ÉVALUATION IMDb
5,4/10
338
MA NOTE
Au cours des dernières années de l'Empire romain, la fille d'un riche patricien tombe en amour d'un esclave chrétien.Au cours des dernières années de l'Empire romain, la fille d'un riche patricien tombe en amour d'un esclave chrétien.Au cours des dernières années de l'Empire romain, la fille d'un riche patricien tombe en amour d'un esclave chrétien.
José Nieto
- Sesto
- (as Jose Nieto)
Julio Peña
- Torquato
- (as Julio Pena)
Vanoye Aikens
- Iface
- (as Van Aikens)
Miguel de la Riva
- Romano
- (uncredited)
Avis en vedette
As a lover of Roman history, I enjoy these old sword-and-sandal movies.
The reign of Maximinus was from 310 to 313. He was Augustus of the Eastern Roman Empire until he was defeated by Licinius, who was in turn defeated some years later by Constantine I.
Maximinus' persecution of Christians came some years after the Diocletian persecutions. Before his death, Maximinus issued an edict of tolerance allowing Christians to freely worship.
Like his uncle Galerius, Maximinus was a devout pagan of Dacian heritage. Galerius had been the architect of the Diocletian persecutions (before becoming emperor, Galerius the son-in-law of Diocletian, had been Diocletian's "Caesar" in the east, winning a great victory in the Battle of Satala). Both Galerius and his nephew Maximinus felt their own religion was threatened by the increasing popularity of Christianity.
Maximinius' persecution was the last persecution of Christians in the Roman Empire.
The reign of Maximinus was from 310 to 313. He was Augustus of the Eastern Roman Empire until he was defeated by Licinius, who was in turn defeated some years later by Constantine I.
Maximinus' persecution of Christians came some years after the Diocletian persecutions. Before his death, Maximinus issued an edict of tolerance allowing Christians to freely worship.
Like his uncle Galerius, Maximinus was a devout pagan of Dacian heritage. Galerius had been the architect of the Diocletian persecutions (before becoming emperor, Galerius the son-in-law of Diocletian, had been Diocletian's "Caesar" in the east, winning a great victory in the Battle of Satala). Both Galerius and his nephew Maximinus felt their own religion was threatened by the increasing popularity of Christianity.
Maximinius' persecution was the last persecution of Christians in the Roman Empire.
Rhonda Fleming would shortly be ending her big screen career and would henceforth do roles mostly for television. I'm sure that Revolt Of The Slaves might have had a lot to do with that decision. It was a project of her's and the man whom she would soon marry, Lang Jeffries.
This is a Christian martyr film along the lines of The Sign Of The Cross and Quo Vadis. But Fleming's film takes place much later than the early Empire years of those classics. She plays Fabiola who in real life had an interesting story to tell, but this isn't it.
Nor for that matter are the stories of Sebastian and Agnes two other noted martyrs. The lives of Fabiola, Sebastian, and Agnes inter lap chronologically, but they apparently never knew each other unlike how The Revolt Of The Slaves tells the tale.
Jeffries plays Vibio a Christian slave who Fleming takes one look at stripped down and in the true DeMille tradition of sex and gospel falls for him. But Vibio missed the course in turning the other cheek. He's going to fight for his fellow believers in the way he was trained as a gladiator.
One fascinating bit of history that I will have to look up and change my review if it is correct, but this is the only Peplum film I've seen that has the Romans using black African mercenaries. Emperor Massimiano played by Dario Moreno apparently doesn't trust his Roman Guards and he's got a private army of black guards whom he uses for things like suppressing the heresy of Christianity.
They have a white commander, a sniveling little ferret of a human being played by Serge Gainsbourg. He has a death scene to beat all and I won't say another word. You should see Revolt Of The Slaves for that alone.
This is a Christian martyr film along the lines of The Sign Of The Cross and Quo Vadis. But Fleming's film takes place much later than the early Empire years of those classics. She plays Fabiola who in real life had an interesting story to tell, but this isn't it.
