L'horrible Docteur Orlof

I'll admit I'm not a fan of director Jess Franco or his movies, but "The Awful Dr. Orloff" is an old-fashioned, black-and-white surprise. Orloff (Howard Vernon, of "Zombie Lake") and his bug-eyed henchman Morpho kidnap lovely damsels to use their skin in an attempt to reconstruct the scarred face of the doctor's daughter. Granted, the movie is long on talk, but the black-and-white photography creates a genuinely spooky atmosphere, and some of the Gothic images are worthy of Bergman. Franco does a good job of building a suspenseful third act, thereby redeeming the movie.

6/10

In 1912, five beautiful easy women are kidnapped and the efficient Inspector Tanner (Conrado San Martín), who is engaged of Wanda Bronsky (Diana Lorys), is assigned to the case. The responsible for the abductions is Dr. Orloff (Howard Vernon), a former prison doctor, and his deformed assistant Morpho Lodner (Ricardo Valle), who was a prisoner sentenced to death and revived by Dr. Orloff, that bring the women to the Hartog Castle to remove the skin of his victims to repair the face of his daughter that was burned in a fire. When Wanda decides to help her beloved fiancé to find the criminal, she becomes the next victim of Dr. Orloff. Now Inspector Tanner's last chance to find Dr. Orloff relies on the lead of the drunkard Jeannot (Faustino Cornejo).

"Gritos en la Noche" (a.k.a. "The Awful Dr. Orloff") is one of the best films of director Jesus Franco that I have seen so far. The story combines the story lines of the successful 1960 "Les Yeux Sans Visage" ("Eyes without a Face") with Frankenstein, Jack the Ripper and Sherlock Holmes and the result is good. The cinematography in black and white is great and the acting is decent. My vote is six.

Title (Brazil): "O Terrível Dr. Orloff" ("The Terrible Dr. Orloff")

'The Awful Dr. Orloff' is obviously ripped off the extraordinary 'Eyes Without A Face'. I didn't really have a problem with that in itself, only that what Franco does with such potentially rich material. Which is, nothing much. Sadly this early Jess Franco effort, though entertaining enough, never reaches the surrealistic heights of his late 60s/early 70s peak ('Vampyros Lesbos', 'Succubus',etc.).

My enjoyment of this movie was lessened by it being the badly dubbed American version with inane dialogue. The way English versions of European horror invariably dumb down the scripts/characters is one of my pet peeves. Why do they do this? Lack of respect for genre movies? Or some kind of reverse Hollywood snobbery? Not having seen the original Spanish cut though I'll give this movie the benefit of the doubt. It just might be better than I think.

Veteran character actor (and Franco regular) Howard Vernon ('Alphaville') is excellent in the title role, and his side-kick Morpho (Ricardo Valle) is suitably menacing, but the Inspector Tanner character is a joke, and the scenes of police "procedure" really drag this movie down. Disappointing overall knowing what Franco would achieve in later, more original movies, but still a reasonable way to waste a rainy afternoon.

One of Franco's first movies (when he was still considered a good director), very pleasant to watch. It has all the elements of the traditional horror recipe and is often inventive and surprising ; of course it is not really scary (well, at least not anymore), but the angst mood does still work pretty well, and it is both funny and seriously set (what post-Scream so-called horror movies are not) ; and sometimes even beautiful (the black and white pictures help). Actor Howard Vernon is a good Frankenstein/Jack the Ripper villain, and has something of Peter Cushing or Christopher Lee. If you like old terror tales (from Universal 1930's to Hammer 1970's, that kind), you should give it a try, really.

I saw this, one of Franco's first films, late at night and although it was creepy and at times rather surreal, there is little to approach the weirdness of Vampiros Lesbos et al. But instead we have a well-crafted gothic fantasy reminding one of Universal or Hammer horrors, but ultimately surpassing these in terms of suspense and scares. There is also very little of the violence or nudity that characterises his later work (although I did see a slightly trimmed version). This is probably Franco's most accessible film and, although he has himself remade it at least 4 times, this still remains the ultimate version. And unlike just about anything else by Franco, it stays the right side of cheese throughout, relying on Franco's skill as a director rather than cheap nudity thrills. Definitely recommended for fans of euro-gothic horror, although fans of Franco's later more whacked-out work would have to prepare themselves for something making a little more sense than normal.