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Attack

  • 1956
  • Approved
  • 1h 47m
ÉVALUATION IMDb
7,4/10
6,3 k
MA NOTE
Jack Palance in Attack (1956)
In 1945, an American Infantry company sets up an artillery observation post, but tensions between Captain Cooney and Lieutenant Costa run high.
Liretrailer2 min 30 s
1 vidéo
48 photos
DrameGuerreMesure

En 1944, une compagnie d'infanterie américaine établit un poste d'observation pour l'artillerie, mais les tensions entre le capitaine Cooney et le lieutenant Costa sont vives.En 1944, une compagnie d'infanterie américaine établit un poste d'observation pour l'artillerie, mais les tensions entre le capitaine Cooney et le lieutenant Costa sont vives.En 1944, une compagnie d'infanterie américaine établit un poste d'observation pour l'artillerie, mais les tensions entre le capitaine Cooney et le lieutenant Costa sont vives.

  • Director
    • Robert Aldrich
  • Writers
    • Norman Brooks
    • James Poe
  • Stars
    • Jack Palance
    • Lee Marvin
    • Eddie Albert
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,4/10
    6,3 k
    MA NOTE
    • Director
      • Robert Aldrich
    • Writers
      • Norman Brooks
      • James Poe
    • Stars
      • Jack Palance
      • Lee Marvin
      • Eddie Albert
    • 97Commentaires d'utilisateurs
    • 42Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 victoire et 1 nomination au total

    Vidéos1

    Trailer
    Trailer 2:30
    Trailer

    Photos48

    Voir l’affiche
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    + 42
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    Rôles principaux19

    Modifier
    Jack Palance
    Jack Palance
    • Lt. Joe Costa - Fox Co.
    Lee Marvin
    Lee Marvin
    • Lt. Col. Clyde Bartlett - CO, White Battalion
    Eddie Albert
    Eddie Albert
    • Capt. Erskine Cooney
    Robert Strauss
    Robert Strauss
    • Pfc. Bernstein
    Richard Jaeckel
    Richard Jaeckel
    • Pvt. Snowden
    Buddy Ebsen
    Buddy Ebsen
    • Sfc. Tolliver - Fox Co.
    Jon Shepodd
    • Cpl. John Jackson - Fox Co. Communications
    Peter van Eyck
    Peter van Eyck
    • SS Captain
    • (as Peter Van Eyck)
    Jim Goodwin
    Jim Goodwin
    • Pfc. Ricks
    • (as Jimmy Goodwin)
    Steven Geray
    Steven Geray
    • Otto - German NCO
    Jud Taylor
    Jud Taylor
    • Pvt. Jacob R. Abramowitz - Radioman
    • (as Judson Taylor)
    Louis Mercier
    Louis Mercier
    • Brouise - French Blacksmith
    Henry Rowland
    Henry Rowland
    • German with Binoculars
    Mike Ragan
    Mike Ragan
    • GI with Binoculars
    Ron McNeil
    • Pfc. Jones
    Strother Martin
    Strother Martin
    • Sgt. Ingersol
    Leonard Bremen
    Leonard Bremen
    • Mess Sergeant
    William Smithers
    William Smithers
    • Lt. Harold 'Harry' Woodruff
    • Director
      • Robert Aldrich
    • Writers
      • Norman Brooks
      • James Poe
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs97

    7,46.2K
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    10

    Avis en vedette

    8st-shot

    Brutal Attack takes no prisoners

    Cowardice and creepy careerism are at the heart of this disturbing war film featuring outstanding performances from Jack Palance and Eddie Albert as officers at odds at the tail end of the war in Europe, 1944. One a respected leader, the other a coward with connections.

    Week end wonder Captain Cooney (Albert), reluctant to engage the enemy is wasting platoon lives. Rather than be court-martialed or sent to the rear, his connections to Colonel Bartlett (Lee Marvin) prevent it. Captain Costa (Palance) appalled at the carnage Cooney is creating resorts to threatening him if he does not back them up on the next mission to secure a town.

    Palance is powerfully intimidating throughout, his frustration level with Cooney at fever pitch. Albert is text book craven coward with daddy issues, his condescending smugness, attempting to disguise his terror, making him an even more infuriating individual. Probably Albert's finest dramatic performance to go along with the irony that Eddie was a bona fide war hero. Marvin as the cynical commanding officer is slightly over the top while the rest of the dogfaces convincingly battle weary.

    Aldrich and his cinematographer Joe Biroc capture the depressing futility of battlefield charges as well as create maximum tension among the men in tightly framed claustrophobic interiors. Aldrich for his part does not sugar coat, glorify in any way or go Hollywood ending. A depressing but impressive work.
    none-67

    One of the best

    One of the best war films ever made, this gritty little-known gem features Jack Palance in perhaps his best role. The dynamics of a small infantry unit just about at the end of its tether in WWII Europe are portrayed extremely realistically. Eddie Albert, Lee Marvin, and Buddy Ebsen give great supporting performances.

    The film is in B&W and has all the dirt and sweatiness and fear that is characteristic of really good work done in the 1950's.

    No pretty boys here
    10bkoganbing

    A four star war film

    Based on a play Fragile Fox that was on Broadway during the early Fifties, Attack is one of the best war films ever made. No sham heroics here, just men doing a dirty job and caught in an extremely lousy situation due to politics.

