The Amazing Mr. X

After two years of mourning, lovely Lynn Bari (as Christine "Chris" Faber) seems ready to re-marry. But, Ms. Bari is haunted by the memories of her dead husband (or her dead husband himself, you will have to decide). Bari lives in a Gothic seaside mansion with her younger sister Cathy O'Donnell (as Janet Burke), who encourages her to wed proposing Richard Carlson (as Martin Abbott). Then, off to date Mr. Carlson, Bari meets spooky spiritualist Turhan Bey (as Alexis), who talks to dead people... John Alton's gorgeous photography should knock you out of your séance chair. Director Bernard Vorhaus is nearly as seamless. Mr. Bey's performance patches up a few irritating production details. The bird is terrific. This film needed a little more effort, but it very often glows like a gem.

******* The Amazing Mr. X (1948) Bernard Vorhaus ~ Turhan Bey, Lynn Bari, Cathy O'Donnell

This 1948 B-movie is an excellently made thriller. It is well acted, well filmed, moves briskly, and keeps the viewer engaged with clever plot-twists and a couple of nicely done double- reversals of expectations. There are films with perhaps twenty times the budget of "The Amazing Mr. X" that aren't half as successful at telling the kind of story that this film features--which, I admit, was pretty well-worn even in 1948. Modern filmmakers trying their hands at thrillers with supernatural overtones would do well to study this film, as it shows exactly how that kind of film is made.

Don't let the cheesy title fool you. This is a top-notch thriller that's well worth a look by any lover of the genre.

This unusual little thriller, which turned up in a DVD collection of cheapie horror "classics" that I picked up, turns out to be a real discovery. Unusually fine camera-work, a smart, witty script, and good performances (especially by the feline Bey) suggest the makers took a few tips from the Val Lewton films, and maybe from Gregg Toland's cinematography on "Citizen Kane." (Note the fine deep-focus shots.) The set-up, with Bey as a dubious medium enticing a widow by claiming contact with her late husband, allows for some fun sequences involving the medium's tricky house, and some good spooky haunting scenes. All around, an enjoyable, tightly-made little treat.

I have to echo most of the comments that appear here. This is a stunningly photographed dream of a movie showcasing Alton's genius. I'm hoping the powers-that-be in the film and/or preservation industries read the commentaries on IMDB. The print of this that I taped from commercial television is ATROCIOUS! Another plus for me is that the star is Lynn Bari. What a dame! Someone once called her the Paulette Goddard of B movies. That crack does both of these lovely ladies an injustice. I hope that someday, someone (Criterion?) will restore and reissue this masterpiece on DVD.

As others have commented, the cinematography, lighting, set decoration, art direction, special effects, and location footage on this film are far, far above the quality one would normally expect for a B-movie -- and surpass even the level of many A-movies of the time period. Additionally, anyone interested in how subjects such as occultism, seances, mediums, magic, superstition, stage magic, seers, and prophets were treated in the mid 20th century film will certainly wish to see it.

Don't let the silly science-fiction title fool you -- the UK release, as "The Spiritualist", comes much closer to the heart of this story than its silly US title, "The Amazing Mr. X." Plot-wise, the presentation treads a fine line between functioning as a semi-documentary exposure of fraudulent spiritualists (as in the earlier "Mystic Circle Murders" with Betty Compson and Mrs. Harry Houdini), presenting the apparitions "straight" (as in a standard horror film), and leaving the reader guessing as the plot takes one looped turn after another and ends with a detective-noir closure (as in Hitchcok's "Rebecca").

Turhan Bey is wonderfully nuanced as the mystic. He alone makes the movie worth seeking out.

A big tip-of-the-hat should also go the stage magician Harry B. Mendoza for his lovely bit-part work as a detective who used to be a stage magician. Mendoza builds his character's history subtly, rolling a coin for almost a minute before his prestidigitation becomes a subject of discussion, making it look like a mere nervous habit instead of the highly trained feat it really is. Then he begins to produce cigars -- an endless supply of them! -- and during the whole demonstration, he keeps up a constant flow of on-topic plot exposition dialogue. What a wonderful little turn!

All in all, this is a movie that is watchable on many levels and for many reasons. I agree with other commenters that a fully restored version with technical commentary would be well received.