Il s'agit d'une anthologie de sept courts métrages dans la lignée de Fantasia (1940) et de La Boîte à musique (1946), mais incluant des prises de vues réelles.Il s'agit d'une anthologie de sept courts métrages dans la lignée de Fantasia (1940) et de La Boîte à musique (1946), mais incluant des prises de vues réelles.Il s'agit d'une anthologie de sept courts métrages dans la lignée de Fantasia (1940) et de La Boîte à musique (1946), mais incluant des prises de vues réelles.
- Prix
- 2 victoires au total
- Narrator
- (voice)
- …
- Andrews Sisters
- (singing voice)
- (as Andrews Sisters)
- Andrews Sisters
- (singing voice)
- (as Andrews Sisters)
- Andrews Sisters
- (singing voice)
- (as Andrews Sisters)
- Self
- (credit only)
- Frances Langford
- (singing voice)
- Singing cowboy
- (as Sons of the Pioneers)
- Singing cowboy
- (as Sons of the Pioneers)
- Singing cowboy
- (as Sons of the Pioneers)
- Singing cowboy
- (as Sons of the Pioneers)
- Singing cowboy
- (as Sons of the Pioneers)
- Dinning Sisters
- (singing voice)
- (as The Dinning Sisters)
- Dinning Sisters
- (singing voice)
- (as The Dinning Sisters)
Avis en vedette
The anthology film produced by Walt Disney pictures and second to last "package film" which would conclude with the following year's The Adventures of Ichabod and Mr. Toad, Melody Time like other projects of the mid to late 40s was intended to be cheaply produced by the studio, but unlike previous films made either out of necessity or under contract to the State Department, the goal of Melody Time as well as the following Year's Ichabod and Mr. Toad was to accumulate capital to return to single narrative features with 1950's Cinderella. Like many of the post Fantasia anthologies produced by Disney it lacks the grandiosity and artistry of Fantasia, but some of its shorts do come close to reaching the same level.
Most of the shorts of Melody Time are pretty well in line with the standards of a typical Silly Symphony cartoon with segments such as Once Upon a Wintertime, Little Toot, and Bumble Boogie being technically well made, but not all that memorable or substantive. Even Bumble Boogie which tries for a more surreal approach feels rather rote at this point because it looks so similar in style and execution to Pink Elephants for Dumbo or sequences to Three Caballeros there's a feeling of "been there, done that" that's hard to escape. Blame It on the Samba features a reteam of Donald Duck and Jose Carioca who are livened up by the Aracuan Bird introducing both of them to the Samba which leads to a live-action/animated mix where the three cartoon birds interact with organist Ethel Smith in what's admittedly a retread of the Baia segment from Three Caballeros, but the syncing of animation with live-action actors has gotten noticeably better with more in depth levels of interaction and some more ambitious camera work. The only weird part of this short is that Jose and Donald are completely mute and lacking in personality and I'm not entirely sure why. Both Jose and Donald are really expressive characters with distinguished personalities and without Jose's suave charm and energy or Donald Duck's anger, annoyance, and irritability it's kind of strange seeing them without the usual traits associated with them.
The other shorts are slightly above average with a retelling of the Legend of Pecos Bill being a well animated slapstick comedy with some creative imagery (even if it's kind of an odd note to end the movie on), a recitation of the Joyce Kilmer poem "Trees" brought to life with animation to show a single tree in all four seasons that's quite beautiful, but easily the best short is The Legend of Johnny Appleseed where we look at the life of John Chapman who goes from humble apple farmer to American legend with the help of his guardian angel. Johnny Appleseed despite it's short length shows grand ambitions and encompasses all the best parts of the ideals of America and humanity as we see Johnny befriend nature and spread apples and kindness across the land solely for its own sake and to help bring a sense of decency and community. The imagery in this short is nothing short of epic with a scene of Johnny's shadow stretching across the land, or apple blossoms transitioning to clouds being some truly memorable sights.
Melody Time like all the other package films Disney produced during the 40s has some okay segments and some segments that are awe inspiring. I don't think the movie's all that impressive as a whole and would say it's probably preferable to experience these shorts on their own, but there is some really strong work on display despite it being disjointed.
Of the collections marketed as full-length films, "Melody Time" might just be the most consistent of them. While it still is uneven and occasionally bad (Once Upon a Winter Time), it also had more good stuff--though nothing exactly great. The best of them were probably "Pecos Bill" and "Little Toot"....though I also liked "Bumble Boogie". The rest of the crop would fall somewhere between these extremes. Enjoyable but probably a film best for die-hard Disney fans or people who adore animation...REALLY adore animation. Otherwise, I anticipate some very disappointed people out there.
Melody Time is split into seven sections. "Once Upon A Wintertime" deals with a loving couple who go ice-skating on a frozen river; "Bumble Boogie" deals with a bee which is pursued by a variety of living musical instruments to the accompaniment of Rimsky Korsakov's Flight Of The Bumblebee; "Johnny Appleseed" retells an old American legend about a pioneer who struck out west and planted the first apple forests; "Little Toot" deals with a mischievous young tugboat which redeems itself by saving a liner in a storm; "Trees" is a short poetic sequence in which the title tells you all you need to know; "Blame It On The Samba" is a simple dance sequence starring Donald Duck; and "Pecos Bill", which begins with real-life actors (among them Bobby Driscoll) talking around a desert campfire, and proceeds to relate the animated story of the titular Wild West character who was raised by coyotes and got into various wacky adventures.
