ÉVALUATION IMDb
7,2/10
3,2 k
MA NOTE
Ajouter une intrigue dans votre langueAs the US Army approaches Nazi Germany, they recruit German prisoners of war to spy behind German lines.As the US Army approaches Nazi Germany, they recruit German prisoners of war to spy behind German lines.As the US Army approaches Nazi Germany, they recruit German prisoners of war to spy behind German lines.
- Nommé pour 2 oscars
- 1 victoire et 4 nominations au total
Hildegard Knef
- Hilde
- (as Hildegarde Neff)
Wilfried Seyferth
- Heinz Scholtz - SS Man
- (as Wilfried Seyfert)
Robert Freitag
- Sgt. Paul Richter
- (as Robert Freytag)
Harold Benedict
- Lt. Pete Gevers
- (as H.L. Benedict S/Sgt. USAF)
H.W. Briggs
- Self
- (as H.W. Briggs Sgt. USA)
D.G. Devine
- Lt. Rennick's Driver
- (as D.G. Devine Cpl. USAF)
L.E. Dixon
- Self
- (as L.E. Dixon Maj. USA)
B.L. Hendrickson
- Self
- (as B.L. Hendrickson T/Sgt. USA)
Avis en vedette
A taut story, first-rate acting, and a compelling subject make this film worth seeing.
Espionage/spying is a tricky subject, but "Decision Before Dawn" handles it brilliantly. No flash, no Mata Haris, no absurd coincidences. Weaving human drama and the grim realism of war, this film is that rare gem that manages to teach without preaching.
Among the superb performances is our hero Happy, played with just the right blend of suspense and humanity by Oskar Werner. Happy (an ironic name given to him by his American overseers) is torn between love of his native land and his duty to what is right. Werner walks this tightrope better than most I've seen.
In the end, however, it's the script that is the true gem of the film. Peter Viertel is a master story teller, with such great screenplays as "Saboteur" and "The Hard Way" to his credit. Viertel, with a story by author George Howe, weaves an intricate, but not confusing, narrative of war and devotion and duty. He's one of the few _writers_ I look for when I check out "On TV This Week" on IMDB.
Espionage/spying is a tricky subject, but "Decision Before Dawn" handles it brilliantly. No flash, no Mata Haris, no absurd coincidences. Weaving human drama and the grim realism of war, this film is that rare gem that manages to teach without preaching.
Among the superb performances is our hero Happy, played with just the right blend of suspense and humanity by Oskar Werner. Happy (an ironic name given to him by his American overseers) is torn between love of his native land and his duty to what is right. Werner walks this tightrope better than most I've seen.
In the end, however, it's the script that is the true gem of the film. Peter Viertel is a master story teller, with such great screenplays as "Saboteur" and "The Hard Way" to his credit. Viertel, with a story by author George Howe, weaves an intricate, but not confusing, narrative of war and devotion and duty. He's one of the few _writers_ I look for when I check out "On TV This Week" on IMDB.
Close to the end of WW2, the US military recruits Nazi defectors from the ranks of German POW's to return to Germany as spies. Klaus Kinski makes a brief appearance during the interview process, but his character is rejected. Who is accepted to participate in this mission is incomparable Oskar Werner as Corporal Karl Maurer who is given the code name Happy. It's an ironic name for such a serious actor. He's perfect for the part in this heavy film set largely in the destruction of bombed out cities. Such a setting makes it difficult for the Germans to actually capture him, as when they are on to his trail, the aerial Allied bombings begin again. There are lots of places to hide amidst the treacherous ruins of the near collapsing buildings.Yet the Germans try to maintain discipline to the very end, as a deserter is hanged and his body is left for all to see. The film uses the destruction in which it is set and reminds us of how things change when the peace time environment becomes lost amidst the destruction. Werner goes through several meetings with Germans, the best being the Colonel who orders the deserter to be hanged, and another with the tragic character played by Hildegard Knef, whom he meets in a bar. Amidst the desperation still lurks a couple of true Nazi believers, one played quite well by Wilfred Seyferth as Heinz Scholtz, a dangerous SS man who befriends the traitor Werner. The film is overwhelmingly stark and lacks any sense of humor whatsoever, but in my book that just adds to the overall effect, much like some of the Cold War era spy films, such as The Spy Who Came In From The Cold.
