Condamné au silence

In the USAF we were taught about Billy Mitchell as being the "Father of the Air Force", and how he sacrificed his career to bring attention to his points.

What a good movie. Rod Steiger did steal the scenes, and I suspect that James Cagney would have made a better movie... but I found myself becoming drawn in by Gary Cooper's portrayal of Billy Mitchell. He might have been a bit long in the tooth, but remember, the real Billy Mitchell was 46 years old at the time of his Court Martial, at about the age when he should start thinking about retirement anyhow.

It plays like a stage play; the story is enough to make a powerful punch.

2 Thumbs Up. See it. Get it on DVD if you can, so you can read the subtitles and not miss a thing.

Otto Preminger was perhaps honing his skills as a director, because this film seems to be a dress rehearsal for his greatest achievement, "Anatomy of a Murder", which is a classic of the courtroom drama genre.

The movie is interesting in that it presents a man of honor, Billy Mitchell, who not only was an aviation pioneer, but a visionary that pointed out to the future in uncanny ways. He realized that wars were going to be fought in the air, and that soon the world would shrink thanks to faster planes than the primitive two engine jobs he was flying during WWI.

Billy Mitchell was an outcast, rejected by the same people that were too obtuse to realize the upcoming revolution in aeronautics. In trying to prove a point, Billy is found guilty and tried for disobeying orders. It's a sad story in which a highly developed mind, like Billy's has to contend with the ignorance of his peers. Testimony from other leading figures of the time, such as Eddie Rickenbacker, and others speak volumes about Mitchell's incredible insight on the new technology and how vulnerable America was from air raids by enemies.

Gary Cooper's approach to the role doesn't clarify much about the real life Mitchell. He is not quite as effective as in many of his most outstanding films. Somehow we don't get any passion out of his character, where perhaps another actor would have run away with the role. Mr. Cooper's take on Mitchell, or perhaps Otto Preminger's direction, doesn't shed much insight in the character.

The best thing in the movie is Rod Steiger as Allan Gullion, who is brought to the trial to help the main prosecution officer. He steals the picture in his short time in front of the camera. Mr Steiger brings a different concept to this officer; he stands out against all the other people around him. What a presence he had! In contrast with Mr. Cooper's stoic presence, Mr. Steiger was ready to smolder the screen if given the chance.

The rest of the cast is outstanding. Charles Bickford, Ralph Bellamy, Elizabeth Montgomery, Jack Lord, James Daly, Fred Clark, among others, enhance this movie.

The only problem with the copy I saw, is the horrible coloring that tends to give a fading images. This is a film in need of restoration.

Few who aren't students of the history of airpower today recognize the name of William "Billy" Mitchell. An early pilot in the U.S. Army's fledgling Air Corps, he served in World War I when no American-produced plane saw action above the trenches of France. Notwithstanding the Wright brother's initial breathtaking powered flight, by 1914 England, France and Germany were far ahead of us in not only aircraft design but also in fashioning tactics for a new kind of warfare.

Mitchell returned from the war not only a convert to the future of airpower but as a zealot advocating his prophecy to all who would listen (and to very many who didn't want to). The post-war Army suffered massive cutbacks. Mitchell reverted from brigadier general to his permanent rank of colonel, a more gentle demotion than many others experienced.

The Army's first postwar chief of staff was the only man ever to hold the rank of General of the Armies, John J. "Black Jack" Pershing. Pershing actually appreciated aviation's potential to a real degree but he faced a budget-cutting congress while leading an army with too many senior officers who dimly recalled fighting Indians from the saddle.

Mitchell was given the opportunity to sink the German war prize battleship "Ostfriesland." A rather foolish cabinet member offered to watch the aerial bombing from the warship's deck, so certain was he that the vessel couldn't be destroyed from the air. Fortunately for him his offer was not taken up.

Gary Cooper turns in a quietly passionate role as the Air Corps leader who did sink the "Ostfriesland." In the film he's shown disobeying war game rules and using one-ton bombs not approved for the exercise. That never happened. He went by the rules (that time). His and his pilots' achievements were dismissed, however, by battleship-loving admirals who claimed that the test was meaningless since the ship wasn't defending itself. Some Japanese observers were less sure that this was a valid analysis.

