ÉVALUATION IMDb
7,4/10
6,3 k
MA NOTE
En 1944, une compagnie d'infanterie américaine établit un poste d'observation pour l'artillerie, mais les tensions entre le capitaine Cooney et le lieutenant Costa sont vives.En 1944, une compagnie d'infanterie américaine établit un poste d'observation pour l'artillerie, mais les tensions entre le capitaine Cooney et le lieutenant Costa sont vives.En 1944, une compagnie d'infanterie américaine établit un poste d'observation pour l'artillerie, mais les tensions entre le capitaine Cooney et le lieutenant Costa sont vives.
- Prix
- 1 victoire et 1 nomination au total
Peter van Eyck
- SS Captain
- (as Peter Van Eyck)
Jim Goodwin
- Pfc. Ricks
- (as Jimmy Goodwin)
Jud Taylor
- Pvt. Jacob R. Abramowitz - Radioman
- (as Judson Taylor)
Avis en vedette
Cowardice and creepy careerism are at the heart of this disturbing war film featuring outstanding performances from Jack Palance and Eddie Albert as officers at odds at the tail end of the war in Europe, 1944. One a respected leader, the other a coward with connections.
Week end wonder Captain Cooney (Albert), reluctant to engage the enemy is wasting platoon lives. Rather than be court-martialed or sent to the rear, his connections to Colonel Bartlett (Lee Marvin) prevent it. Captain Costa (Palance) appalled at the carnage Cooney is creating resorts to threatening him if he does not back them up on the next mission to secure a town.
Palance is powerfully intimidating throughout, his frustration level with Cooney at fever pitch. Albert is text book craven coward with daddy issues, his condescending smugness, attempting to disguise his terror, making him an even more infuriating individual. Probably Albert's finest dramatic performance to go along with the irony that Eddie was a bona fide war hero. Marvin as the cynical commanding officer is slightly over the top while the rest of the dogfaces convincingly battle weary.
Aldrich and his cinematographer Joe Biroc capture the depressing futility of battlefield charges as well as create maximum tension among the men in tightly framed claustrophobic interiors. Aldrich for his part does not sugar coat, glorify in any way or go Hollywood ending. A depressing but impressive work.
Week end wonder Captain Cooney (Albert), reluctant to engage the enemy is wasting platoon lives. Rather than be court-martialed or sent to the rear, his connections to Colonel Bartlett (Lee Marvin) prevent it. Captain Costa (Palance) appalled at the carnage Cooney is creating resorts to threatening him if he does not back them up on the next mission to secure a town.
Palance is powerfully intimidating throughout, his frustration level with Cooney at fever pitch. Albert is text book craven coward with daddy issues, his condescending smugness, attempting to disguise his terror, making him an even more infuriating individual. Probably Albert's finest dramatic performance to go along with the irony that Eddie was a bona fide war hero. Marvin as the cynical commanding officer is slightly over the top while the rest of the dogfaces convincingly battle weary.
Aldrich and his cinematographer Joe Biroc capture the depressing futility of battlefield charges as well as create maximum tension among the men in tightly framed claustrophobic interiors. Aldrich for his part does not sugar coat, glorify in any way or go Hollywood ending. A depressing but impressive work.
One of the best war films ever made, this gritty little-known gem features Jack Palance in perhaps his best role. The dynamics of a small infantry unit just about at the end of its tether in WWII Europe are portrayed extremely realistically. Eddie Albert, Lee Marvin, and Buddy Ebsen give great supporting performances.
The film is in B&W and has all the dirt and sweatiness and fear that is characteristic of really good work done in the 1950's.
No pretty boys here
The film is in B&W and has all the dirt and sweatiness and fear that is characteristic of really good work done in the 1950's.
No pretty boys here
Based on a play Fragile Fox that was on Broadway during the early Fifties, Attack is one of the best war films ever made. No sham heroics here, just men doing a dirty job and caught in an extremely lousy situation due to politics.
Lee Marvin is a politically ambitious colonel who's national guard company has been activated for World War II. He's got to babysit and keep an eye on Eddie Albert who's father is a big shot in the unnamed southern state he comes from. Only Albert is an incompetent and a coward. That's causing problems up and down the ranks.
How it all gets resolved is what you have to see Attack for and Robert Aldrich never directed a better film. There's not a bad performance here, not a minute of film wasted.
The contrasting character is Jack Palance who is the lead character. His courage and concern for the men he leads are set up in a direct counterpoint to Albert. His climactic scene is one of the most harrowing ever put on film.
It is appropriate with news of Eddie Albert leaving us at the grand old age of 99 to pay tribute to what is probably the best performance this multi-talented and under-appreciated performer ever did. His Captain Cooney is one of the most malevolent creatures ever put to celluloid. He's such a bad man, his performance will make your skin crawl, Albert is that good in this role. Both he and Palance should have been up for Oscars in 1956.
William Smithers made a good film debut in Attack. He never reached the heights of stardom, but Star Trek fans will know him for a role in the original series as Captain Merik who oddly enough made the same bad choices in that episode that Captain Cooney does in Attack.
The cast is populated with war film veterans and they all do their usual fine job. There were times that it didn't seem possible you could make a war film without Lee Marvin, Robert Strauss, or Richard Jaeckel. God Bless 'em all.
And Attack is a film not to be missed even if you don't particularly like war films.
