Crashing Las Vegas

At the beginning of the episode, Satch (Huntz Hall) gets electrocuted. But instead of dying, this is a Bowery Boys comedy and so that means that he's suddenly endowed with amazing computational skills. When he and Slip go to see a game show, Satch instantly knows who will be picked each time. After seeing him demonstrate this, Slip insists they head to Vegas to win a fortune in order to help a nice old lady they all know. However, Satch keeps finding ways to win huge fortunate...and then lose it. The second time is to a group of crooks who also convince Satch that he's killed someone--and if he just gives them the money, they'll tell the cops it was all an accident!! By now you've clearly noticed that although Satch's brain is changed, when it comes to common sense he's the same old dope he always was!! And, once they get the money back, once again Satch figures out a way to lose it! Will they ever be able to get the money for the old lady? And, will Satch continue to possess extraordinary computational skills?

Overall, this is a very entertaining entry--much more than normal. My only complaint is that the Boys are getting pretty long in the tooth here...and it's no wonder as it came out towards the end of this VERY long series of B-films.

The boys have collected money for their beloved landlady Mrs. Kelly's down payment. Sach is working in the kitchen when he gets an electrical shock. Suddenly, he can predict all the numbers. The boys have tickets to television contest "To Live like a King". Slip wins a trip to Vegas. He has an idea for him and the boys. As Sach goes on a winning streak, he gains some unsavory attention.

The story is a bit convoluted, more than usual. They could have done so much more with a Vegas premise. I'm not looking for the real thing, but that would have been amazing. Sach has always been an idiot, but his idiocy here is not fun. It is much more annoying than anything else. One would also think that the casino wouldn't allow Sach to keep winning. It's a whole different side of the story that is ignored. This one is a little frustrating.

In a plot rehash, an electrical jolt gives Huntz Hall (as Horace Debussy "Sach" Jones) psychic powers, so luckless Leo Gorcey (as Terrence Aloysius "Slip" Mahoney) decides to take his pal and fellow "Bowery Boys" David "Condon" Gorcey (as Chuck) and Jimmy Murphy (as Myron) to Las Vegas. This film featured the last appearance of Mr. (Leo) Gorcey, who had been with the troupe since "Dead End" (1937). Gorcey had already become somewhat secondary to Mr. Hall, who would become the series' credited "star" with the next film ("Fighting Trouble").

Sadly, the noticeably absent "Sweet Shop" owner Bernard Gorcey (who played "Louie" in the series) had just passed away, following a car accident; he was the father of "Bowery Boys" Leo and David Gorcey. In this film, Bowery leader Leo Gorcey is clearly drowning his sorrows, and appears unwell much of the time. In an unrelated milestone, "Crashing Las Vegas" featured the first appearance of a new "Bowery Boy", with Jimmy Murphy's "Myron" replacing Benny Bartlett's departed "Butch". Even without the off-screen drama, this is a less than mediocre series entry.

** Crashing Las Vegas (4/22/56) Jean Yarbrough ~ Huntz Hall, Leo Gorcey, Jimmy Murphy

This was the first and last Bowery Boys comedy Leo Gorcey made after the death of his father, Bernard. While it can be seen that he is intoxicated during most of the filming, this film is hysterical. Leo and Huntz recite the old wheezy jokes as if they were brand new. The supporting players are poor, but their ineptitude adds to the comedy. This is the first film with Jimmy "Myron" Murphy replacing Bennie "Butch" Bartlett. Murphy and David Gorcey actually get to do more than usual and they even get some good punch lines. True, the story revolves around Huntz Hall, but Gorcey has a lot of funny comments to make during the 63 minutes. It is surprising that the film is so funny since neither Ed Bernds nor Elwood Ullman have anything to do with it. Jean Yarbrough directs this time and he makes it look like his work with Abbott and Costello. The Bowery Boys series was never the same after Leo Gorcey left. He was replaced by that "other guy", Stanley Clements. Clements is OK, but it's like Joe Besser replacing Shemp (not to mention Shemp replacing Curly) in the Three Stooges. Besser and Clements are good performers, but they just don't have the spark of their predecessors. I always wondered why David Gorcey just didn't get promoted; "Chuck" could have been the new chief of the Bowery Boys. Why not?

Leo Gorcey's final Bowery Boys movie (the forty-first in the series!) is a middling affair with a sad story behind it. Between the last film and this one, Leo's father Bernard Gorcey had been killed in a car accident. Bernard, of course, played the lovable Louie the Sweet Shop owner in the series and often stole the scenery from his younger co-stars. But business is business and "the show must go on," so the next Bowery Boys movie went into production. Unfortunately, poor Leo was still reeling from his father's death and perhaps should have been allowed more time to grieve. Throughout the picture, Leo seems 'off.' This is reportedly due to his drinking. He does look rough and seems tipsy, often grinning and shouting his lines for no apparent reason.

Behind-the-scenes drama aside, the picture has a tired plot about Sach gaining mental powers which Slip and the boys use to get money for their previously unseen landlady Mrs. Kelly. She was meant to replace Louie but she isn't funny and brings nothing to the films like Louie did. There's little reason to see this unless you're a fan who wants to see all the Bowery Boys movies. There are some laughs here and there but they are few and far between. Mary Castle provides a bit of welcome eye candy. Louie is missed and the movie suffers from his absence. Things would get a lot worse with Leo gone, though. He was one of the original Dead End Kids and really the glue that held the different groups of "kids" together (no offense to Huntz Hall). Starting with the next picture, Hall would become the star and Stanley Clements would join the gang. The series would limp along for another two years but would never recover from the loss of Leo Gorcey's Slip Mahoney.