Le monstre vient de la mer

A nuclear sub is taking its' shakedown cruise when the Captain puts on Swing music on the stereo. The monster disapproves of his music choice and pins down the sub. The sub eventually gets free, but there is unidentifiable matter stuck to it. Eventually scientist Faith Domergue figures out it belongs to a giant octopus.

Director Robert Gordon does a good job of not letting the film get bogged down in talk. Domergue and the Navy argue about whether sea monsters actually exist. The film is worth watching for the stop-motion animation Harryhausen did on a limited budget. The monster is marvelously realistic looking as it wreaks havoc upon the countryside.

In the 1950s cinema was subjected to (graciously in my case) a number of things that came to wreak havoc on mankind. Be it nuclear enhanced spiders and ants marching forth from the desert or various beings from outer space come to deliver alien fury. Hell we even had giant water snails laying slimy waste to all in their way. But what of the ocean? So much potential down there. Rhedosaurus and Gojira had come from the sea to lay a marker down for the big lizard, but what of the natural creatures? Sharks? Well Spielberg's genre daddy was some 20 years away. Whales? Crabs? Squids? Ah what about a giant Octopus? Now there is scope for a riot. Lets make him a product of atomic blasting, awoken from the Mindanao Deep, keep it sympathetic 9it's just being natural after all), set up an attack on a bastion landmark of Americana and get stop-mo genius Ray Harryhausen to work his wonders.

So they did. It Came from Beneath the Sea, if you pardon the pun, holds its head above water in the creature feature, sci-fi schlockers genre. Starring Faith Domergue (This Island Earth), Kenneth Tobey (The Beast from 20,000 Fathoms) and Donald Curtis (Earth vs. The Flying Saucers), it has safe and solid genre credentials. Though guilty of being over talky, in that the science being offered up isn't worthy of such meanderings, the script does allow for a feminism angle that should be applauded for the time it was made. Even if it's almost smothered by the love tryst shenanigans of our three central players that is. Filmed on location in San Francisco to add some level of authenticity to the story and having a running time that doesn't let it outstay its welcome. It Came from Beneath the Sea is a fine genre piece worthy of yearly revisits. 7/10

Ray Harryhausen wonderfully creates a giant octopus ravaging the Pacific Coast and then rooting itself in San Francisco Bay. The octopus is quite stunning and a marvel of stop-motion animation. Viewers are treated to it actually climbing on the Golden Gate Bridge(a model of course), squeezing a submarine, literally bringing a ship down to the depths, and throwing tentacles all over pedestrians in the San Francisco harbour. My only regret is that this is all too infrequent and most of it arriving at the end of the film. The rest of the story centers around Kenneth Tobey, Faith Domerge and Donald Curtis trying to discover what it is that held Tobey's submarine. There is also a weird love triangle among the three as well which enhances the story I believe. All in all this is a fine piece of classic science fiction entertainment.

This is not a creature you'll rub elbows with at Sea World, to say the least. Not after it's done a number on San Francisco and without a wrecking ball in sight. But then if Godzilla can take Tokyo, why not an octopus taking out an American city in big time stop-motion fashion. Okay, it's archaic special effects by today's digital standards, but cutting edge for its time and still a lot of movie fun.

Tobey's a fine underrated actor, perfect as a military type. And Domergue-- Howard Hughes' big squeeze— shows her dewy-eyed stuff as a "women are as good as men" feminist. Actually, it's Curtis, a man, who states that case for the "new woman", though Domergue's aggressive scientist makes a convincing case all by herself. Surprisingly for this type movie, the three share equal time on screen, and it's pretty clear director Gordon's instructions to them are to low-key it, which they do to good effect.

The first atomic submarine, the Nautilus, sailed in mid-1954 to a lot of public interest. No doubt, the producers here were well aware, and wove a crowd-pleasing story around the film version. Then too, mutant monsters had not yet taken over movie screens as they would a few years later. No doubt, the success of this film was parent to many of those creature offspring. Anyway, as these movies go, this is definitely one of the better ones in all departments, (though a couple of romantic scenes could have been easily economized).

In passing—I really like that last scene where our three musketeers get no recognition for their heroics. It's a nice ironic touch. And see if you agree—looks to me like they're about to "break character" at fade-out.

This was a pretty decent effort by the master of stop motion animation, Ray Harryhausen. The scenes with the giant octopus helped to add a lot of thrills to this film. The only negative aspect to are the scenes without the monster. There is basically no human chemistry between the human characters and it probably would have made the film a lot better. Also, Faith Domergue's character of Professor Joyce was hard to figure out. At first it seems as if her character wants to be taken seriously, but as the film goes on she seems to act as the typical pretty face that screams whenever danger approaches. However, the real star of the film is the monster, who was probably one of Harryhausen's finest creations.

Also, one of the more interesting things about this film was the fact that they mentioned that the monster first appeared off the coast of Japan. Of course, this film was released about a year after another monster appeared off the coast of Japan, Gojira (aka. Godzilla).

Despite all of its flaws, this was still a good effort by the master.