Mr. Sardonicus

This film never had a chance of winning any awards or high praise from the critics and this is no surprise. Like many of William Castle's films, this isn't high art and it was meant to be very broad horror that would appeal to the common man and woman in the audience. In many places the plot seemed silly and tough to believe but because of Castle's style, it was still a lot of fun to watch--particularly the silly voting segment and subsequent evil ending of the film.

As for the unbelievable plot, a famous doctor is called by an old sweetheart to travel across Europe to help her. However, when he arrives, she behaves like there is nothing the matter! However, it soon becomes obvious that her husband is having major issues, as he walks everywhere with a mask over his face. It turns out that a great scare years earlier permanently contorted his face into a silly and unrealistic looking grimace and the doctor is threatened into treating the crazy afflicted man.

Throughout all this, there are tons of unnecessary but cool torture and mayhem--such as seeing the maid hung by her thumbs and having leeches pasted all over her face. Sardonicus is a jerk in this film and it's really hard to care about his facial anomaly.

By the way, IMDb doesn't mention this, but the mask that Sardonicus wears looks an awful lot like William Castle's face and I am sure that with the director's quirky sense of humor that this was intentional.

And it scared the hell out of me.

The face is just too smiley for even the cheeriest of folks.

I was scared out of my wits by this black and white movie...most adults would probably find funny. So, decide for yourself.

Of the William Castle films with which I'm familiar, "Sardonicus" is definitely the best. If you strip away some of the schlocky "padding" (the maid with the leeches, the "beauty contest" in the cellar, etc) you have a remarkably effective and entertaining film. Ray Russell's plotting and dialog are pretty high quality stuff, and some of the conversations have an almost poetic quality, especially in the scenes between Guy Rolfe and Ronald Lewis.

Of course, the dialog is all the more effective when delivered by a fine cast, and the stately, urbane Rolfe, the amiable and stalwart Lewis and the delightfully quirky and sinister Oscar Holmolka elevate this film FAR above its low-budget liabilities. Castle's direction is more than competent, my only complaint being the overly bright lighting throughout the castle interior, which robs many scenes of their creepy potential.

THEN THERE IS THE GRAVEYARD SCENE----a masterpiece of its type in the annals of horror films. Acting, direction, cinematography, etc ALL rise to the occasion, with the shocking revelation within the coffin and the psychological dimension of its effect on Marek/Sardonicus producing a scene which is as horrifying and disturbing as it is memorable; it's impossible to describe--you simply have to see it yourself. And the trauma continues as Guy Rolfe stumbles home in the dark, sobbing pathetically, where his wife (and we the viewer) first discovers his hideous deformity. I initially saw this film on TV when I was 20 years old and it STILL scared the crap out of me! Thank God I didn't see it when it was first released.

HERE'S A THOUGHT--- the shot of Sardonicus' father's corpse is so profoundly upsetting (to US as viewers as well as Guy Rolfe in the film)that I don't believe it was designed and created by Castle and his team; I bet anything that they "FARMED OUT" this shot to an effects team in Mexico--where the horror effects artists were FAR better at creating visuals of this sort. Or perhaps the coffin opening was a shot LIFTED from some earlier, obscure Mexican film, which Columbia might have purchased for this crucial shot in "Sardonicus" (?)

The final shot of the coffin lid opening (all the more creepy since it appears to open BY ITSELF)is interesting; if you look closely, you will notice that this is a DIFFERENT coffin lid than the one in the previous shots; the pattern of dirt and mold is different, as are the seams between the wooden planks. When the father's remains turn up later in the shocking padlocked-room scene, it's clear that the quality of workmanship is nowhere near as good as the coffin figure, instead appearing to be the sort of effect that Castle's production team would have created from their modest budget. I imagine that it's impossible to ever know whether or not my idea is correct, since too much time has passed since the film was made.

Many people make a big deal about the "Punishment Poll" gimmick for the film, but it's really just a distraction for any serious viewer; too bad that Castle's 11th-hour on-screen appearance breaks the mood just prior to the classically understated irony of the final scene.

In the Nineteenth Century, in London, the prominent medical doctor Sir Robert Cargrave (Ronald Lewis) receives a letter from his former sweetheart Baroness Maude Sardonicus (Audrey Dalton) with the invitation to visit her husband Baron Sardonicus (Guy Rolfe) and her at his castle in Gorslava. Soon Sir Robert learns that the notorious Baron is an appalling man that frightens the local population. On the arrival in the castle Sir Roberts sees Sardonicus's servant Krull (Oscar Homolka) torturing a maid with leeches in a weird experiment. He meets Maude and her husband that wears a mask covering his face. Sir Robert has a private conversation with Sardonicus and he learns that the Baron was the peasant Marek Toleslawski that lived in a poor house with his wife Elenka Toleslawski (Erika Peters) and his father Henryk Toleslawski (Vladimir Sokoloff), who gives a lottery ticket as a gift to Elenka and dies. Months later, Marek and Elenka learn that they have won the lottery; however the ticket was buried with Henryk. Marek decides to retrieve the ticket in his father's grave and when he sees the face of Henryk, he freezes his face with a horrible grimace. Sardonicus wants Robert to recover his face; otherwise he will destroy Maude's face. Will Sir Robert succeed?

"Mr. Sardonicus" is a creepy horror film directed by William Castle. The story is a sort of combination of the story lines of "Nosferatu" (or "Dracula"), "The Man Who Laughs" and "Les Yeux Sans Visage" among others. William Castle plays with the audiences asking for the fate of Sardonicus. The make-up of Sardonicus is impressive. My vote is seven.

Title (Brazil): "A Máscara do Horror" ("The Mask of the Horror")

William Castle usually marketed his movies with gimmicks, and for MR. SARDONICUS the gimmick was "the punishment poll." When the film played in theatrical release, audience members were issued a voting card, and near the movie's conclusion Castle himself appeared on the screen and asked the audience to vote: show the card thumbs up to show mercy, thumbs down for none. Now, in theory, there were two different endings, and the ending shown depended on the audience vote--but no one ever saw the "show mercy" ending and it seems unlikely that it ever existed at all. And you certainly won't find it here: Sardonicus is punished every time.

For once Castle should have left well enough alone. The Punishment Poll is the only seriously weak thing in the entire film, which has a considerably better script and over-all better cast than most Castle outings. The story, which shows influences from everything from PHANTOM OF THE OPERA to Dracula to THE MAN THAT LAUGHED, concerns a grotesquely disfigured man who uses his wife to lure a noted specialist to his castle in the wilds of "Gorslavia"--and who then proceeds to make every one's life as miserable as possible, and that's throwing roses at it. Young women are molested, hung from the ceiling, nibbled on by leeches, and threatened with surgery designed to make them look as hideous as Sardonicus himself.

The cast is quite good, with Oskar Homolka a standout as Krull, Sardonicus' equally depraved servant. The lovely Audrey Dalton is also memorable as Sardonicus' unwilling wife. But the real star of the film is the make-up, which was quite famous in its day and is still capable of giving you a jolt. And along the way we're treated to a number of campy Castle flourishes that add to the fun. But MR. SARDONICUS is surprisingly cohesive for a Castle movie, and it moves along at a smart pace and has an interestingly atmospheric look. Most Castle films appeal almost exclusively to fans of cult and B-movies, but just about every one will find this one entertaining. Lots of silly Gothic fun! Gary F. Taylor, aka GFT, Amazon Reviewer