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Le supplice des aveux

Titre original : The Rack
  • 1956
  • Approved
  • 1h 40m
ÉVALUATION IMDb
6,8/10
1,8 k
MA NOTE
Paul Newman and Anne Francis in Le supplice des aveux (1956)
DrameGuerreDrame juridiqueDrame psychologique

Un héros décoré de la guerre de Corée collabore inexplicablement avec l'ennemi alors qu'il est enterré dans un camp de prisonniers de guerre et passe en cour martiale.Un héros décoré de la guerre de Corée collabore inexplicablement avec l'ennemi alors qu'il est enterré dans un camp de prisonniers de guerre et passe en cour martiale.Un héros décoré de la guerre de Corée collabore inexplicablement avec l'ennemi alors qu'il est enterré dans un camp de prisonniers de guerre et passe en cour martiale.

  • Director
    • Arnold Laven
  • Writers
    • Stewart Stern
    • Rod Serling
  • Stars
    • Paul Newman
    • Wendell Corey
    • Walter Pidgeon
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,8/10
    1,8 k
    MA NOTE
    • Director
      • Arnold Laven
    • Writers
      • Stewart Stern
      • Rod Serling
    • Stars
      • Paul Newman
      • Wendell Corey
      • Walter Pidgeon
    • 38Commentaires d'utilisateurs
    • 13Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos13

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    Rôles principaux76

    Modifier
    Paul Newman
    Paul Newman
    • Capt. Edward W. Hall, Jr.
    Wendell Corey
    Wendell Corey
    • Maj. Sam Moulton
    Walter Pidgeon
    Walter Pidgeon
    • Col. Edward W. Hall, Sr.
    Edmond O'Brien
    Edmond O'Brien
    • Lt. Col. Frank Wasnick
    Anne Francis
    Anne Francis
    • Aggie Hall
    Lee Marvin
    Lee Marvin
    • Capt. John R. Miller
    Cloris Leachman
    Cloris Leachman
    • Caroline
    Robert Burton
    Robert Burton
    • Col. Ira Hansen
    Robert F. Simon
    Robert F. Simon
    • Law Officer
    • (as Robert Simon)
    Trevor Bardette
    Trevor Bardette
    • Court President
    Adam Williams
    Adam Williams
    • Sgt. Otto Pahnke
    James Best
    James Best
    • Millard Chilson Cassidy
    Fay Roope
    Fay Roope
    • Col. Dudley Smith
    Barry Atwater
    Barry Atwater
    • Maj. Byron Phillips
    Don Anderson
    Don Anderson
    • Courtroom Spectator
    • (uncredited)
    James Anderson
    James Anderson
    • Skinny
    • (uncredited)
    David Bair
    • Student
    • (uncredited)
    Benjie Bancroft
    • Family Member
    • (uncredited)
    • Director
      • Arnold Laven
    • Writers
      • Stewart Stern
      • Rod Serling
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs38

    6,81.7K
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    Avis en vedette

    7uscmd

    A wake up call, one ignored for 64 years

    Please god. Let the decision makers, stop charging into wars at the behest of those who'll make outrageous profits. Ignoring the thousands of young men and women that come home smashed into pieces, for many irreprably..

    If theres a conflict that threatens the security, of the U. S., thats different. But no more 3rd world esoteric, thinly constructed conflicts, in which the ones deciding are future employees of the weapons industry (read Eisenhower on the military industrial complex, and its threats to America).

    Way too cozy, classic conflict of interest, having those who'll gain, personally opting to jump in.

    This movie, is set on that back drop....tangentially, with a young man (boy), no mom, military dad, trotted down the path to glory. Only his "glory" is in a courtroom, where his behavior is judged by many who never faced what he did,

    It was trials like this one that led to a reexamination of the expectations, of a soldiers behavior once hes taken prisoner.
    7uscmd

    Further information, background for understanding.

    Addendum to part 1.

    Theres a scene where Paul Newman confronts his son. It brought to mind, an experience that brings home the costs of war. 1966, I had complete my combat medic training, and was waiting for my next class, pharmacology and compounding meds.

    I was loaned out to the burn center, at Brook. Army medical center, Ft Sam Houston, San Antonio, Texas.

    Daily planes would arrive bringing young men, pilots whose planes had crashed, soldiers, marines who were engulfed in napalm, a jellied gasoline. And by far the worst, white phosphorous grenades, with faulty fuses that at times exploded as it left the throwers hand.

    What was left looked more like 150 pounds of clay, then a human. All facial features, arms, hands vaporized.

    I know how dreadful this sounds....but its the reality combat soldiers face, that I believe makes them more vulnerable to coercion.

    I'm 74, and if I live to 174 I'll never forget the young wives, 19-24, thrilled to finally see their husbands, only to stare wide eyed, mouthing the right words, and only when they left the room....would they drop to the ground sobbing. The reality that a part of their psyche was just as horribly disfigured.

    Yes, see this movie. Know, none of the gore is in the movie, but offered to help explain the movie. One other movie you must see is, "Johnny got his gun" directed by Dalton Trumbo.

    Wars aren't just pork. Not a way to pay back, the folks in your district for getting you elected. They are dirty rotten nightmares, in which our sons and daughters will be ground into hamburger. Rember how gay the mood was as the south, sent their boys off for a 2 week war. Remember the depth of their disillusion?

