Ajouter une intrigue dans votre langueGovernment agent tries to trick a suspect into returning to Germany, the scene of his crimes.Government agent tries to trick a suspect into returning to Germany, the scene of his crimes.Government agent tries to trick a suspect into returning to Germany, the scene of his crimes.
Louis Merrill
- Herr Schmitt
- (as Lou Merril)
John Albright
- Man on Dock
- (uncredited)
Vince Barnett
- Ed
- (uncredited)
Phil Bloom
- Bar Patron
- (uncredited)
Danny Borzage
- Accordionist
- (uncredited)
George Cisar
- Don Gillen
- (uncredited)
Judy Clark
- Singer
- (uncredited)
Roy Damron
- Bar Patron
- (uncredited)
Van Des Autels
- Tom Jackson
- (uncredited)
Harold Dyrenforth
- German Guard
- (uncredited)
Richard Emory
- Doc Mason
- (uncredited)
Joseph Glick
- Boat Passenger
- (uncredited)
Avis en vedette
This is just a bit too convoluted for it's own good. It's all about a scheme to retrieve some gold from Germany buried at the end of WWII by Richard Denning ("Frank"). Frank Lovejoy ("Stan") and his gal Mari Blanchard ("Joanie") are the pair trying to manoeuvre their mark into taking them back to find the loot, but they also they have an ulterior motive of which poor old "Frank" is unaware. It's got a few twists and turns to keep the plot moving, but much of the story seems to exist in order to perpetuate itself, rather than offer us anything to get our teeth into and after a while it becomes a bit dull. The performances are weak, the dialogue really wordy and I found the music got on my nerves a bit, too. Director Nathan Juran usually had a good eye for a story and phototography at his best; this isn't it.
Holy cow. Completely ridiculous, unbelievable crime (not noir) drama that would put Ed Wood and Harry Stephen Keeler to shame.
The movie is acted and directed OK, and it's oddly watchable, but the plot is laughable. It's quite simply, ludicrous.
The movie is acted and directed OK, and it's oddly watchable, but the plot is laughable. It's quite simply, ludicrous.
Yes, the cast is great. Yes the first ten minutes or so, up to and including the first twist, is a great movie.
But after that it goes so completely insane in a way that's super not fun or campy or bombastic. It somehow manages to be both boring, and implausible. The plot folds in over on itself. It's just very, very bad writing.
Right now, this has an average of a six. I just think that's way way too high. This deserves a four at best, and so I'm on here to try to push that to happen. I love noir, and I've now watched so many, to relive the high of first seeing the greats. I've seen so many bad ones. This is the worst one I've ever seen.
But after that it goes so completely insane in a way that's super not fun or campy or bombastic. It somehow manages to be both boring, and implausible. The plot folds in over on itself. It's just very, very bad writing.
Right now, this has an average of a six. I just think that's way way too high. This deserves a four at best, and so I'm on here to try to push that to happen. I love noir, and I've now watched so many, to relive the high of first seeing the greats. I've seen so many bad ones. This is the worst one I've ever seen.
As far as I know, that's the second film noir that director Nathan Juran offered us, besides HIGHWAY DRAGNET. He who was mostly a western and science fiction maker, working for Universal and Columbia studios as well. I like here more the atmosphere and photography than the story. This is a pure good B thriller typical of the fifties. Very agreeable to watch, and also a rare film, at least not the most known of the director. Yes, the story is not that exciting for a crime film noir, but it remains bearable. I have seen it several times already but always forget about it. I understand why after the watching.
I laughed and laughed as I watched this. I confess I like the storyline, but that's where it ends. How reviewers are rating this a minimum of 6 out of 10 is beyond me.
If you're a fan of cold war films from the mid-1950s that reference World War II propaganda, then this film will delight. It doesn't take long into the running time to figure out some plot devices I won't reveal. If you watch it through all the way, just remember the dialogue, "Two men and a girl."
This is some weird crap. It's a great plunge into why television devoured filmgoing when Lucille Ball was trying to figure out how to make her husband more successful than she.
If you're a fan of cold war films from the mid-1950s that reference World War II propaganda, then this film will delight. It doesn't take long into the running time to figure out some plot devices I won't reveal. If you watch it through all the way, just remember the dialogue, "Two men and a girl."
This is some weird crap. It's a great plunge into why television devoured filmgoing when Lucille Ball was trying to figure out how to make her husband more successful than she.
Le saviez-vous
- AnecdotesThe real Stan's Diner, at the intersection of Sunset and Hollywood Blvds. in East Los Angeles, features prominently in the film. This particular Stan's, one of several operating in the Los Angeles area, no longer exists, but many other landmarks that still survive at this intersection are visible. Most notably, the Vista Theatre can been seen in several shots; this single-screen theater from 1926 is still in operation as of 2023.
- GaffesIn the back-projection driving scenes, the steering wheel movements bear no relation to what is seen out of the back window.
- Citations
Joanie Daniel: Toot your horn, Stan. I could use some curb service.
- ConnexionsReferenced in Fantastical Features - Nathan Juran at Columbia (2023)
- Bandes originalesPut the Blame on Mame
(1946) (uncredited)
Written by Allan Roberts and Doris Fisher
Played on the juke box at The Barn
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- How long is The Crooked Web?Propulsé par Alexa
Détails
- Durée1 heure 17 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was The Crooked Web (1955) officially released in India in English?
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