Generally-speaking, I find the longer sequences the best. The opening sequence, "Wintertime", is excellent, with just the right touch of comedy and excitement. "Little Toot" is excellent too - arguably the best episode in the film in fact. And "Pecos Bill" is thoroughly entertaining and has some laugh-out-loud moments. Of the longer episodes, only "Johnny Appleseed" feels laboured and frankly dull. The shorter episodes are actually rather disappointing. "Bumble Boogie" has terrific musical accompaniment, but is forgettable; "Trees" is pleasant but ordinary; and "Blame It On The Samba" looks like a rejected sequence from The Three Caballeros (1947), and is by far the most irritating sequence in this film, despite the presence of the perennially popular Donald Duck. On the whole, Melody Time might only really appeal to Disney completists; it has amusing and ingenious moments though you have to wade through some dull stretches to find them.
In order of when the shorts are shown:
"Once Upon A Wintertime": A different kind of Disney animation, including pristine backgrounds, Disney shows a rather messy winter love story. Not the best short in the bunch, but definitely not the least best, with a good woman singer.
"Bumble Boogie": Good for the eye, this short shows a very angry and upset bee trapped and flustered in a world of musical caterpillars and images. A good short mainly for the older, for the young it may be a bit upsetting, especially as the bee is quite a likable character.
"Johnny Appleseed": One of the few shorts with a proper plot, with some of the best animation in the set, Johnny Appleseed is a heartwarming story, you may even be inclined to believe this beautiful American story is true! Good for all ages.
"Little Toot": Unfortunately, this short is rather tedious babyish and a slight bit depressing, probably the least good of the lot. However, it is likely to entertain the wee ones and maybe some grown-ups would not mind watching it.
"Tree": Is basically a poem, a moving painting and a picture of a tree. Like "Bumble Boogie", it is plot less and another feast for the eyes, hopefully it will become your favourite of the set. Very beautiful for any animation and stunning.
"Blame It On The Samba": Featuring Donald Duck, a parrot friend of his and a rascal of a waiter bird! Showing a naughty bird bullying and entertaining Donald Duck and his friend with the amazement and annoyance of the samba.
"Pecos Bill": The last of the set, Pecos Bill is pretty entertaining - even with a rather tedious beginning and animation that could do with some work. The songs and characters are certainly entertaining. It shows a young boy being bought up by coyotes and becoming a "rooting, tootin' cowboy".
So, enjoy "Melody Time"!
The Andrews Sisters perform 'Little Toot' to give life to a charming tale about a mischievous tug-boat who eventually redeems himself; while Roy Rogers performs the dullest piece of the film, 'Pecos Bill'. In-between we have a mixed bag - a choral version of the croaky old poem 'Trees'; a hot samba with Ethel Smith and Donald Duck; 'Bumble-Boogie' (which has a bee trying to escape from the musical cacophony which is Freddy Martin's orchestra and The Flight of the Bumble Bee); and the tale of Johnny Appleseed.
OK to pass the time but does not have anything on the scale of 'The Whale Who Wanted To Sing At The Met' or 'The Nutcracker Suite' from the previous films.
Le saviez-vous
- AnecdotesBecause of the controversy about cowboys smoking, the "Pecos Bill" segment was heavily edited for release on DVD. In the original film, Bill is seen smoking a cigarette in several sequences. The cigarette was edited out in each case, resulting in the removal of almost the entire tornado sequence and some odd hand and mouth movements for Bill throughout. These scenes have since been restored in a recent American Blu-ray release.
- GaffesAt the end of Pecos Bill (1948), when Pecos and Widowmaker go back to live with the coyotes, it's seen that Pecos has removed his clothes and left them in a pile in the desert and Widowmaker has removed his horseshoes. However, Widowmaker lost his horseshoes earlier in the cartoon when he was bucking around when Slue-Foot Sue was riding him and a cowboy was seen being hit in the head by the horseshoes.
- Citations
[introduction to "Pecos Bill"]
Master of Ceremonies: Here's a tall tale straight from the chuck wagon, just the way the old-timers used to tell it. According to them, Pecos Bill was the roughest, toughest, rootin'est, tootin'est, shootin'est cowpoke that ever lived. Well, any story about old Pecos is bound to be right strong medicine, so maybe it's best to sashay into it kinda gentle-like.
- Autres versionsThe November 2021 Blu-ray (a Disney Movie Club exclusive) contains the unaltered Pecos Bill segment, along with the original RKO logo and mono soundtrack. This version is also available on Disney+.
- ConnexionsEdited into Contrast in Rhythm (1955)
- Bandes originalesMelody Time
Written by George David Weiss (as George Weiss) and Bennie Benjamin
Performed by Buddy Clark
Meilleurs choix
- How long is Melody Time?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Melody Time
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 15 minutes
- Couleur
- Rapport de forme
- 1.37 : 1