Gary Cooper's Billy Mitchell, despite deviations from the real story, is a remarkably accurate picture of a dedicated officer with unrestrained hubris whose public and volatile denunciations of Army and Navy superiors for numerous fatal crashes led to his then highly-publicized court-martial.

Ralph Bellamy as Congressman Frank Reid is Mitchell's chief counsel. A blistering but unreal cross-examination by the young Rod Steiger as MAJ Allan Gullion is the the dramatic high point of the film. It's something we expect from the courtroom genre. Mitchell is convicted of, in essence, disobedience, and is placed on a long-term suspended status (in reality the effective and actual termination of his military career without the continuing public interest that incarceration would have brought).

Cooper is strongly expressive while exuding a powerful sense of personal morality and duty as Mitchell defined that quality. That largely matches the real Mitchell.

As defense witnesses we see the young H.H. Arnold (to achieve five-star rank in World War II) and Carl Spaatz, a four-star architect of strategic bombing in the next war. These officers persevered in their dedication to birthing a powerful air force and they did it without losing their careers and thus their effectiveness (in that regard they mirrored young field grade officers such as George Patton and Dwight Eisenhower in their crusade to take the Army from the horse to the tank).

Cooper walks out of the film in civilian clothing, a slightly confused expression on his face. He should have been confused. For the remainder of his life, which ended before the war he predicted, he was essentially marginalized as aviation expanded and America slowly recognized the need to build a world class air force.

Overall, for historical accuracy "The Court-Martial of Billy Mitchell" is solid on the central story and fictional on the margins.

This DVD transfer, however, borders on dreadful. Colors are washed out and voice levels shift slightly over and over. But it's well worth watching.

7/10.

This movie which is supposed to be about Billy Mitchell, an early proponent of air power and of his subsequent court martial for insubordination was entertaining, but as with most Hollywood productions which are made from true stories, was filled with errors.

During the first part of the movie, Billy Mitchell allegedly violated orders by using one-ton bombs that he was told not to use. That is a falsehood. Mitchell had permission to use the heavier bombs. In addition, in the movie, the general overseeing the bombing tests was a General Guthrie. There was no such person.

The movie showed Mitchell being reduced in rank for violating orders which was another falsehood. He was reduced in rank, but not for this reason. As previously stated, Mitchell had permission to use the heavier bombs.

The movie also portrayed Mitchell as being a bachelor, when in reality, he was married. In fact, pictures of Mitchell at his court martial show his wife sitting next to him!

The movie also showed Mitchell telling Congressman Reed, that he wouldn't go along with Reed wanting to challenge Army members of the court for prejudice. In reality, Mitchell had one general removed for that reason. After his removal, the general remarked that he and Mitchell were now enemies.

Just once, I wish that Hollywood, when making a movie of a true event, would make it like it really happened and stop changing things to suit what they want the public to see.

I think the biggest mis-casting was having Gary Cooper playing Billy Mitchell. The real Billy Mitchell was a firebrand who wasn't afraid to speak his mind. Cooper, in the movie, was more laid back and just didn't impress me as being the right actor to play Mitchell.

Apparently, the Mitchell family was not particularly pleased with this film. Some of it was because the star, Gary Cooper, was nothing like Mitchell...neither in temperament nor size. Still, it is a reasonably good movie...one worth seeing.

The story is about Billy Mitchell, an Army officer who deliberately sacrificed his own career because he strongly felt the military was unfairly discounting air warfare. For example, in some tests, his superiors deliberately rigged the procedings to make the airplanes seem ineffective against naval ships. So, to prove his point, he ordered his men to make a more realistic attack...which resulted in his demotion. Still, he pressed until ultimately he was court martialed for insubbordination. This film is about the events leading up to this trial and a major portion of the film is a recreation of the trial.

Considering I am a retired history teacher, I am thrilled that this forgotten period in history hasn't been completely ignored. While a few things here and there were altered for cinematic reasons, it generally sticks to the facts...something unusual for Hollywood. Overall, it's also pretty compelling and worth your time.