Those were the outcasts of WW2.German war prisoners who decided to rebel against their country.
Karl-aka "Happy" - agrees to become a spy in the "pay" of Americans at the end of WW2 in his country .A country in ruins.The "Third Reich " which should have lasted one thousand years was collapsing.Oskar Werner gives a restrained moving performance.If "underacting" has a meaning (not meant pejoratively) ,that's exactly what it is.He watches his country fall as if he does not belong there anymore.He meets people he used to know ,a girl (Knef) he could love (but he won't),but he knows from the start that wherever he goes,he is an outcast.His new "Friends" use him as a pawn in their game,and " his motherland will not cradle him anymore" .
Anatole Litvak,an European who used to work in France -where the first scenes take place- in the thirties (and later would in the fifties/sixties)knows what he is talking about.He joined the army during WW2;and "decision before dawn" was one of his finest achievements .
Like this? try this...
Vent d' Est Robert Enrico 1993
Karl-aka "Happy" - agrees to become a spy in the "pay" of Americans at the end of WW2 in his country .A country in ruins.The "Third Reich " which should have lasted one thousand years was collapsing.Oskar Werner gives a restrained moving performance.If "underacting" has a meaning (not meant pejoratively) ,that's exactly what it is.He watches his country fall as if he does not belong there anymore.He meets people he used to know ,a girl (Knef) he could love (but he won't),but he knows from the start that wherever he goes,he is an outcast.His new "Friends" use him as a pawn in their game,and " his motherland will not cradle him anymore" .
Anatole Litvak,an European who used to work in France -where the first scenes take place- in the thirties (and later would in the fifties/sixties)knows what he is talking about.He joined the army during WW2;and "decision before dawn" was one of his finest achievements .
Like this? try this...
Vent d' Est Robert Enrico 1993
Surprisingly good war film unknown to me before I saw it on American Movie Classics. Cast is excellent. Characters are well-drawn. The film is the best portrayal I have yet seen on celluloid of Germany in its stages of final collapse as the end of WWII nears. Some very impressive interiors are beautifully shot - the cathedral that serves as intelligence hq, and the castle or chateau that is the German command hq. Engrossing story of conflicted loyalties, and good action and suspense as well. I can only add my agreement with the positive comments already entered.
The movie puts you in WWII's closing days as you watch an idealistic young German Army medic become a traitor to his country by working as a spy in order to let the war end quickly and let peace return. The movie extras are former German soldiers, and you can tell by how they wear their "rag tag" uniforms and bark out commands in German. The scenes are superb. Bombed out areas of Germany were used, and one scene in a bombed out theater is especially great. You hear the falling glass and metal structures as the Gestopo search for the soldier. It is simply a very entertaining movie that lets one ponder: What would I have done if I were in his place?
Le saviez-vous
- AnecdotesOne of the first films after World War II to portray the German people--outside of the Nazi regime--in a sympathetic light.
- GaffesKarl is mistakenly called a corporal. The Luftwaffe uniform that he wears both in the US POW cage and while back in Germany has the rank insignia of an "Obergefreiter", specifically three winged emblems on the collar patches, plain shoulder straps and two chevrons on his left sleeve. Also when the list is checked for his name at the bridge the rank is written down as 'Gfr' (gefreiter) The ranks of Gefreiter, Obergefreiter and Stabsgefreiter (all which were partially identified by chevrons on the sleeve) were not NCOs and had no command authority over other soldiers. They were simply grades of seniority and would be more equivalent to Private First Class (PFC) in the US military. The German rank that is the closest equivalent to Corporal is Unteroffizer. Also, Karl is wearing the medical badge on his right sleeve; Luftwaffe enlisted medical personnel wore the badge on the left sleeve, while Wehrmacht (army) wore it on the right.
- Citations
Lt. Dick Rennick: [Intro narration] Of all the questions left unanswered by the last war, and probably any war, one comes back constantly to my mind. Why does a spy risk his life... for what possible reason? If the spy wins, he's ignored. If he loses, he's shot.
- ConnexionsReferenced in That Girl: Decision Before Dawn (1968)
- Bandes originalesAch, wie ist' möglich dann (Treue Liebe)
(uncredited)
Written by Friedrich Kücken (1827)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Decision Before Dawn
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 59m(119 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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