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IMDbPro

Ercole alla conquista di Atlantide

  • 1961
  • Unrated
  • 1h 41m
ÉVALUATION IMDb
4,4/10
1,7 k
MA NOTE
Ettore Manni, Reg Park, and Fay Spain in Ercole alla conquista di Atlantide (1961)
AventureComédieFantaisieHistorique

Ajouter une intrigue dans votre langueStrong yet sleepy Hercules discovers that the Queen of Atlantis is plotting to take over the world with superhuman warriors.Strong yet sleepy Hercules discovers that the Queen of Atlantis is plotting to take over the world with superhuman warriors.Strong yet sleepy Hercules discovers that the Queen of Atlantis is plotting to take over the world with superhuman warriors.

  • Director
    • Vittorio Cottafavi
  • Writers
    • Vittorio Cottafavi
    • Sandro Continenza
    • Duccio Tessari
  • Stars
    • Reg Park
    • Fay Spain
    • Ettore Manni
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    4,4/10
    1,7 k
    MA NOTE
    • Director
      • Vittorio Cottafavi
    • Writers
      • Vittorio Cottafavi
      • Sandro Continenza
      • Duccio Tessari
    • Stars
      • Reg Park
      • Fay Spain
      • Ettore Manni
    • 46Commentaires d'utilisateurs
    • 39Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos124

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    Rôles principaux29

    Modifier
    Reg Park
    Reg Park
    • Ercole
    Fay Spain
    Fay Spain
    • La regina Antinea
    Ettore Manni
    Ettore Manni
    • Androclo - il re di Tebe
    Luciano Marin
    Luciano Marin
    • Illo
    Laura Efrikian
    Laura Efrikian
    • Ismene - la figlia di Antinea
    • (as Laura Altan)
    Mario Valdemarin
    Mario Valdemarin
    • Gabor - il capo dei prigionieri
    Mimmo Palmara
    Mimmo Palmara
    • Astor - il gran visir
    Salvatore Furnari
    Salvatore Furnari
    • Timoteo - il nano
    Raf Baldassarre
    Raf Baldassarre
    • Il capo delle guardie
    Mino Doro
    Mino Doro
    • Oraclo
    Luciana Angiolillo
    Luciana Angiolillo
    • Deianira - La moglie di Ercole
    Ignazio Dolce
    Ignazio Dolce
    Miss Glamor
    Tullio Altamura
    Tullio Altamura
    Alessandro Sperlì
    Alessandro Sperlì
    • Un re
    • (as Alessandro Sperli)
    Mario Petri
    Mario Petri
    • Zenith - il prete di Urano
    Gian Maria Volontè
    Gian Maria Volontè
    • il re di Sparta
    Ivo Garrani
    Ivo Garrani
    • Il re di Megalia
    • Director
      • Vittorio Cottafavi
    • Writers
      • Vittorio Cottafavi
      • Sandro Continenza
      • Duccio Tessari
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs46

    4,41.7K
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    Avis en vedette

    3wes-connors

    Park Muscles His Way Into the Miniskirt

    "Hercules returns just in time to save a gorgeous damsel in distress from the clutches of a wicked monster. The grateful beauty takes him to her home in Atlantis. Hercules must intervene again to save her from her murderous mother and some unfriendly inhabitants. Hercules, his son, and the maiden escape before the city and its population are destroyed," according to the DVD sleeve's synopsis.

    Dubbed "Hercules and the Captive Women" from the original Italian, this one features Reg Park's debut as one of the exported "sword and sandal" strongmen. Don't watch for the numerous scenes involving Hercules rescuing "Captive Women" because there are none. Instead, you get to see him save one captive, or rather, less than half of her. There are some nicely dressed scenes, though.

    *** Ercole alla conquista di Atlantide (8/19/61) Vittorio Cottafavi ~ Reg Park, Fay Spain, Ettore Manni, Luciano Marin
    6Boba_Fett1138

    Better than currently given credit for.

    This is definitely a better movie than a lot of other Italian Hercules productions out there. Not that the quality of this movie is being exceptionally high though. It still is a movie that brings some nice entertainment, no matter how ridicules the movie often gets.

    This was the first time that British Reg Park took on the Hercules role. Park was a multiple time Mr. Universe champion, just like Steve Reeves, who had played the character of Hercules in previous movie productions. His physique of course definitely helped him getting these sort of roles. His career also ended pretty soon after he started to age, like often happens to these types of 'actors'.

    Like all these sort of Italian swords and sandals productions, it's a very cheap and often laughable looking movie, even though the movie is also being grand to look at with its enormous and colorful sets. The movie does use some silly early effects, though you just can not accuse this movie of not being creative. It just doesn't always works in the movie its own advantage.

    I of course couldn't care less about the story of the movie and all that seemed to matter was that the movie. All that seems to matter for this movie is that it's being entertaining. The movie does really bring some silly fun, also long as you of course don't except a movie with class or of a very high quality.

    A better movie than most other Italian Hercules productions and also certainly way better than its current reputation and rating.

    6/10

    http://bobafett1138.blogspot.com/
    3mstomaso

    Unforeseen Perils of the Mystical Unknown

    Vittorio Cottafavi's Hercules and the Captive Women recycles the standard Hercules plot structure. If you have seen any of its predecessors or descendants, you have seen something very much like this film. However, in this case, the entire army of evil-doers Herc must confront are immortals from Atlantis who have been secretly infiltrating Greek politics. Most of the action takes place on Atlantis after Herc, his son, and a couple of friends wash up there.

    Hercules is played by Reg Park, a very beefy non-actor built like a comic book superhero. Park seems to spend the first 1/3rd of the film lounging about, and most of the second 2/3rds flexing and fighting. His occasional lines are clearly spoken, but without a great deal of enthusiasm. Most of the acting is OK. No real highlights in the cast, though.

