Embuscade

Ambush is a gripping, authentic, action-packed, dramatically compelling picture of the United States Cavalry in the 1870's Arizona territory. It was producer/director Sam Wood's final movie, filmed shortly before his sudden death in September 1949 and released in January 1950. For top star Robert Taylor, now in his early forties, weathered but gracefully aged, it was an auspicious beginning to what would be a close association with the Western genre for the rest of his career.

While there is plenty of action in Ambush, its intense, nuanced character studies are what sets this dynamic Western apart from the crowd. Taylor plays a tough, savvy civilian scout at odds with by the book Army captain John Hodiack, both over campaign strategy and the affections of gorgeous Arlene Dahl, a late general's daughter hoping the cavalry can rescue her sister from Apache captivity. As if one love triangle were not enough for a dusty, little Army post, the first lieutenant Don Taylor is madly and hopelessly in love with the beautiful Irish laundress (Jean Hagen), the loyal Catholic wife to a drunken lout of an enlisted man (Bruce Cowling), who frequently socks her around. When a disabling injury to the major in command of the post (Leon Ames) puts the spit-and-polish captain temporarily in charge, everything comes to a boil. Not as soapy as it sounds but sensitively directed by Wood and perfectly acted by all concerned. The scenes of poignant longing tinged with guilt between Don Taylor and Ms. Hagen nearly steal the show. The rich supporting cast includes, as well as Ames and Cowling, John McIntire as an older scout, Pat Moriarity as the top sergeant, and also Charles Stevens, who claimed descent from Geronimo, as the vicious, resourceful Apache leader Diablito.

The script by Marguerite Roberts from a Luke Short story is intelligent and engaging with clever, brisk, colorful dialog. Harold Lipstein's moody black and white cinematography and Rudolph G. Kopp's textured score enhance the gritty, realistic, yet slightly nostalgic ambiance. Editing is silky smooth, as in almost any big studio picture of this era. The all important pacing is perfect. The compact 89-minute running time moves along at a brisk pace, building suspense, never dragging, but taking enough breathers to build character and create atmosphere. Costumes and sets are first-rate and authentic. Real-life western Army forts during the Indian War era did not have palisade walls, and, refreshingly, neither does the one in this handsomely turned out Western. More importantly, the characters act like nineteenth century people, with the social attitudes of the time, yet without seeming stiff.

With apologies to John Ford fans, which includes yours truly, Ambush is the best of its type. Whereas Ford, who liked to portray everything bigger than life, tended to make the cavalry too grand and romantic, Wood gives us the real Old West Army -- long-service soldiers serving loyally but thanklessly at dusty, out of the way posts neither finding nor expecting much in the way of comfort or glory.

Ambush is a thrilling, dramatic, atmospheric, authentic adult Western, engaging, charming, and entertaining from beginning to end. The opening and closing scenes of this picture are both real knockouts! This is an unappreciated classic. Top-notch entertainment from Old Hollywood's Golden Era.

This is a well acted Western that would have been even better if it was in color. The scenery is just awesome. Of course, it is a classic story with the Indians as the bad guys. There are also romance aspects to keep the ladies interested. There is a very good adult interaction between the two principle male actors, Robert Taylor and John Hodiak, plus a bit of male cheesecake, to boot. I thought this movie portrayed the Indians as more than just antagonists. The film also showed their very intelligent strategic planning as they wrestled with our usual "heroes". For Robert Taylor fans this is a great opportunity to acknowledge how far he had come in his career. He was a very good actor who was able to easily morph from one genre to the next without missing a beat. He has not been given enough credit for his abilities.

Ambush is directed by Sam Wood and adapted to screenplay by Marguerite Roberts from a Luke Short serial story. It stars Robert Taylor, John Hodiak, Arlene Dahl, Jean Hagen, Don Taylor and John McIntire. Music is by Rudolph G. Kopp and cinematography by Harold Lipstein.

"In 1878 the shortest trail West through the territory of Arizona crawled across the foot of Bailey Mountain...

The shortest trail but, the most dangerous. For Bailey Mountain was the stronghold seized by Diablito and his hostile Apaches"

Nice! A Western movie for Western movie lovers to sink their teeth into. It's not exactly wall to wall action on offer here, but there is an adultness to proceedings that hits all the right chords for the discerning audience. The opening scene shows us the aftermath of an Apache raid, then it's introductions to the main characters who will come together to go rescue a kidnapped white woman from Diablito's Apaches.

The build up isn't rushed, we are drawn into the lives of the American Fort residents, their love triangles and frets, while mature themes of adultery and spouse abuse are given some skilled direction and performances. Once traits and peccadilloes are established, the band of not so merry men go off to fight the Apache, the latter of which are thankfully shown as a resourceful foe with some cunning tactics.

Taylor saddles up for a scuzzy portrayal, honourable for sure, but happily dirty and his character is shown to be fallible in one of the many machismo contests that permeate the story. Hodiak offers some elegance, Hagen some emotional punch, while Dahl - costumed to enhance her curvaceous figure - lights up every scene she is in.

The great Harold Lipstein photographs much of the picture through black and white film noir filters, adding the requisite turbulence to the story, while Wood, in what was his last motion picture directorial assignment, directs with assuredness and makes the most of the Simi Valley and Gallup locations.

McIntire is wasted and Bruce Cowling as the violent husband is only just convincing, while the blending of painted backdrops with the gorgeous locales becomes a little distracting in the final quarter. Yet as any hardcore Western fan will tell you, often those sort of things are forgiven if the makers don't insult our intelligence, which is thankfully the case here. 7/10

When the apache indians kidnap the daughter of a military man, a party goes out to bring her back. If they can. The native american tribal leader diablito is known to be violent, and running out of places to go. It won't be easy. Stars robert taylor and john hodiak, with their own issues to be worked out. Of course. Gotta have that subplot. Beautiful locations of the west. Lupton is right on the border with new mexico. And "corriganville movie ranch" is now a los angeles park. Check out the interesting history in wikipedia dot org....it was owned by a hollywood stunt man, and later by comedian bob hope. Victor thunderclound is here as tana, an apache. Thundercloud may or may not actually have been native american, according to wikipedia. He was also tonto in "the lone ranger"! In the film, the group catches up to diablito about an hour into the film... the first part is all setup. Then the big confrontation. Which is over pretty quickly. It's okay, but i can see why it didn't win any oscars. Directed by sam wood. Based on a story by luke short. Many of his works were made into film.

Rugged Robert Taylor is a scout on the hunt for a white woman kidnapped by renegade Indians in this better than average Western from Sam Wood, whose last film this would be. The story takes time to fill out a number of characters, providing a depth and frankness that was unusual for the time while still serving up some decent action amongst some impressive scenery. A strong supporting cast also helps.