Scotland Yard contre X

"The Secret Partner," from 1961, is a nifty British film starring Stewart Granger, Haya Harareet, and Bernard Lee. Granger is a successful businessman, John Brent, who is being blackmailed by a dentist. The man knows that in the past, Brent went by another name and was caught embezzling. Because of all the money Brent spends on blackmail, his wife (Harareet) believes that there's another woman. When he has a party for business and tells people she's in Zurich, his wife returns and, in front of the guests, announces that she's leaving him.

When a safe at his business is robbed, suspicion falls on him because he is one of two people who have the combination. His office keys show filings from being copied. He denies ever giving anyone the combination or having the keys copied. The dentist, meanwhile, is having problems of his own - he's visited by a mysterious man who makes some demands of him.

Since it's to be the last case of a retiring detective superintendent (Lee), he's anxious to solve the robbery. It all seems a little too pat for him.

Nifty mystery with not only some twists, but an unexpected ending.

I really liked this film. Granger does a good job as the man with problems everywhere he looks. Harareet is beautiful, but doesn't have much of a role. Lee is likable as the retiring superintendent, reminding us that justice isn't always found in the courts.

Recommended.

This movie may not be up to the technical standards of today, but this is the kind of movie that gives you entertainment without trying to pander to some cause, or make me feel guilty about driving an SUV. There isn't any raw sex, exposed skin, car crashes, vulgar language or hidden messages. The only gun fire is target shooting, and nobody throws a punch as I recall. Yet, this is the sort of entertainment that my generation expected when we went to the movies. The plot is well conceived and keeps you guessing until the very end. The actors at the time this movie was made were very popular at the box office, and all gave an excellent performance. The female lead is an Israli actress who played opposite Charleton Heston in Ben Hur. Stewart Granger made movies for both American and English film companies, and could have made an excellent James Bond. The back drop of 1961 London has the feel of an American B & W detective movie of the "film noire" genre. Unlike some English movies made at the time, the dialog is not filled with English idioms. This is a little gem that you can watch with your relatives during the Hollidays.

A good thriller,which loses steam halfway through ,but regains its interest in the last thirty minutes,thanks to a very good unexpected twist.Yes there was such a thing almost fifty years ago.

An aging Stewart Granger portrays a wealthy British Bourgeois with a shady past whose marriage with Nicole (the beautiful Haya Harareet,famous for her part of Esther in "Ben Hur") is on the rocks. His dentist blackmails him ,and around him ,everybody may be a potential danger.The plot involves drugs,robbery,a soon-to-be-retired cop and plenty of foggy views of London in a bleak black and white.It's not in the same as league as Hitchcock,but it's quite entertaining.

Very few crime films end on a tragic note, especially if the plot does not involve deaths and maiming. This is one such example. The last shot of the film--a long shot--of the protagonist walking alone arouses the viewers pity.

The film seems to infer that the bad guys remain bad and end up losers. Today such stories would seem sociologically incorrect to film. The plot of the film is rather good and would provide the viewer with his/her money's worth.

The last half hour of the film not only entertains but is quaintly philosophical. Haya Harareet's ("Ben Hur"'s Esther) character is a fascinating study of love for her husband and what she decides to do is even more poignant and elegant. Stewart Granger and Bernard Lee (M of the early James Bond films) perform well, but the ultimate heroes are the story writers (David Pursall and Jack Seddon) and the director Basil Deardon who make the film fairly above-average entertainment.

I first saw this film in 1961. Many years later, it turned up on Turner Classic Movies and, like a fool, I sat here watching it without making a tape of it. What a mistake that was. Although this film is well worth watching and has a clever twist ending, all indications are that it is unavailable anywhere on video or DVD. Don't miss it if it comes up on TV again.