Trapped by Boston Blackie

Fun stuff, easy on the mind after working all day. Chester Morris fits Blackie to a tea! Blackie and Runt do a great Ma and Pa disguise. They are just as I remembered them. I look forward to watching more of Boston Blackie.

Penultimate Boston Blackie movie starring Chester Morris. This time Blackie is accused of stealing a pearl necklace at a costume party. Inspector Farraday is as big a jerk as ever about it. He does have the movie's funniest line, though: "In the dull, blank expanse of your face I can read the dismal promise of the years to come."

This isn't one of the better films in this series. There are the usual "Blackie in disguise" gags, including one with his sidekick Runt in drag. I'm not a big fan of these costume gags. They're rarely funny to me and seem like an example of a type of comedy that isn't timeless. Anyway, this is fine I guess for a B picture of its type. The cast is solid but neither the mystery nor the comedy is much to get excited about. Check out the scene with that huge dog and the Runt. Poor George E. Stone looked like he was scared for his life!

Much as I like Chester Morris and the Boston Blackie series, when you see these films in close proximity to one another, the formula becomes a little bit of a bore.

Blackie (Morris) and The Runt (George E. Stone) are given the assignment of guarding a woman who is wearing her very expensive pearls at a party. Guess what. They're stolen and Inspector Farraday (Richard Lane) and company blame Blackie. So he has to clear himself by finding them.

There were some cute scenes in this film, the best when Blackie with a mustache goes to a dance school to take lessons. He's hilarious, talking about from the time he was so high - no, this high, he's wanted to dance. "I'm a bird in a cage," he says. "Dancing will release me." June Vincent is a beautiful blonde who gives the film some real class - she really should have had a better career in films. She never moved up from the Bs. She moved into television in the '50s and did very well.

I never understand how Farraday can't see right through all those disguises, but I guess you have to go along with the illusion of film.

Morris gives the film a light, relaxed touch, and thank goodness because he keeps these movies going. This particular film is okay, worth seeing for Blackie trying to infiltrate his way into the dance studio and for seeing them pose as husband and wife - a riot.

This was George E. Stone's last appearance as The Runt.

Blackie and his sidekick, The Runt, are up to their usual tricks again, this time assuming various disguises in TRAPPED BY BOSTON BLACKIE, one of the better entries in the series. GEORGE E. STONE as The Runt has less whining and less forced comic moments than usual and even CHESTER MORRIS is less of a wise guy although he still has some overly cute moments with wisecracks.

The story concerns stolen pearls and opens at a costume party where Blackie and The Runt are assigned by a wealthy woman to keep watch over her pearls. From there on, it becomes a straightforward Blackie adventure peppered with a musical segment and the usual run-ins with the police and Inspector Farraday (RICHARD LANE) and his bumbling assistant. Farraday, too, has been toned down for this entry and is less sarcastic than usual. JUNE VINCENT provides some eye candy as a blonde beauty.

There are no real surprises but the ending wraps things up neatly with the usual explanations offered by Farraday.

Summing up: Better than usual Blackie.

"When I was in stir, I heard these boys was going straight... Ain't it terrible what vicious gossip you hear about people?" That's what people are saying about "Blackie" (Chester Morris) and his pal "Runt" (George E. Stone) when they are naturally top of the list of suspects for "Insp. Faraday" (Richard Lane) and his dim-witted sergeant "Matthews" (Frank Sully). It's all the more complicated because our recently reformed pairing have only just taken over the running of a private investigation firm that was previously owned by a friend who suddenly lost control of his car on a dark and windy road. Their first job is to protect some valuable pearls, they get pinched, then found, then found again - somewhere else. Just what has dancing instructor "Igor" (Edward Norris) got to do with things, too? This is quite good fun with Morris and Stone spending quite a bit of it in fancy dress, a bit of drag and engaged in some daft fisticuffs as they hone in on the dastardly perpetrators. On that last front, it's not so very difficult to guess who they are - there are so many different cast members to choose from, but it's a quickly paced and enjoyable hour that is at the better end of the series.