    Lee Marvin is a politically ambitious colonel who's national guard company has been activated for World War II. He's got to babysit and keep an eye on Eddie Albert who's father is a big shot in the unnamed southern state he comes from. Only Albert is an incompetent and a coward. That's causing problems up and down the ranks.

    How it all gets resolved is what you have to see Attack for and Robert Aldrich never directed a better film. There's not a bad performance here, not a minute of film wasted.

    The contrasting character is Jack Palance who is the lead character. His courage and concern for the men he leads are set up in a direct counterpoint to Albert. His climactic scene is one of the most harrowing ever put on film.

    It is appropriate with news of Eddie Albert leaving us at the grand old age of 99 to pay tribute to what is probably the best performance this multi-talented and under-appreciated performer ever did. His Captain Cooney is one of the most malevolent creatures ever put to celluloid. He's such a bad man, his performance will make your skin crawl, Albert is that good in this role. Both he and Palance should have been up for Oscars in 1956.

    William Smithers made a good film debut in Attack. He never reached the heights of stardom, but Star Trek fans will know him for a role in the original series as Captain Merik who oddly enough made the same bad choices in that episode that Captain Cooney does in Attack.

    The cast is populated with war film veterans and they all do their usual fine job. There were times that it didn't seem possible you could make a war film without Lee Marvin, Robert Strauss, or Richard Jaeckel. God Bless 'em all.

    And Attack is a film not to be missed even if you don't particularly like war films.
    8Theo Robertson

    Impressive War Drama

    Anyone remember a 1965 war movie called BATTLE OF THE BULGE ? That's the movie supposedly set during the Ardennes campaign in Belguim but instead of seeing snow shrouded forests we're led to believe the conflict took place on dusty desert plains . Unfortunately with ATTACK director Robert Aldrich makes a similar error in geography and weather conditions . There's no snow to be seen ( Apart from some fake snow in one scene ) there's no forests and you do get the feeling the movie was filmed on a hot summers day no matter how the cast try and convince you other wise . In fact I felt rather sorry for the actors dressed in heavy greatcoats jumping up and down trying to get into character and it's interesting to note that by half way through the movie everyone has stopped in their vain attempts trying to convince the audience it's a very cold day

    That said ATTACK is a very impressive war drama - and please note I used the word drama in the last sentence . It's based on a play but unlike a lot of movies based on plays that often use flashback to tell the tale the roots of the source is hidden , this actually feels cinematic . The movie centres around the conflict Lt Costa who blames his commanding officer Captain Cooney for getting his platoon wiped out . The human drama of cowardice and command and the motive of revenge feature very heavily . It should also be pointed out how well Captain Cooney is written and played by Eddie Albert , he's relatively sympathetic as a weak man who seems caught up in things outside his control though at the end he does become a sort of melodramtic carichture . The whole cast do a good job and the scenes with Lee Marvin and Eddie Albert together are superb . It's such a pity no one seems to make war movies this intelligent anymore
    8helpless_dancer

    I could have been Erskine Cooney

    It would seem political correctness prevailed even back during the big bloodletting. The military should screen it's officers very thoroughly before giving them the command over others' lives. Captain Cooney should never have been issued a uniform much less been promoted to such a high field rank. Most of these old 40's and 50's war films leave me colder than a dead kraut but this was way above the fold. Yes, some of the special effects were a bit tame and a couple of the sets looked like what they were, but this was one gritty, ugly tale of the horror and waste of combat. The entire cast was excellent in their portrayal of soldiers in a hopeless situation. Many familiar old faces in this one, most of whom are no longer with us.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Although he played a cowardly officer in this film, in real life Eddie Albert, who served in WW II, was a decorated war hero. At the Battle of Tarawa (1943), while braving heavy enemy fire, he rescued over 70 wounded Marines, loading them onto his landing craft and taking them back to other ships to receive medical care. For these actions he was award the Bronze Star with "V" device for valor.
    • Gaffes
      In every shot in which they appear, the German tanks have external travel locks on their main gun, including whilst they are firing. These braces are mainly applied when the tank is being transported by ship or train, and is to prevent the turret from shaking and damaging sensitive systems like aiming mechanisms. However, any such device would be removed long before the tank enters combat, as it makes aiming virtually impossible. That, and thanks to recoil, the act of firing the gun in such a situation would not only damage the lock, but also likely harm the very mechanisms the lock is supposed to help protect in the first place.
    • Citations

      Sfc. Tolliver, Fox Co.: [refusing a drink] Captain, down around where I come from we dearly love our whiskey. But we don't drink with another man unless we respect him.

    • Générique farfelu
      Opening credits prologue: EUROPE 1944
    • Autres versions
      When originally released theatrically in the UK, the BBFC made cuts to secure a 'X' rating. All cuts were waived in 1997 when the film was granted a 'PG' certificate for home video.
    • Connexions
      Featured in Discovering Film: Lee Marvin (2015)

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    FAQ

    • How long is Attack?Propulsé par Alexa
    • Does anybody knows what kind of tanks german army use in the movie?

    Détails

    Modifier
    • Date de sortie
      • 5 novembre 1956 (Canada)
    • Pays d’origine
      • United States
    • Langues
      • English
      • German
      • French
    • Aussi connu sous le nom de
      • Attack!
    • Lieux de tournage
      • Albertson Ranch, Triunfo, Californie, États-Unis
    • société de production
      • The Associates & Aldrich Company
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 750 000 $ US (estimation)
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 47 minutes
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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