Red Light

I'm not all that familiar with director Roy Del Ruth, but this was a surprisingly solid little film noir. George Raft's brother is murdered, but left a clue as to the identity of his killer in a Gideon Bible, the MacGuffin of the piece, which Raft spends most of the film trying to locate. There's a fine cast for a low budget crime picture, which includes the under appreciated Virginia Mayo, along with Gene Lockhart, Raymond Burr, and Henry Morgan (who nearly steals the picture with his villainous phychotic supporting role). Overall, the film isn't all that original, but it has a strong cast and solid direction, which makes it a must see for fans of film noir.

... because you always know what you're going to get. However, that doesn't mean that I don't really enjoy his movies. Nobody, I mean nobody does revenge like Raft. Here he plays businessman Johnny Torno, proud older brother of young Jess Torno, a priest recently returned from being a chaplain in WWII. Four years earlier Torno's bookkeeper Nick Cherney (Raymond Burr) was sent to prison for embezzling from Johnny's company - he was embarrassingly guilty and it was really a lot of money. Instead of blaming the man in the mirror, Nick blames Johnny for his fate and crafts a particularly cruel revenge. If he kills Johnny, Johnny's troubles are over. However, if he kills what is precious to him - brother Jess - he can plunge Johnny into a living hell of grief. He sends a hit man (Harry Morgan) out to do the killing. Johnny finds Jess just before he dies. Of course Johnny wants to know who did this so he can kill them in revenge - he tells Jess so - and Jess tells him the answer is written in a Bible.

Now at first Johnny thinks Jess means his own personal Bible, but after searching through it he finds nothing. He then realizes that Jess probably meant the Gideon Bible that is found in every hotel room. This starts Johnny on a search for the missing Bible and all of the guests in the hotel room since Jess' death who might have taken it. Nick, now out of prison, along with the hit man, are right on Johnny's heels hoping their plans are not discovered.

It is very odd to see later TV good guys Harry Morgan and Raymond Burr playing such sinister characters but the performances ring true. So does Virginia Mayo as a girl Johnny befriends along the way as the voice of reason and even redemption. Raft wrestles here not only with bad guys and a mystery but with God Himself - he treats the Almighty either like a traffic cop that he thinks can be bribed or an unreliable employee that he doesn't fire because he enjoys blaming him for his troubles, depending on his mood.

A good noir and good stuff from Raft - highly recommended.

I'm not all that familiar with director Roy Del Ruth, but this was a surprisingly solid little film noir. George Raft's brother is murdered, but left a clue as to the identity of his killer in a Gideon Bible, the MacGuffin of the piece, which Raft spends most of the film trying to locate. There's a fine cast for a low budget crime picture, which includes the under appreciated Virginia Mayo, along with Gene Lockhart, Raymond Burr, William Frawley, and Henry Morgan (who nearly steals the picture with his villainous phychotic supporting role). Del Ruth directs this film noir with a fair amount of visual style, which was the main reason for holding my interest. Dimitri Tiomkin provided the score. Overall, the film isn't all that original, but it has a strong cast and solid direction, which makes it a must see for fans of film noir. FUN FACT! I recently learned that star Raft was a functional illiterate who had to have his scripts read to him by others.

George Raft stars in the 1949 "Red Light" with Virginia Mayo, Raymond Burr, Gene Lockhart, Arthur Franz, and a host of other familiar faces.

Raft plays Johnny Torno, the head of the Torno Freight Company. When he caught Nick Cherney (Burr) embezzling from him, he had him put in prison.

When Johnny's brother Jess, an army chaplain, is discharged, Nick sees a chance to get back at Johnny, who adores his brother. Jess is found dying in a hotel room, and all he can say to Johnny is, "Bible...in the Bible." Johnny believes that Jess means his own Bible. Eventually he realizes he meant the Gideon Bible in his hotel room. But the Gideon Bible is missing by the time Johnny gets back there.

Johnny sets out to find the Bible by tracking down anyone who had stayed in the room since Jess, determined to find out who killed his brother and killing the murderer himself.

The Bible plays an important part in the film, not just the physical Bible, but what's inside. And it isn't what Johnny thinks.

I really liked this movie because of its interesting slant, and also, I don't know what it is, but I like George Raft. He normally stays in one range - he's dapper, he gets angry, he's tough -- and in this film, he's really tough. I mean, nobody gets to him, not even a blind man! One thing Raft had on screen was warmth, and here, you see Johnny's love for Jess, and his pain when his brother dies.

The other thing about this movie that is wonderful is all the familiar faces - besides actors known primarily for films: Raft, Mayo, and Lockhart, we have TV star Burr, Harry Morgan (September Bride, Pete & Gladys, MASH), William Frawley (I Love Lucy), Victor Sen Young (Charlie Chan, Bonanza), Barton MacLane (I Dream of Jeannie), Arthur Franz, who was in everything, Philip Pine, who must have done every TV show ever, Ken Murray, known for his home movies of celebrities, Paul Frees, the "Man of a Thousand Voices" who was the voice of Boris on Rocky the Squirrel), Bob Jellison (Bobby the Bellboy when "I Love Lucy" was in Hollywood), and Marlon Brando's first wife Movita.

Dmitri Tiomkin's music ranges from riffs on Ave Maria, Dies Irae, and some Tosca thrown in. Good movie.

When army chaplain Arthur Franz is shot and killed, his brother, San Francisco businessman George Raft sets out to discover who did it.... and to take vengeance before the police can stop him. His only clue are Franz's last words and a missing Gideon Bible. We already know it's Raymond Burr.

It's an unusual film noir produced and directed by Roy Del Ruth. Instead of the usual insistence on man's sinful nature in a world gone to ruin, this one has a clear religious message; it looks Catholic to me, but sufficiently worn down to avoid offending any rabid Presbyterians in the audience. Raft wanders through the movie with the same low-affect performance he gave in seemingly all his later movies, but that permits others to emote more fully without seeming to go over the top.