[go: up one dir, main page]

    Calendrier de lancementLes 250 meilleurs filmsFilms les plus populairesParcourir les films par genreBx-office supérieurHoraire des présentations et billetsNouvelles cinématographiquesPleins feux sur le cinéma indien
    À l’affiche à la télévision et en diffusion en temps réelLes 250 meilleures séries téléÉmissions de télévision les plus populairesParcourir les séries TV par genreNouvelles télévisées
    À regarderBandes-annonces récentesIMDb OriginalsChoix IMDbIMDb en vedetteGuide du divertissement familialBalados IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPrix STARmeterCentre des prixCentre du festivalTous les événements
    Personnes nées aujourd’huiCélébrités les plus populairesNouvelles des célébrités
    Centre d’aideZone des contributeursSondages
Pour les professionnels de l’industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de visionnement
Ouvrir une session
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'application
  • Distribution et équipe technique
  • Commentaires des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Boulevard du crépuscule

Titre original : Sunset Boulevard
  • 1950
  • PG
  • 1h 50m
ÉVALUATION IMDb
8,4/10
250 k
MA NOTE
POPULARITÉ
1 748
96
William Holden, Nancy Olson, and Gloria Swanson in Boulevard du crépuscule (1950)
A screenwriter develops a dangerous relationship with a faded film star determined to make a triumphant return.
Liretrailer1 min 30 s
5 vidéos
99+ photos
Dark ComedyFilm NoirPsychological DramaShowbiz DramaTragedyDrama

Un scénariste est engagé pour retravailler le texte d'une vedette de cinéma muet délavé, pour se retrouver à développer une relation dangereuse.Un scénariste est engagé pour retravailler le texte d'une vedette de cinéma muet délavé, pour se retrouver à développer une relation dangereuse.Un scénariste est engagé pour retravailler le texte d'une vedette de cinéma muet délavé, pour se retrouver à développer une relation dangereuse.

  • Director
    • Billy Wilder
  • Writers
    • Charles Brackett
    • Billy Wilder
    • D.M. Marshman Jr.
  • Stars
    • William Holden
    • Gloria Swanson
    • Erich von Stroheim
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    8,4/10
    250 k
    MA NOTE
    POPULARITÉ
    1 748
    96
    • Director
      • Billy Wilder
    • Writers
      • Charles Brackett
      • Billy Wilder
      • D.M. Marshman Jr.
    • Stars
      • William Holden
      • Gloria Swanson
      • Erich von Stroheim
    • 789Commentaires d'utilisateurs
    • 223Commentaires de critiques
    • 94Métascore
  • Voir l’information sur la production à IMDbPro
  • Film le mieux coté no 62
    • A remporté 3 oscars
      • 21 victoires et 20 nominations au total

    Vidéos5

    Official Trailer
    Trailer 1:30
    Official Trailer
    Sunset Blvd.
    Trailer 3:14
    Sunset Blvd.
    Sunset Blvd.
    Trailer 3:14
    Sunset Blvd.
    25 Movies That Make Us Love L.A.
    Clip 1:34
    25 Movies That Make Us Love L.A.
    'Sunset Blvd.' | Annivesary Mashup
    Clip 1:36
    'Sunset Blvd.' | Annivesary Mashup
    Sunset Boulevard: Centennial Collection
    Clip 1:25
    Sunset Boulevard: Centennial Collection

    Photos165

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    + 158
    Voir l’affiche

    Rôles principaux77

    Modifier
    William Holden
    William Holden
    • Joe Gillis
    Gloria Swanson
    Gloria Swanson
    • Norma Desmond
    Erich von Stroheim
    Erich von Stroheim
    • Max Von Mayerling
    Nancy Olson
    Nancy Olson
    • Betty Schaefer
    Fred Clark
    Fred Clark
    • Sheldrake
    Lloyd Gough
    Lloyd Gough
    • Morino
    Jack Webb
    Jack Webb
    • Artie Green
    Franklyn Farnum
    Franklyn Farnum
    • Undertaker
    Larry J. Blake
    Larry J. Blake
    • 1st Finance Man
    • (as Larry Blake)
    Charles Dayton
    • 2nd Finance Man
    Cecil B. DeMille
    Cecil B. DeMille
    • Cecil B. DeMille
    Hedda Hopper
    Hedda Hopper
    • Hedda Hopper
    Buster Keaton
    Buster Keaton
    • Buster Keaton
    Anna Q. Nilsson
    Anna Q. Nilsson
    • Anna Q. Nilsson
    H.B. Warner
    H.B. Warner
    • H. B. Warner
    Ray Evans
    • Ray Evans
    Jay Livingston
    • Jay Livingston
    Fred Aldrich
    Fred Aldrich
    • Cop Who Drags Joe's Body from Pool
    • (uncredited)
    • Director
      • Billy Wilder
    • Writers
      • Charles Brackett
      • Billy Wilder
      • D.M. Marshman Jr.
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs789