    The action sequences are fairly entertaining, but don't compare favorably to the special-effects saturated fight scenes of today. Like many Hercules films, Captive Women features lavish costumes and sets.The costumes are up to the series above-average standards and a few of the Atlantean sets are really nice. The script is on par with most of the series, which is to say that it is not very good.

    Recommended for Hercules fans only.
    TheVid

    A nice peplum package that compares favorably with Bava's previous effort.

    Here's another Reg Park Hercules movie on a par with Mario Bava's superb earlier film HERCULES IN THE HAUNTED WORLD. Director Cottafavi lacks Bava's visual flair, but serves up enough kitsch atmosphere and set pieces to keep things fun. Park's lunky presence and lunkheaded demeanor make him the perfect foil for the elegantly stiff Fay Spain, as the obligatory beautiful-but-evil empress of Atlantis. Cheesy monsters, a dwarf, bouffant hairdos and some deliberately-dumb, dubbed dialogue all combine to make this top-notch kitsch for peplum afficionados. And, let us repeat, "all hail Uranus!".
    8Maciste_Brother

    Big, colorful and fun

    Before James Bond.

    Before Indiana Jones.

    There was the Hercules series.

    Or at least the series starring Reg Park. These Hercules films were big, colorful, full of action and fun. They are also shockingly maligned, just by looking at the IMDb rating for HERCULES AND THE CAPTIVE WOMEN, which is a joke.

    HERCULES AND THE CAPTIVE WOMEN wasn't your average low-budget Sword & Sandal flick. It was shot in Technirama (expensive 70mm) and the look of it, in the widescreen version, is remarkable to say the least: big colorful sets, big cast, big action. The details, in some scenes, is stunning.

    The whole production reminds me of old serials where our hero encounters one pitfall after another. HATCW is like the missing link that bridges the gap between old serials of the 1930s/1940s and RAIDERS OF THE LOST ARK. And like James Bond films (DR NO was made a year after this), this Hercules movie is replete with vast cavernous sets which dwarf the cast and are set on the side of spectacle.

    CAPTIVE WOMEN has many highlights. My favorite part is when Hercules saves Iseme, daughter of Queen Antinea, from the clutches of Proteus. Psychedelia circa 1961, or psychedelia before psychedelia was in! The surreal look is great and precedes all other films made in the 1960s, including BARBARELLA or even Fellini films, like SATYRICON. In fact, HERCULES AND THE CAPTIVE WOMEN looks like an action film if it had been directed by Fellini. It doesn't shy away from combining odd imagery along with comic book action.

    The cast is perfect. Steve Reeves was (and still is) the definitive Hercules but beefy Reg Park fits the bill here. Park is happy just to be an action hero as opposed to Reeves who wanted to be taken seriously as an actor. Fay Spain makes a memorable evil Queen. Laura Efrikian is beautiful as Iseme. Ettore Manni, a familiar face in Peplums and a pretty good actor, lends excellent support as Hercules' best friend, Androcles.

    The film itself is not perfect. The story is a tad thin and the stock footage at the end is obviously just footage of an erupting volcano, and it definitely lacks a distinctive score to give the film that extra special character but even so, these things didn't diminish the fun I had while watching it.

    HERCULES AND THE CAPTIVE WOMEN is the kind of movie I'll be watching again and again. It just rocks!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In the 6/15/1961 issue of the British magazine "Health and Strength," about this movie and under the title "A New Hercules," Oscar Heidenstam wrote: "Furthermore Reg Reg Park was not going to have his reputation as the greatest physique of all time mucked about by clauses in his contract that he should not weigh more than a certain amount, etc. He stipulated that if he was to play Hercules, he wanted to look like one imagined the legendary Hercules to be. He got his way and everything possible was put at his disposal for him to keep in his usual peak form during the making of this very strenuous and stupendous film. [...] The producers kept weights on the set for him, so that he could keep in tremendous physical shape. In spite of a very exhausting film schedule Reg lost only 5lb. in body weight. His normal chest is 53in. and his waist a net 32in., his body weight around 230lb. [...] Because Reg is so big they were unable to find a "stand-in'' for him, so Reg has had to do all the stunts for himself. [...] In a shipwreck scene he was badly battered and bruised when tons of water washed him into the mast and ropes.
    • Gaffes
      Near the end of the film, Hercules swims away from the island to a boat, but when he climbs aboard he is completely dry.
    • Citations

      Ismene: Today is dedicated to Uranus!

    • Autres versions
      For the Woolner Brothers U.S. release version, under the title "Hercules and the Captive Women", the original score has been replaced by a stock score selected by Gordon Zahler. Zahler used much of the same music he had selected for the U.S. release of Kurt Maetzig's _First Spaceship on Venus (1962)_ as well as portions of the score from Jack Arnold's _Creature From the Black Lagoon (1954)_ .
    • Connexions
      Edited into La sfida dei giganti (1965)

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    FAQ

    • How long is Hercules and the Captive Women?Propulsé par Alexa

    Détails

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    • Date de sortie
      • 19 août 1961 (Italy)
    • Pays d’origine
      • Italy
      • France
    • Langue
      • Italian
    • Aussi connu sous le nom de
      • Hercules and the Captive Women
    • Lieux de tournage
      • Cinecittà Studios, Cinecittà, Rome, Lazio, Italie(studios, as Cinecittá S.p.A.)
    • sociétés de production
      • Comptoir Français du Film Production (CFFP)
      • SpA Cinematografica
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 41 minutes
    • Rapport de forme
      • 2.20 : 1

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