Une incroyable histoire

Part of the appeal of the film noir genre has always been its ability to freeze everyday life from the past and redisplay it faithfully to viewers many decades later. It's one of the reasons why I enjoy the genre so much, and "The Window" does its job better that most. If you want to step into a time machine and see what real life was like in New York City in the 1940s, this is the movie to see. I saw it at a local film noir film festival, and I hope it comes out on DVD.

It's a bit jarring to see Della Street as a gritty Manhattan housewife with a coarse blue-collar husband, but it's also a lot of fun and she looks terrific. Barbara Hale is still alive as I write this, amazingly, and will turn 91 in a few weeks. At the film festival, this film was introduced by someone who had telephoned Barbara Hale and asked her for her memories of making this movie. She said the movie was supposed to take place in the summer, so the actors dressed very lightly, but it was really filmed in a much colder time of year and she remembers freezing as they shot scene after scene. Could have fooled me, the movie comes across as summery and hot with lots of sweat.

Every detail fascinated me, especially of apartment life in the 1940s: tiny rooms, closet-sized bathrooms with dwarf sinks, and kitchens that looked like airplane galleys. Dark and sinister stairwells up to dingy apartments, fire escapes and alleys, cigarettes galore, and black telephones like my grandmother used to have. Every scene is richly textured, almost as if the director knew that audiences of the distant future would be watching his movie and be mesmerized by the detailed scenery, from the local police station to the pay phone at the corner drugstore.

Others have reviewed the plot and I have nothing much to add. But I will emphasize that the plot develops along paths that I would never have predicted, and the ending will rivet you to your seat. The conclusion was deeply satisfying and caused the audience to burst into whistles and applause. Hope this movie comes out on DVD quick... it's a treasure.

The claustrophobic cinematography makes this film. You feel cramped and trapped as does our young hero. The tenements are lit just enough for you to imaging all sorts of horrors within. The ending was evidently rushed and a bit hokey; the director et al. could have fleshed it out a bit more

This is a very real film, in that we all know children who 'fabricate' as easily as they breath. Bobby Driscoll was superb. I've never seen his Disney work -- now I'll keep my eye out for his name.

I loved seeing a younger Arthur Kennedy (before he played only drunks) and a plain but always pretty Barbara Hale (pre-Perry Mason). Both were excellent and demonstrated a range I never gave them credit for.

Many know the sad tale of the life of Bobby Driscoll who was Walt Disney's first live action child star paving the way for dozens more right down to today's Disney Channel. As Disney at the time The Window was made released their product through RKO Studios, RKO apparently had call on Driscoll's services and they got him to star in this sleeper of a noir film which I call children's noir.

Bobby is the son of Arthur Kennedy and Barbara Hale and he's got a big imagination forever telling tall tales. That's the problem, when he sees a real murder take place in an upstairs neighbor's apartment no one will believe him, not the cops, especially not his parents.

But murder was done in that apartment as drunk and free spending sailor Richard Benedict was done in by Paul Stewart and Ruth Roman. The body was disposed of in a condemned building next door.

In Disney products we've seen all kinds of kids put in harm's way of many a villain. But because it is a Disney film we all know nothing will happen. Not so here. Driscoll is in the mean streets of a big city and a really bad man is chasing him. You feel his fear.

The Window got an Oscar nomination in the film editing. Almost 70 years later it's still a thrilling film to watch and the cross cut editing has a lot to do with it. Don't miss this one if broadcast.

While this film noir is listed as unavailable on DVD, I took a chance and purchased a "collector's" DVD copy on ebay, something I didn't condone until I realized that some of these old films will never be released and only exist as public domain property in 16mm prints. That being said, I watched "The Window" on an unlabeled DVD-R copy and was very impressed with the quality of both the audio and video. I've purchased other "legit" releases only to find the packaging far superior in quality to the program. "The Window" features a very plausible plot set in a run down urban neighborhood full of tenements and condemned buildings. A nine-year old boy with a vivid imagination and a reputation for telling tall tales, witnesses a murder by his upstairs neighbors while sleeping on the fire escape one sweltering summer night. After going to his dismissing parents, then to the police without their consent, he is sent on his way into a nightmarish experience. The suspenseful sequences are masterfully paced, and there really isn't a slow moment in the film. I would definitely buy this film if, one day, it's released in commercial packaging. Tense, taut and brilliantly done on the obviously low budget.

A belter of a B noir out of RKO. Story plays as a variant to the boy who cried wolf legend and finds young Bobby Driscoll as Tommy, a boy prone to telling tall tales. So when one night he spies upstairs neighbours murdering a man, nobody believes him...

The build up to the crime is considered, we are privy to Tommy's home life in a cramped New York tenement, his parents loyal and hard working and they have plenty of love for their fanciful son.

Once the crime is committed, a shocking incident compounded by the fact it's perpetrated by a normal looking male and female couple, a destitute pairing prepared to do the unthinkable just for cash, then things get real tense and the thrills begin to roll.

Tommy is now under threat from the killers and he needs to be silenced, so as the cramp confines of the hot and sweaty tenement area are vividly brought to life via noir visuals, Ted Tetzlaff (director) and his cinematographers (Robert De Grasse & William O. Steiner) excelling, the paranoia and tension builds to the point that the gripping finale acts as a merciful release.

Very well performed by a cast that also includes Paul Stewart, Ruth Roman, Arthur Kennedy and Barabara Hale, this late 1940s noir is highly recommended. 8/10