    8,4250.4K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Sommaire

    Reviewers say 'Sunset Boulevard' is celebrated for its dark portrayal of Hollywood's ruthless nature and the tragic fall of silent film stars. Gloria Swanson and William Holden deliver standout performances, exploring themes of ambition and industry disregard. The film is praised for its sharp dialogue, atmospheric cinematography, and Wilder's direction, though some find certain subplots less engaging. Overall, it remains a poignant critique of Hollywood's darker side.
    Généré par l’IA à partir du texte des avis des utilisateurs

    Avis en vedette

    didi-5

    very special look at Hollywood

    Not a romanticised view of Tinseltown at all, this Billy Wilder movie was more or less ignored on release - the year that All About Eve took all the awards and the kudos. It is a bitter pill to swallow since it takes a kick at Hollywood's guts and has one of the bleakest endings in the whole of cinema.

    Joe Gillis, a struggling writer, finds himself in the drive of a Hollywood palazzo when he wants somewhere to hide his car. The house belongs to Norma Desmond, who 'used to be big' in pictures, and Joe gets drawn to Norma and drawn into her weird world of flickering shadows.

    The acting honours in this movie go squarely to Gloria Swanson, herself a 'star of yesteryear' as Norma, who is superb as the actress living in the past. Not that she plays Norma as exclusively tragic(the scene where she impersonates Chaplin is priceless) but perhaps no one could get to grips with the demands of this part better. William Holden plays Joe, his breakthrough role, and he does the part very well, while Erich von Stroheim plays faded Hollywood director Max von Mayerling (naturally a reflection of himself), and newcomer Nancy Olson plays Betty, a girl too nice to become submerged just yet in dreamland's poison.

    The script is its moments of OTT-ness, but it is never less than interesting and draws in the viewer to the point when you are with Norma when she visits her old studio and talks of the joy of coming home; you are with Joe and Nancy as they fall in love among the cardboard settings of movie sets; and you are in the hall with Hedda Hopper watching Norma's last descent into madness.

    The musical version which appeared in the 1990s had the heart and soul of this movie in mind, and was an excellent tribute to it.
    10Don-102

    The Hollywood Myth FOREVER Shattered !!!

    Until 1950, American films were strictly entertainment, some deeper than others. Studio executives were very protective of image and star-making. In essence, everything seemed perfect. Billy Wilder, Charles Brackett, and D.M. Marshman, Jr. created a stunning work of art that splits the Hollywood sign in two and exposed a dream factory for what it really is: a struggle to both gain and keep notoriety in the limelight. "Norma Desmond" and "Joe Gillis" are at opposite ends of this warped Hollywood mindset, with Gillis, played by that most cynical of actors, William Holden trying to pay the rent and Norma (Gloria Swanson) living a lie as a silent queen whose star burned "10,000 midnights ago". How a picture with such a snide look at the industry could come out in 1950 is simply mind-boggling, considering some of the light fodder that came out of Hollywood at the time. It has inspired many modern day disciples such as Altman's THE PLAYER, and Sonnenfeld's GET SHORTY, both of which took their vicious, hilarious parodies to the jugular of the movie capital of the world. SUNSET BLVD is the father of all socially oriented pictures regarding the movies and is by far the best.

    The images of this beautiful black and white powerhouse are fascinating and unforgettable: the dead writer floating in a pool, eyes wide open, looking right at us at the beginning; the eerie pipe organ that plays by the breeze in the middle of one of the most deep and dustiest sets ever; the funeral ceremony of the dead monkey in Norma's courtyard ("That must have been one important chimp. The grandson of King Kong perhaps." says Holden in a delightfully crisp and wise voice-over.) Holden pulls his car into a driveway off of the boulevard that will change his life forever. He is the emblem of the struggle to get notoriety. He has only a few B Movies to his credit. Swanson as Norma Desmond is the symbol of lost fame and has become the talk of legend. What is ironic about her character is that she may be playing herself in an odd way. She WAS an actual silent star whose career went down the tubes after the talkies came about. Her madness combined with Holden's last drop of naiveté combine to give us one of the most electrifying "give and take" between actors I've ever witnessed.

