Ajouter une intrigue dans votre langueMild-mannered average guy Mr. Walker (Goofy) turns into violent Mr. Wheeler when he starts driving. Back on his feet, Mr. Walker finds it nearly impossible to cross the street.Mild-mannered average guy Mr. Walker (Goofy) turns into violent Mr. Wheeler when he starts driving. Back on his feet, Mr. Walker finds it nearly impossible to cross the street.Mild-mannered average guy Mr. Walker (Goofy) turns into violent Mr. Wheeler when he starts driving. Back on his feet, Mr. Walker finds it nearly impossible to cross the street.
Pinto Colvig
- Mr. Walker's Laughs
- (uncredited)
Bob Jackman
- Mr. Walker
- (voice)
- (uncredited)
- …
James MacDonald
- Noises
- (uncredited)
John McLeish
- Narrator
- (uncredited)
- …
Avis en vedette
A Walt Disney GOOFY Cartoon.
Even the most mild mannered pedestrian becomes afflicted with MOTOR MANIA when he gets behind the steering wheel of a car.
This little film is not only humorous - in a bone-jarring sort of way - but it also deals with a serious problem: emotional drivers who are a danger to everyone else on the highway. This was the first of Goofy's car safety cartoons and would later be followed by FREEWAYPHOBIA NO. 1 and GOOFY'S FREEWAY TROUBLE (both 1965). John McLeish narrates in his best documentarian manner.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
Even the most mild mannered pedestrian becomes afflicted with MOTOR MANIA when he gets behind the steering wheel of a car.
This little film is not only humorous - in a bone-jarring sort of way - but it also deals with a serious problem: emotional drivers who are a danger to everyone else on the highway. This was the first of Goofy's car safety cartoons and would later be followed by FREEWAYPHOBIA NO. 1 and GOOFY'S FREEWAY TROUBLE (both 1965). John McLeish narrates in his best documentarian manner.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
This cartoon short has probably been seen by more than nearly any other. Why? Because often drivers education classes used the film as a how-to on how NOT to behave behind the wheel.
It all begins with a Goofy-like character, Mr. Walker leaving his house in the morning. He's described as a lovely man...but once he gets behind the wheel, he undergoes a Jekyll and Hyde-like transformation into Mr. Wheeler....a selfish, angry jerk! He drives like a road hog, has no consideration for others and lets his anger control him...all very educational AND funny to watch at the same time...a very rare thing!! Well worth seeing.
It all begins with a Goofy-like character, Mr. Walker leaving his house in the morning. He's described as a lovely man...but once he gets behind the wheel, he undergoes a Jekyll and Hyde-like transformation into Mr. Wheeler....a selfish, angry jerk! He drives like a road hog, has no consideration for others and lets his anger control him...all very educational AND funny to watch at the same time...a very rare thing!! Well worth seeing.
One of the finest Goofy films. Brilliant body language. The parallels between pedestrians / motorists to Dr. Jekyll / Mr. Hyde and the other gags are funny and still hold up.
I first saw this cartoon when it was part of a cartoon compilation episode of Walt Disney's Wonderful World of Color, narrated by Professor Ludwig Von Drake. It stars Goofy who plays a Jekyll and Hyde-type character named Mr. Walker and Mr. Wheeler. When he is walking about any but his car, he is a kind and benevolent man. But, when he takes behind the wheel, he turns into a crazy, wild driver.
It is an interesting cartoon short, hilarious to see Goofy act in an ominous and scary demeanor as he crashes into other cars and yells at people in fits of road rage. It's also a lesson to be learned - everybody should drive defensively.
The animation is colorful and brilliant and the plot is full of laughs and entertainment. An enjoyable one featuring Goofy.
Grade B
It is an interesting cartoon short, hilarious to see Goofy act in an ominous and scary demeanor as he crashes into other cars and yells at people in fits of road rage. It's also a lesson to be learned - everybody should drive defensively.
The animation is colorful and brilliant and the plot is full of laughs and entertainment. An enjoyable one featuring Goofy.
Grade B
Certainly one of my favourites alongside Goofy Gymnastics. It is not just one of the funniest cartoons I've seen with its inspired Jekyll and Hyde vibe, but with the serious problem of motorists in cars it is also important. The animation is just wonderful, sometimes scary and sometimes cleverly exaggerated. The music is full of energy and never feels out of place, the humour is imaginatively timed in that it would tickle your funny bone in an appropriately jarring sort of way and the narration is sardonic and thoughtfully delivered by John McLeish. Goofy is a tour-De-force as Walker and Wheeler, lovable as the former and quite scary as the latter. All in all, a superb cartoon and one of the best that Goofy has been in. 10/10 Bethany Cox
Le saviez-vous
- AnecdotesThis cartoon short was awarded the Buyer Trophy for the best film on traffic safety.
- GaffesWhen Mr. Wheeler crashes his yellow car at the end, the parts that fall off are green.
- ConnexionsEdited into No Hunting (1955)
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Détails
- Durée7 minutes
- Rapport de forme
- 1.37 : 1
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By what name was Motor Mania (1950) officially released in Canada in English?
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