Nor for that matter are the stories of Sebastian and Agnes two other noted martyrs. The lives of Fabiola, Sebastian, and Agnes inter lap chronologically, but they apparently never knew each other unlike how The Revolt Of The Slaves tells the tale.
Jeffries plays Vibio a Christian slave who Fleming takes one look at stripped down and in the true DeMille tradition of sex and gospel falls for him. But Vibio missed the course in turning the other cheek. He's going to fight for his fellow believers in the way he was trained as a gladiator.
One fascinating bit of history that I will have to look up and change my review if it is correct, but this is the only Peplum film I've seen that has the Romans using black African mercenaries. Emperor Massimiano played by Dario Moreno apparently doesn't trust his Roman Guards and he's got a private army of black guards whom he uses for things like suppressing the heresy of Christianity.
They have a white commander, a sniveling little ferret of a human being played by Serge Gainsbourg. He has a death scene to beat all and I won't say another word. You should see Revolt Of The Slaves for that alone.
Revolt of the Slaves is loosely based on a famous novel called Fabiola written by Cardinal Wiseman in the 1850s. It strays drastically from the original story, keeping some of the same characters (in particular the martyrs Sebastian and Agnes), and some of the same scenes, but downplaying martyrdom as a whole, and trying to make a movie that could be called "Vibio saves the Christians." The "Vibio" character is not part of the Fabiola story. He is introduced as a slave who is also a Christian, but he isn't about to be a martyr. He rescues Christians a number of times throughout the movie. Action scenes are everywhere in this movie, and every one of them is added--none are from the book.
I loved the book Fabiola, and I found this to be a deconstruction of it, not only in story but in philosophy. The screenwriters had some sympathy for the Christians, and portrayed them somewhat positively, but wanted to make them safe and happy in this world. If you know anything about the Diocletian persecution, Christians were anything but safe in those days. Faith is present in some of the characters, and it comes in handy, but physical combat seems to be the preferred mode of doing business. This movie had potential, but it was just Hercules vs. the pagan Romans.
I loved the book Fabiola, and I found this to be a deconstruction of it, not only in story but in philosophy. The screenwriters had some sympathy for the Christians, and portrayed them somewhat positively, but wanted to make them safe and happy in this world. If you know anything about the Diocletian persecution, Christians were anything but safe in those days. Faith is present in some of the characters, and it comes in handy, but physical combat seems to be the preferred mode of doing business. This movie had potential, but it was just Hercules vs. the pagan Romans.
The Revolt of the Slaves can be enjoyed by those 14 and older. The movie provides light entertainment with little thought. The Revolt of the Slaves does command your attention by its picturesque sets and wonderful costuming. The movie contains enough sword fighting and wrestling matches to keep you interested. The Revolt of the Slaves moves quickly. You go from fighting scenes to beautiful peaceful scenes where there are plenty of beautiful women to keep keep you looking for more. The musical scores in this film come at dramatic times. This is a typical Christian persecution film. Pass the popcorn and soda to enjoy a night of film. I give it four thumbs up.
Actor Burt Nelson's real name is Rafael Rivelles. He plays the part of Rutilio.
There are too many inconsistencies to make this movie enjoyable. The Christians fight for their freedom and when they are about to win the battle, they lay down their weapons.
Le saviez-vous
- AnecdotesEven though it looks like it cost next-to-nothing to make, this film was produced by a consortium of investors from Italy, Spain and Germany.
- GaffesWhen the Christians are sent across the arena to run for their lives and freedom if they reach the line on the other side, the gladiators kill them all from behind and from a distance with a javelin in the back, and they all fall forward on their faces and die. The next time we see them, they are lying in different positions.
- ConnexionsFeatured in 42nd Street Forever, Volume 2: The Deuce (2006)
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- How long is The Revolt of the Slaves?Propulsé par Alexa
Détails
- Durée
- 1h 40m(100 min)
- Mixage
- Rapport de forme
- 2.35 : 1
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