    Both lead parts were passed over by several actors. Holden was eventually forced into it as a contract player. How could you pass on such a script? Even "wax figures" (as Holden calls them) Buster Keaton, H.B. Warner, and Anna Q. Nilsson come to Norma's to play bridge, of course being Hollywood outcasts themselves, after the invention of sound in film. Some of the dialogue takes a swing at actual movies and people (GONE WITH THE WIND, Zanuck, Menjou). This must have brought the house down in Hollywood screening rooms throughout the town. Louis B. Mayer even condemned Billy Wilder for "ruining the industry". The film is sad and darkly humorous depicting the antics of Norma, who is quite insane, and Holden who is going along with what Norma is giving him, but has plans of his own. Another wax figure still alive and kicking in 1950 appears as himself in an important role. Cecil B. Demille, who once directed Norma/Gloria back in the silent heyday, tries to set her straight, telling her pictures have "changed". They had indeed, especially after this searing comment on celebrity status. I wonder if they knew what they were creating while making this gem.

    Scenes are shot right on the lot of Paramount Studios (even the front gate), and Norma's mansion is an unforgettable piece of history and gloom with a floor that "Valentino once danced on." There is so much to discuss, but little to enlighten you on how great SUNSET BLVD is without you seeing it. Just two years later, films began to crop up with the same tainted view of Hollywood, most with varying degrees of deception. SINGIN' IN THE RAIN, one of the all-time entertainments quietly had a nasty taste in its mouth regarding celebrity and the invention of sound movies. Watch these films closely and see the skeletons of the modern Hollywood bash films.

    RATING: 10 of 10
    10queenruejean

    Better Late Than Never

    Although this movie was made 8 years before I was, I saw it for the first time yesterday and I was blown away! I have spent my life missing what has just become one of my favorite movies of all time.

    The acting was superb, the storyline riveting and the characters were people you could care about. Max was my personal favorite. There was a quiet, tragic dignity to him. I expected something to be revealed about him but was not prepared for the truth.

    I've always liked William Holden but my experience with Gloria Swanson was limited to her brief role in "Airport 75". I will now look for more movies by her. What an expressive face.

    It was fun to try to recognize some of the old time actors that were portraying themselves.

    An all around excellent movie. One I truly regret having waited this long to see. But it is definitely a case of better late than never.
    10belikemichaeldotcom

    They Don't Make 'Em Like This Anymore

    This is such a great film on so many levels I can't really settle on where to begin. It is so beautifully shot (in that stark black/white that only nitrate negative could achieve), has a witty, clever and extremely well-written script, features some of the best acting in film's history, acrobatically balances the main plot/subplots with expert precision, contains some of the best characters on celluloid, has many true-to-life parallels (Swanson's career/real life cameos/DeMille's involvement/etc) and is peppered with such great dialogue/narration that today's film writers should take note. If that weren't enough, there's even a cameo by silent film great Buster Keaton (among others).

    One of the most appealing aspects of this film is how, in the story, an aging, forgotten star is trying to recapture a bygone era (the silent film era). What's interesting is that now, so many years later, we're looking back at her looking back. To present day viewers, Gloria Swanson of the 1950's is a long forgotten lost gem and to experience her own longing for the 1920's is especially captivating (and a little chilling, I might add). I don't think this film could have had that same effect when it debuted and maybe this added dimension holds so much more appeal for today's audiences. We all know that nothing lasts forever, but we don't often consider the abandoned participants; much like the veterans of a past war.

    In response to the famous Swanson line (while watching one of her silent films): "...we didn't need dialogue; we had faces", I'd like to also add that they "didn't need movies; they had films."