    Fight if we must. Only if we must.
    7rupie

    rarely seen film that's well above average

    Caught this rarity on TCM. Much heavy duty talent is involved in this production - Rod Serling as writer, and the acting talents of Paul Newman (his second screen appearance), Edmund O'Brien, Walter Pigeon, and Anne Francis, with bits by Lee Marvin and Chloris Leachman, even! The effort must be marked as a success, with an even-handed treatment of the issue of "breaking point" in a war when the Koreans openly sought to crush their POW's thru "brainwashing", a term that came into currency at that particular time. The cut and dried atmosphere of the courtroom proceedings are balanced by portrayals of the personal effects of the tragedy on the principals, especially the searing scenes between Newman/Hall and his father. A thoughtful film dealing with a major issue of the day, that is well worth seeing.
    suzykeen

    I agree its greatly underated

    I have to agree this is one of Pauls best movies and it never seems to come up when he is mentioned, the cast is also terriffic. I am sorry it has gone so unnoticed I can only think that it may have been set about the Korean War and that doesnt seem to get much attention.. I thought the acting was sincere and I was draw to this character that seemed to feel he lost his way by being human..
    8bkoganbing

    The Breaking Point

    The Rack casts Paul Newman in his third film as a returning prisoner of war who is put on trial for collaborating with the enemy during the Korean War. After the disaster of The Silver Chalice and his subsequent success in Somebody Up There Like Me, Newman's performance in The Rack assured his future stardom.

    Making things triply worse is the fact that Newman comes from a military family. His father Walter Pidgeon is in the service, his brother was killed in Korea, and the brother's wife Anne Francis has stayed with Pidgeon. It was after a welcome home party for Newman that Pidgeon receives the word about Newman's court martial. Walter Pidgeon gives the best performance in the film, his scenes with Newman after he gets the news are what great acting is all about.

    Prosecuting Newman is Wendell Corey and his defense counsel is Edmond O'Brien a good pair of cinematic legal adversaries if there ever was one. Also in the film is Lee Marvin who was a fellow prisoner and who is the original accusatory witness against Newman. Marvin's scene in the witness stand is also classic.

    The Pacific Theater of World War II and later the Korean War put us against enemies of an oriental culture and the second one flavored with Marxism. Their view of prisoners was one radically different from the western one. Someone who didn't die at his duty and allowed himself to be captured was one worthy of contempt. It's why the atrocities that happened and more important the fact that the prison keepers never viewed what they did as atrocities. These were all new issues for the American public to face. It would come even closer to home during the Vietnam War.

    The Rack is the story of one man who reached a breaking point while in captivity. Those points are not the same with every individual. That fact is brought out quite clearly in this fine film.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Rod Serling took 19 months to complete the teleplay, the longest he ever spent writing a single screenplay. It also took seven re-writes to get to the final version, the most of any of his screenplays.
    • Gaffes
      In the closing scene inside the courtroom, Capt. Miller (Lee Marvin) conspicuously comes in and sits down in a chair right next to the door, against the back wall. We see him there in a couple of close-up shots, but in several wide camera shots taken from the front of the courtroom, he is nowhere to be seen.
    • Citations

      Lt. Col. Frank Wasnick: [Addressing the jury, presenting the closing arguments for Capt. Hall's defense] Gentlemen, I have here a document which is not very pleasant to read. It's a communiqué written by the Communists describing shortcomings they observed among certain American prisoners of war.

      Lt. Col. Frank Wasnick: [Quoting from the document] "One: Many of the prisoners reveal weak loyalties to their families, their communities, and their army. Two: When left alone, they tend to feel deserted, and they underestimate their ability to survive, because they underestimate themselves."

      Lt. Col. Frank Wasnick: Now, the report goes on to say that even some of our university graduates have a very dim idea of American history and of the strengths and weaknesses of American democracy and that they are virtually ignorant of Communism, because we have never taken the trouble to inform them of its nature. The Communist program of indoctrination was based on this appraisal - and succeeded, because in many cases, the appraisal was true... And now we must judge Capt. Hall. Gentlemen, if there is guilt, where does it lie? In that small number who defected under pressure, as Capt. Hall did? Or do we not share it? At least those of us who created *part* of a generation which may collapse, because we have left it uninspired, uninformed, and - as in the case of Capt. Hall - unprepared to go the limit, because he had not been given the warmth to support him along the way... And now we must judge Capt. Hall. And let us make absolutely certain, that we have had no part in his collapse. This man has proven himself in the two wars of his youth, who has been exposed to conditions of captivity, against which we have never had to test ourselves.

    • Autres versions
      Exists in a computer-colorized version.
    • Connexions
      Referenced in American Masters: Rod Serling: Submitted for Your Approval (1995)
    • Bandes originales
      The Last Time I Saw Paris
      (uncredited)

      Music by Jerome Kern

      Hummed by Walter Pidgeon

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    FAQ16

    • How long is The Rack?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 15 mai 2023 (Canada)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • The Rack
    • Lieux de tournage
      • Letterman Army Hospital, Presidio, Golden Gate National Recreation Area, San Francisco, Californie, États-Unis(exterior scenes at the army hospital)
    • société de production
      • Loew's
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 779 000 $ US (estimation)
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 40m(100 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.85 : 1

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