South of St. Louis

Despite having Joel McCrea in the lead, this is a rather dull western...dull and pretty predictable. About the only part that was unexpected was how less than honorable McCrea's character was through much of the movie.

The story is set during the Civil War. Three buddies all arrive in Yankee occupied Texas on the lookout for Cottrell (Victor Jory). Cottrell is fashioned after the real life Civil War raider, Quantrill...though oddly he's fighting for the Union in this one. Despite Kip Davis (Joel McCrea) and his friends wanting to kill Cottrell, soon Lee (Douglas Kennedy) joins the Confederate army and Kip and Charlie (Zachary Scott) help the South by running the blockades. Eventually, however, Charlie comes to enjoy getting rich much more than helping the Confederacy and this brings a very predictable showdown at the end.

Everything about this film is mediocre at best and the story only occasionally interesting. I had a hard time caring about the characters and the story.

This movie is filled with every cliche you can think of, and absolutely none of them work. The plot is predictable and the characters are not interesting, but boring. The acting is pretty bad, even by Joel McCrea. Even western fans should stay away from this one.

Good old fashioned Western, the plot however is very similar to the Jimmy Cagney classic "The Roaring 20's" re-fashioned to a Western setting and with a sanitised ending, McCrea as the Cagney character survives and Scott as the Bogart character is killed after changing sides back to the law and Order camp. Worth watching as a good example of Hollywood in its pre message era when a Western was for entertainment. The production values were good with great Technicolour and a strong cast. McCrea was always good in his Westerns having played both comedy and drama in his earlier years and Zachary Scott was a very under-rated actor, good in any movie he was in.

Kip Davis (Joel McCrea), Charlie Burns (Zachary Scott) and Lee Price (Douglas Kennedy) are best friends and partners in the Three-Bell Ranch, but the Civil War breaks out and their home is destroyed by Union raiders led by Luke Cottrell. Kip tracks down Cottrell in the local saloon and beats him. It won't be their last meeting.

But with the Three-Bell ranch gone, the partners split up. Lee joins the Confederate army. At the urging of saloon singer Rouge de Lisle (Alexis Smith), Kip becomes a gunrunner and Charlie joins him in the gun-running business.

Kip just wants to get enough money to restart the Three-Bell Ranch, however Charlie is more interested in the money than the ranch. Meanwhile,Lee winds up being more interested in Deborah Miller (Dorothy Malone) - the girl Kip planned to marry - than a renewed partnership with his two friends.

Turns out the close bond between the Three-Bell partners is going to be severely tested, during the war and after.

A decent Joel McCrea western highlighting the turbulence that war can cause by splitting three friends apart, but it's the rousing action scenes that drives this fast-paced western splashed in Technicolor. Great stunts, horse riding and gun smoke! Plus you get two hotties Alexis Smith and Dorothy Malone. The performances are great too, especially from McCrea who is an honourable character, something he would continue to play later in his career. Zachary Scott does what it's expected, and sneers in bad guy fashion. So does Victor Jory. It's a well- directed colourful western, but that's what you expect from the director of the superb Coroner's Creek!

Not as bad as one IMDb critic found it, nor as bad as the "Time Out" review suggests. The opening shot was a bit amateurish, with the usually excellent Victor Jory emerging from behind a flaming torch, laughing manically and chucking it through a window. His character's name, Cottrell, and behaviour brings to mind Quantrell and his raiders, but Jory is mainly on the Union side, something not appreciated by one Union officer when Jory and his henchmen swagger into a saloon. Alexis Smith as the saloon girl Rouge did a lot of grimacing, and, rather more effectively, Bob Steele did a lot of glowering,.

The ending was a bit contrived, and everything works out as one might have predicted, though I'm not sure that McCrea got the best girl.