    They truly don't make them like this anymore. 10/10
    Petey-10

    Something really special

    Joe Gillis is floating face down in a pool and tells his story.That story tells how he met Norma Desmond, a big star from the silent era who now is forgotten by the people.She's planning a major comeback with a script of Salome.She wants Joe to help her with the movie.The movie's no good, everybody can see that, but Joe still stays around to help her.Soon he realizes that it was a big mistake.Sunset Blvd. (1950) is a masterpiece from the master called Billy Wilder.The actors are really unique.William Holden is superb as Joe Gillis and Gloria Swanson, an actual silent film star, is absolutely brilliant as Norma.Erich von Stroheim does a wonderful job as Max von Mayerling and so does the beautiful Nancy Olson as Betty Schaefer.In cameos you can see people like Cecil B.DeMille and Buster Keaton.The movie is something really special from the beginning till the end.You can't see movies like this these days.Now we don't have directors like Billy Wilder to make them.In his movies everything usually worked.Especially the dialog was something you don't have so often in modern movies.What happened to the great writers? Only a few seem to exist.

    Plus de résultats de ce genre

    Witness for the Prosecution
    8,4
    Witness for the Prosecution
    Paths of Glory
    8,4
    Paths of Glory
    Assurance sur la mort
    8,3
    Assurance sur la mort
    Le dictateur
    8,4
    Le dictateur
    Seppuku
    8,6
    Seppuku
    Il était une fois dans l'Ouest
    8,5
    Il était une fois dans l'Ouest
    Les lumières de la ville
    8,5
    Les lumières de la ville
    Cinéma Paradiso
    8,5
    Cinéma Paradiso
    Fenêtre sur cour
    8,5
    Fenêtre sur cour
    Les temps modernes
    8,5
    Les temps modernes
    Casablanca
    8,5
    Casablanca
    La vie des autres
    8,4
    La vie des autres

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Unlike the character she played, Gloria Swanson had accepted the fact that the movies didn't want her anymore and had moved to New York, where she worked on radio and, later, television. Although she had long before ruled out the possibility of a movie comeback, she was nevertheless highly intrigued when she got the offer to play the lead.
    • Gaffes
      When Max is telling Joe about directing Madam's first pictures, there is a bad dub of the word "sixteen". After the Roscoe 'Fatty' Arbuckle trial and the subsequent establishment of the Hays Office to enforce the new Production Code, the producers were concerned that the original age of 14 would be considered child porn and had the line changed in post.
    • Citations

      Joe Gillis: Wait a minute, haven't I seen you before? I know your face.

      Norma Desmond: Get out! Or shall I call my servant?

      Joe Gillis: You're Norma Desmond. You used to be in silent pictures. You used to be big.

      Norma Desmond: I *am* big. It's the *pictures* that got small.

    • Générique farfelu
      The Paramount logo appears as a transparency over the opening shot. The words "Sunset Blvd." are shown stenciled on the curb of that street.
    • Connexions
      Edited into Les Amoureux du cinéma (1987)
    • Bandes originales
      The Paramount-Don't-Want-Me Blues
      (1950) (uncredited)

      Written by Jay Livingston and Ray Evans

      Performed by Jay Livingston and Ray Evans at Artie's party

    Meilleurs choix

    Connectez-vous pour évaluer et surveiller les recommandations personnalisées
    Se connecter

    FAQ26

    • How long is Sunset Boulevard?Propulsé par Alexa
    • What are some interesting facts about chimps?
    • What is the correct title - "Blvd." or "Boulevard"?
    • What is the movie Joe and Norma watch?

    Détails

    Modifier
    • Date de sortie
      • 4 août 1950 (Turkey)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Sunset Boulevard
    • Lieux de tournage
      • 10060 Sunset Blvd, Los Angeles, Californie, États-Unis(Norma Desmond's driveway gate)
    • société de production
      • Paramount Pictures
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 752 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 299 645 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 169 067 $ US
      • 13 mai 2018
    • Brut – à l'échelle mondiale
      • 310 954 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 50 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    William Holden, Nancy Olson, and Gloria Swanson in Boulevard du crépuscule (1950)
    Lacune principale
    What was the official certification given to Boulevard du crépuscule (1950) in Japan?
    Répondre
    • Voir plus de lacunes
    • En savoir plus sur la façon de contribuer
    Modifier la page

    En découvrir davantage

    Consultés récemment

    Veuillez activer les témoins du navigateur pour utiliser cette fonctionnalité. Apprenez-en plus.
    Télécharger l'application IMDb
    Connectez-vous pour plus d’accèsConnectez-vous pour plus d’accès
    Suivez IMDb sur les réseaux sociaux
    Télécharger l'application IMDb
    Pour Android et iOS
    Télécharger l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Données IMDb de licence
    • Salle de presse
    • Publicité
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une entreprise d’Amazon

    © 1990-2025 by IMDb.com, Inc.