that at all in the film.

Preminger assembled a truly international cast of players of the second and third tier. Note the absence of any big name box office stars. He also shot the film in various locations around the world, Boston, Rome, Vienna and other places where the odyssey of Tom Tryon takes him.

Fellow director John Huston got an Academy Award nomination for Best Supporting Actor in his role as Cardinal Glennon of Boston, loosely based on Archbishop of Boston at the time, William O'Connell. Preminger said that Huston was cooperative in every way and Huston said he resisted successfully the impulse to call his own shots on his performance remembering this was not his film.

Carol Lynley playing both Tryon's sister and niece does well in a dual role and Patrick O'Neal and Murray Hamilton play a contrasting duo of Ku Klux Klansmen in Georgia. Romy Schneider is fine as the Austrian woman who loves Tryon and nearly shakes him from his vows of celibacy. Austrian actor Joseph Meinrad is memorable as the only true figure portrayed by name in the film, Cardinal Imnitzer of Vienna who makes a devil's bargain with Hitler and has cause to regret it.

I think viewers will also like a pair of fine Italian players Raf Vallone and Tullio Carminati who play a pair Cardinals, the former the friend and mentor of young Tryon and the latter the Papal Secretary of State based on Cardinal Merry del Val.

My favorite moments in The Cardinal are with Burgess Meredith as the parish priest from a diocese in Northern Maine where Tryon is sent as a curate. He's a simple man of great faith who is dying of multiple sclerosis. He's an old friend of Huston's and their reunion scene on Meredith's death bed is touching and sublime. This may very well have been Meredith's best screen role and he never gets enough credit for it.

Curious also that in this day when there is so much controversy about openly gay actor Chad Allen playing a missionary, it's ironic that closeted gay actor Tom Tryon plays a prince of the church here. Tryon after he left acting and became a successful novelist came relatively out of the closet. Today there would be the same howls of indignation as there were for Chad Allen if The Cardinal were made now.

As this is history as the church would write it itself, The Cardinal misfires in making its main points. But the performances that Otto Preminger gets from his cast are dignified and in some cases very moving. Not a bad film, but definitely falls short of being a great one.

The Cardinal tracks the life of a young priest through an upwardly-mobile career to the point just prior to his being elevated to Cardinal. The historical time frame falls between the beginning of WWI and the beginning of WWII, and this volatile time in our country's history is reflected by the career of Father (later Monsignor, then Bishop) Fermoyle. Fr. Fermoyle encounters many people who touch his life and have an impact on his career which shakes his faith, and even threatens to end it at one point. You don't have to be Catholic to enjoy this film, but it would certainly help!

The location scenes in Rome, Vienna and Boston give this film a feel which helps the viewer really get involved in the plot. The moral values truly reflect the era depicted; I only wish that a return to those values were possible today.

If you like a good, dramatic story that develops characters you really get to know and care about, please see this film!