Ajouter une intrigue dans votre langueAn insane German war criminal lives in a secluded house owned by his rich father who lets him think the war is still on, some 15 years after the fact.An insane German war criminal lives in a secluded house owned by his rich father who lets him think the war is still on, some 15 years after the fact.An insane German war criminal lives in a secluded house owned by his rich father who lets him think the war is still on, some 15 years after the fact.
- Director
- Writers
- Stars
- Prix
- 2 victoires et 1 nomination au total
Carlo Antonini
- Police Official
- (uncredited)
Antonia Cianci
- Maid
- (uncredited)
Alfredo Franchi
- Groundskeeper
- (uncredited)
Roberto Massa
- Chauffeur
- (uncredited)
Osvaldo Peccioli
- Cook
- (uncredited)
Lucia Pelella
- Groundskeeper's wife
- (uncredited)
Avis en vedette
I saw this movie on the big screen several years ago in San Diego and I've never forgotten it. This movie falls loosely within the Holocaust/antisemitic genre and I'm surprised that many of my fellow Jews have never even heard of it. The idea of a family keeping their ex-Nazi son in the attic (it's not the basement)to protect him from the public is intriguing to say the least. There are a few scenes that I can never forget: Max Schell still wearing his Nazi uniform; his sister wiping up his excrement off the floor, like the family pet; Schell unwrapping and eating chocolate that's wrapped in Nazi tinfoil. To be kept away all these years from communicating with the outside world that's changed so much from the Nazi era. The last scene with Schell and Frederick March standing above the industrial complex that's been created. All these scenes stand out in my mind. The stark black and white film ties in exactly with that dark period in German/Jewish history. I'll never forget this movie. I wish so much that it is someday available in a DVD or (please don't) VHS version--even a copy from a TV movie showing on, say, the Fox movie channel. Anybody have a copy for sale? Contact me.
The Condemned of Altona.
This is a film I saw a few times and would like to see again 40 years later. Based on Jean-Paul Sartre about WW2 and the NEW Germany in German eyes. The central character, Franz Gerlach, has kept himself locked in the attic of his father's house for many years because his Nazi Past. Sophia Loren as Johanna visits him in the attic. Loren and all the actors play difficult parts. Reminds me of Boll and Gunther Grass. Those Germans who can not forget what happened in World War 2. A 10 from me, a must see Drama that has been done on stage too. Is there a DVD Copy available? I saw it on TV and at the Cinema in the 1960's.
This is a film I saw a few times and would like to see again 40 years later. Based on Jean-Paul Sartre about WW2 and the NEW Germany in German eyes. The central character, Franz Gerlach, has kept himself locked in the attic of his father's house for many years because his Nazi Past. Sophia Loren as Johanna visits him in the attic. Loren and all the actors play difficult parts. Reminds me of Boll and Gunther Grass. Those Germans who can not forget what happened in World War 2. A 10 from me, a must see Drama that has been done on stage too. Is there a DVD Copy available? I saw it on TV and at the Cinema in the 1960's.
This is a darkly disturbing film of a Nazi war criminal, still wearing his German army uniform, who is hidden in his father's house, and led to believe that World War II is still going on. The ending of the movie is a bizarre mix of Fellini and Capote. Schell escapes his "prison" and walks around the streets only to be "shocked" that there is no destruction or war raging. He ends up in a local theater and salutes an actor playing Hitler. I won't give the ending away, but it's a shocking surprise ala Play Dirty or To Live and Die in LA. The acting is great, the black and white film make the movie realistic and it captures a time in history which hopefully is gone for ever. An excellent film.
While this film was not entirely successful, there are scenes that will stay in your mind forever! If you liked Von Trier's "Zentropa", you will like this film on a similar theme.
I like most movies De Sica directed but this is a mediocre tale of a German industrialist dying of cancer, who wants to leave his estate to his second son Werner, while his first son Franz who was a Nazi officer, to escape justice is sheltered in his father's estate and thinks the war is still going on in 1962. It is based on a play by Sartre, which I guess was not successful, and like most movies based on plays, it feels claustrophobic.
Sophia Loren plays Werner's wife and since the movie producer was Carlo Ponti, he used this opportunity - like many other - to showcase his girlfriend Loren as a "real actress". Loren'skills as an actress are debatable, and even Ponti preferred to bet on some of her other assets. That's why even if the action takes place in freezing Hamburg, in a long key scene Loren wears a slip dress, displaying her ample cleavage.
Totally missable, third-rate movie.
Sophia Loren plays Werner's wife and since the movie producer was Carlo Ponti, he used this opportunity - like many other - to showcase his girlfriend Loren as a "real actress". Loren'skills as an actress are debatable, and even Ponti preferred to bet on some of her other assets. That's why even if the action takes place in freezing Hamburg, in a long key scene Loren wears a slip dress, displaying her ample cleavage.
Totally missable, third-rate movie.
Le saviez-vous
- AnecdotesSpencer Tracy was offered but declined the role of Albrecht von Gerlach.
- GaffesNazi uniforms were banned after the war, yet Franz walks through the city without being arrested or beaten up. He gets a few strange looks but is otherwise ignored.
- Autres versionsEvery reference to National Socialism was cut from the West German version in 1962.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Condemned of Altona
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 2 398 000 $ US
- Durée1 heure 54 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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