The Teckman Mystery

I wasn't as enamored of this as some. A biographer researching a book on a dead pilot falls for the pilot's sister.

As he gets further into the pilot's death and the aircraft he was flying, people start turning up dead.

The film stars John Justin as the author and Margaret Leighton as the pilot's sister.

The story is told by director Wendy Toye without much in the way of plot - it's very no-nonsense. That makes the different twists less confusing but not very exciting. If you're looking for tension, it's not there. John Justin, however, is appealing

I felt this could have been better. It didn't draw me in. For me there wasn't enough there there.

Helen Teckman and Philip Chance are strangers sitting next to each other on a plane. She's reading a book which happens to be authored by him. He's been assigned to write a biography of test pilot Martin Teckman who died a few months earlier and happens to be her brother. He returns home to find it ransacked. He starts investigating Martin's crash of an experimental plane.

The start is intriguing. The investigating goes slowly. It's a lot of sitting around and talking. With all the murders and deaths, one expects more thrills. It lacks kinetic energy and falters in intensity. The characters are more likely to have a long relaxing smoke or drink tea than get into a fight. Time and time again. The movie likes to dwell on their boring static conversations. It's slow and the style isn't much of anything. I'm still interested in the central mystery but the movie is not making it that exciting.

THE TECKMAN MYSTERY is the kind of programmer that routinely appears on television but regularly released in cinemas in the Forties and Fifties. It concerns a writer, Philip Chance who is asked to write a book about a recently-deceased pilot Martin Teckman. Initially reluctant to do so, he is drawn into a web of intrigue, organized by Martin's sister (Margaret Leighton), in which Martin is revealed to be not dead at all but the victim of a conspiracy that leads to his attempt to kill himself.

The film offers some good exterior shots of mid-Fifties London, with mercifully less traffic but plenty of secret areas where corruption thrives. The cast don't have too much to do with their roles: Justin acts the part of the debonair writer in more danger than he thinks, while Leighton is marginally too old for her role. Lovers of Fifties curiosities will note that this thriller is directed by a woman, Wendy Toye, one of the few British women to be operative at that time.

John Justin is a writer flying home to London to argue that he shouldn't write the biography of a test pilot whose plane crashed. As he sits on the plane, Margaret Leighton is seated next to him, reading a magazine with a story by him. They get to chatting and he discovers she is the sister of the pilot. He decides to write the book, but as he does his research, the people he wishes to speak to keep dying.

It's a nice little mystery, with director Wendy Toye adhering to many of the conventions of the British film genre, including the police actually knowing how to do their job. It's not a terribly deep mystery, but it does turn into an interesting movie in terms of suspense: The audience and Justin have all the clues they need, and Justin's inability to see the solution puts him at risk. It makes you want to shout at him.

In response to the review that felt this movie was slow: well, it didn't open with machine guns blazing, if that's what you mean.

For an older British espionage movie, this film actually moves along quite briskly.

If you like British movies, you are sure to like this. Even if you don't normally watch British film, you may well like this.

If you watched and enjoyed the original Tinker Tailor Soldier Spy, you will certainly enjoy this, as the action is sizzling in comparison.