Ajouter une intrigue dans votre langueWhile Mammy Two-Shoes enjoys her evening with the Lucky Seven Saturday Night Bridge Club, Tom and his friends have a party in the house. Jerry, unable to sleep, emerges from his mouse hole t... Tout lireWhile Mammy Two-Shoes enjoys her evening with the Lucky Seven Saturday Night Bridge Club, Tom and his friends have a party in the house. Jerry, unable to sleep, emerges from his mouse hole to stop it.While Mammy Two-Shoes enjoys her evening with the Lucky Seven Saturday Night Bridge Club, Tom and his friends have a party in the house. Jerry, unable to sleep, emerges from his mouse hole to stop it.
- Directors
- Writer
- Stars
- Vocal Effects
- (uncredited)
- Mammy Two-Shoes
- (voice)
- (uncredited)
Avis en vedette
The cat vs mouse action in Saturday Evening Puss is fairly routine, but what makes this cartoon slightly more memorable is the sight of Tom and his pals partying like crazy, the hairy hepcats generating some seriously groovy jazz tunes (could their antics have been the inspiration for a similar scene in Disney's The Aristocats?).
An ironic ending sees Tom and his friends thrown out of the house by Mammy, much to Jerry's delight, only for the mouse to have his sleep disturbed when Mammy puts on a record at top volume
After attempts at silencing them fail, Jerry is tortured and tied up, but he still has enough in him to call Mammy-Two-Shoes (the number he dials is nothing but 1-1-1-1-1) and get Tom in trouble.
It's an average cartoon, which nothing to make it really stand out above the rest with the exception of two frames in which you actually get to see Mammy-Two-Shoes' face. Otherwise; bland.
- We see more of Mammy Two-Shoes than ever, not just her face but also a bit of her social life.
- It is one of the relatively few cartoons where Jerry doesn't get a total triumph at the end.
- It is filled with good 50's jazz music.
And it is even more. Tom has a whole gang of friends, and the cat(s)-vs-mouse chase, although basically the same as usual, is filled with gags around musical instruments. Jerry is even reshaping into the musical instruments he hear.
Finally, it is one where censorship has done most work, with two revisions, first replacing Mammy Two-Shoes voice with a smoother, bland voice, and then redrawing a lot of it to replace her with a skinny white girl. And every change made it worse (except possibly replacing cards by dancing). I find it hard to see how Mammy Two-Shoes could be severely racist where she is clearly the master of her house, not always obvious in other cartoons, and replacing an overweight middle-aged black woman with an almost anorectic white girl is hardly a step forward, limiting both age, weight and skin color to something considered "right". Is it a good move to remove strong, independent black women from the screen? I know the voice is cliché but nothing more, and many new movies are worse (the new Ladykillers, the Rush Hour series...). If Chris Tucker can make fun of "black language" why can't Mammy Two-Shoes?
So it has all the action and gags of an above average cartoon, but with these unique features on top. Not mind-blowing unique but quite significant.
Le saviez-vous
- AnecdotesYou can see Mammy Two-Shoes' face for two frames as she runs back to the house.
- GaffesWhen the piano-playing cat slides Jerry down the piano, he is sliding Jerry from the right of the keyboard to the left of the keyboard (high notes to low notes). However, the sound coming from the piano appears to be the opposite of what was showing (i.e. low notes to high notes).
- Citations
[Jerry rings Mammy Two-Shoes while she is playing her bridge game]
Mammy Two-Shoes: [cheerily] Hello? Yes, this is the Lucky Seven Saturday Night Bridge Club. Who? This is her.
[short pause]
Mammy Two-Shoes: [alarmed] A party? At *my* house? Ex-*cuse* me!
[Mammy races home and crashes through the front entrance, taking the door with her. Tom opens the door]
Mammy Two-Shoes: [angrily pointing her finger] Thomas!
[Tom slams the door on Mammy, leaving her arm sticking through the door; Mammy promptly grabs Tom's tail and throws the cats out of the house]
Mammy Two-Shoes: Doggone cats, mess up my whole evening!
[Mammy sits down at the record player while Jerry prepares to sleep again]
Mammy Two-Shoes: Well, might as well relax and play myself a little soft... soothing... *hot music*!
[Jerry grumpily puts up with the record player again]
- Autres versionsA version of this cartoon exists with Mammy Two-Shoes rotoscoped into a young white Irish woman that was done by the Sib Tower 12 Productions in the 1960s. Another version was made in the 1990s with the original footage, but with Mammy Two-Shoes' voice re-dubbed to sound less sterotypical and offensive. Not only that, there's a *third* version that exists which matches the 1960s rotoscoped version with the original Lilolian Randolph soundtrack (inexplicably matching the stereotypical Black voice to the image of the White lady).
- ConnexionsEdited into Tom & Jerry: Cartoon Festival Vol. 2 (1983)
Meilleurs choix
Détails
- Durée7 minutes
- Mixage
- Mono(Western Electric Sound System, original release)
- Rapport de forme
- 1.37 : 1