Lee Marvin is a politically ambitious colonel who's national guard company has been activated for World War II. He's got to babysit and keep an eye on Eddie Albert who's father is a big shot in the unnamed southern state he comes from. Only Albert is an incompetent and a coward. That's causing problems up and down the ranks.
How it all gets resolved is what you have to see Attack for and Robert Aldrich never directed a better film. There's not a bad performance here, not a minute of film wasted.
The contrasting character is Jack Palance who is the lead character. His courage and concern for the men he leads are set up in a direct counterpoint to Albert. His climactic scene is one of the most harrowing ever put on film.
It is appropriate with news of Eddie Albert leaving us at the grand old age of 99 to pay tribute to what is probably the best performance this multi-talented and under-appreciated performer ever did. His Captain Cooney is one of the most malevolent creatures ever put to celluloid. He's such a bad man, his performance will make your skin crawl, Albert is that good in this role. Both he and Palance should have been up for Oscars in 1956.
William Smithers made a good film debut in Attack. He never reached the heights of stardom, but Star Trek fans will know him for a role in the original series as Captain Merik who oddly enough made the same bad choices in that episode that Captain Cooney does in Attack.
The cast is populated with war film veterans and they all do their usual fine job. There were times that it didn't seem possible you could make a war film without Lee Marvin, Robert Strauss, or Richard Jaeckel. God Bless 'em all.
And Attack is a film not to be missed even if you don't particularly like war films.
Anyone remember a 1965 war movie called BATTLE OF THE BULGE ? That's the movie supposedly set during the Ardennes campaign in Belguim but instead of seeing snow shrouded forests we're led to believe the conflict took place on dusty desert plains . Unfortunately with ATTACK director Robert Aldrich makes a similar error in geography and weather conditions . There's no snow to be seen ( Apart from some fake snow in one scene ) there's no forests and you do get the feeling the movie was filmed on a hot summers day no matter how the cast try and convince you other wise . In fact I felt rather sorry for the actors dressed in heavy greatcoats jumping up and down trying to get into character and it's interesting to note that by half way through the movie everyone has stopped in their vain attempts trying to convince the audience it's a very cold day
That said ATTACK is a very impressive war drama - and please note I used the word drama in the last sentence . It's based on a play but unlike a lot of movies based on plays that often use flashback to tell the tale the roots of the source is hidden , this actually feels cinematic . The movie centres around the conflict Lt Costa who blames his commanding officer Captain Cooney for getting his platoon wiped out . The human drama of cowardice and command and the motive of revenge feature very heavily . It should also be pointed out how well Captain Cooney is written and played by Eddie Albert , he's relatively sympathetic as a weak man who seems caught up in things outside his control though at the end he does become a sort of melodramtic carichture . The whole cast do a good job and the scenes with Lee Marvin and Eddie Albert together are superb . It's such a pity no one seems to make war movies this intelligent anymore
That said ATTACK is a very impressive war drama - and please note I used the word drama in the last sentence . It's based on a play but unlike a lot of movies based on plays that often use flashback to tell the tale the roots of the source is hidden , this actually feels cinematic . The movie centres around the conflict Lt Costa who blames his commanding officer Captain Cooney for getting his platoon wiped out . The human drama of cowardice and command and the motive of revenge feature very heavily . It should also be pointed out how well Captain Cooney is written and played by Eddie Albert , he's relatively sympathetic as a weak man who seems caught up in things outside his control though at the end he does become a sort of melodramtic carichture . The whole cast do a good job and the scenes with Lee Marvin and Eddie Albert together are superb . It's such a pity no one seems to make war movies this intelligent anymore
It would seem political correctness prevailed even back during the big bloodletting. The military should screen it's officers very thoroughly before giving them the command over others' lives. Captain Cooney should never have been issued a uniform much less been promoted to such a high field rank. Most of these old 40's and 50's war films leave me colder than a dead kraut but this was way above the fold. Yes, some of the special effects were a bit tame and a couple of the sets looked like what they were, but this was one gritty, ugly tale of the horror and waste of combat. The entire cast was excellent in their portrayal of soldiers in a hopeless situation. Many familiar old faces in this one, most of whom are no longer with us.
Le saviez-vous
- AnecdotesAlthough he played a cowardly officer in this film, in real life Eddie Albert, who served in WW II, was a decorated war hero. At the Battle of Tarawa (1943), while braving heavy enemy fire, he rescued over 70 wounded Marines, loading them onto his landing craft and taking them back to other ships to receive medical care. For these actions he was award the Bronze Star with "V" device for valor.
- GaffesIn every shot in which they appear, the German tanks have external travel locks on their main gun, including whilst they are firing. These braces are mainly applied when the tank is being transported by ship or train, and is to prevent the turret from shaking and damaging sensitive systems like aiming mechanisms. However, any such device would be removed long before the tank enters combat, as it makes aiming virtually impossible. That, and thanks to recoil, the act of firing the gun in such a situation would not only damage the lock, but also likely harm the very mechanisms the lock is supposed to help protect in the first place.
- Citations
Sfc. Tolliver, Fox Co.: [refusing a drink] Captain, down around where I come from we dearly love our whiskey. But we don't drink with another man unless we respect him.
- Générique farfeluOpening credits prologue: EUROPE 1944
- Autres versionsWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'X' rating. All cuts were waived in 1997 when the film was granted a 'PG' certificate for home video.
- ConnexionsFeatured in Discovering Film: Lee Marvin (2015)
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Détails
Box-office
- Budget
- 750 000 $ US (estimation)
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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