Un dragueur s'intéresse à la fille du chauffeur de sa famille, mais son frère plus sérieux serait mieux pour elle.Un dragueur s'intéresse à la fille du chauffeur de sa famille, mais son frère plus sérieux serait mieux pour elle.Un dragueur s'intéresse à la fille du chauffeur de sa famille, mais son frère plus sérieux serait mieux pour elle.
- A remporté 1 oscar
- 7 victoires et 8 nominations au total
David Ahdar
- Ship's Steward
- (uncredited)
Raymond Bailey
- Member of the Board
- (uncredited)
Brooks Benedict
- Party Guest
- (uncredited)
Marjorie Bennett
- Margaret - Cook
- (uncredited)
Lovyss Bradley
- Office Worker
- (uncredited)
Ralph Brooks
- Party Guest
- (uncredited)
Avis en vedette
Billy Wilder, a genius when it came to adapting films from another medium, teamed up with Samuel Taylor, who wrote the play, "Sabrina's Fair", and Ernest Lehman, to create a a delightful comedy that will remain an old favorite because of the great charm the creative men imbued this movie with.
Some comments on this forum remark about the disparity of age between Humphrey Bogart and Audrey Hepburn. They all seem to forget that Ms. Hepburn played opposite with men much older than her, namely, Gary Cooper, Cary Grant, Rex Harrison, Fred Astaire, Gregory Peck, just to name a few. The actress was always effective and showed she had an enormous charisma no matter who was her leading man.
"Sabrina" looks as good today, as when it was first released thanks to the timeless black and white photography of Charles Lang. The big asset of the film was the unusual pairing between Humphrey Bogart and Audrey Hepburn. Both actors were wonderful together, as we witness in the film. William Holden, as the younger Larrabee, is excellent as well.
The film is a delightful comedy that, in comparison to Sidney Pollack's misguided and undistinguished attempt to bring it to the screen can't even compare with the witty and elegant film Mr. Wilder gave us.
Some comments on this forum remark about the disparity of age between Humphrey Bogart and Audrey Hepburn. They all seem to forget that Ms. Hepburn played opposite with men much older than her, namely, Gary Cooper, Cary Grant, Rex Harrison, Fred Astaire, Gregory Peck, just to name a few. The actress was always effective and showed she had an enormous charisma no matter who was her leading man.
"Sabrina" looks as good today, as when it was first released thanks to the timeless black and white photography of Charles Lang. The big asset of the film was the unusual pairing between Humphrey Bogart and Audrey Hepburn. Both actors were wonderful together, as we witness in the film. William Holden, as the younger Larrabee, is excellent as well.
The film is a delightful comedy that, in comparison to Sidney Pollack's misguided and undistinguished attempt to bring it to the screen can't even compare with the witty and elegant film Mr. Wilder gave us.
If they had cast a different group of actors to play Sabrina and the Larrabee brothers, I have a feeling that my overall feelings towards the movie would have been different. Sabrina truly succeeds on the weight of its acting. It takes a certain amount of talent to pull off the wit and charisma the script demands but in the end, Bogie ends up being Bogie, Hepburn is Hepburn through and through and Holden plays off both of them. Add a multi-talented supporting cast led, in my opinion, by the classic Walter Hampden and Sabrina becomes a classic Hollywood treat that you can enjoy whenever you're in the mood.
Sabrina returns from a two year trip for school to Paris. As the chauffeur's daughter to a wealthy business family, she fancies their younger son, who was not only her childhood friend, but is also the troublesome playboy of the family as well.
Although I'm skeptical of some of Sabrina's six Oscar nominations, it's hard to argue that it was a beautiful effort in a year dominated by Brando's On the Waterfront. Anyone curious about why Audrey Hepburn is revered the way she is should check out this movie and draw their own conclusions. Here she is surrounded by an accomplished cast, received an Oscar nomination for her acting, and is forever known as one of Hollywood's all-time greats according to many opinions.
Sabrina returns from a two year trip for school to Paris. As the chauffeur's daughter to a wealthy business family, she fancies their younger son, who was not only her childhood friend, but is also the troublesome playboy of the family as well.
Although I'm skeptical of some of Sabrina's six Oscar nominations, it's hard to argue that it was a beautiful effort in a year dominated by Brando's On the Waterfront. Anyone curious about why Audrey Hepburn is revered the way she is should check out this movie and draw their own conclusions. Here she is surrounded by an accomplished cast, received an Oscar nomination for her acting, and is forever known as one of Hollywood's all-time greats according to many opinions.
A lot of things work together to make this an entertaining and satisfying picture. With Billy Wilder's story-telling skill, Audrey Hepburn's unsurpassed charm, plenty of talent in the rest of the cast, and a worthwhile story, there is a lot of credit to go around.
The story is based the kind of interesting but slight premise that Wilder handles masterfully, and as a result the story is filled with both funny moments and thoughtful moments, all of which work well. There is a variety of well-chosen settings, always interesting but never pretentious.
Bogart and Holden both play their roles flawlessly. The two of them make an interesting combination with Hepburn, and it works even better than you could hope. John Williams also plays the proper English chauffeur as few others could have. There are also a number of good moments for the others in the supporting cast.
With all the other strengths, it may still be Hepburn's picture most of all.
In "Sabrina", she has a role that allows her quite a variety of scenes as her character grows and changes. It plays to all of her strengths, and makes Hepburn herself the most appealing aspect of an enjoyable and well-crafted picture.
The story is based the kind of interesting but slight premise that Wilder handles masterfully, and as a result the story is filled with both funny moments and thoughtful moments, all of which work well. There is a variety of well-chosen settings, always interesting but never pretentious.
Bogart and Holden both play their roles flawlessly. The two of them make an interesting combination with Hepburn, and it works even better than you could hope. John Williams also plays the proper English chauffeur as few others could have. There are also a number of good moments for the others in the supporting cast.
With all the other strengths, it may still be Hepburn's picture most of all.
In "Sabrina", she has a role that allows her quite a variety of scenes as her character grows and changes. It plays to all of her strengths, and makes Hepburn herself the most appealing aspect of an enjoyable and well-crafted picture.
The romantic comedy genre isn't one I usually gravitate towards but since it did star two of my all time favorite actors, Bogart and Holden, it was required viewing for me. I enjoyed the movie immensely despite some issues I had with the plausibility of Sabrina's transformation. The film is moving, thanks mostly to Linus's restrained courting and Sabrina's relationship with her father, and there are wonderful comic moments, thanks to Holden's perfectly timed wise quips and lighthearted nature which clash with the senior Larabee's pragmatism. Hepburn is as charming here as she is in Roman Holiday and Breakfast at Tiffany's. The ending makes perfect sense given David's commitment problems and the fact that in my opinion Elizabeth seems more alluring than Sabrina, though our heroine is perfect for Linus. Terrific film, 9/10.
Sabrina is a movie that was made for Audrey Hepburn. She is simply charming as the title character. The story is Cinderella like in that Sabrina, a chauffeur's daughter with a crush on the playboy son of her father's employer, goes to Paris and returns as a mature sophisticated lady who charms everyone she meets.
The picture is enhanced by the direction of Billy Wilder and the casting of Humphrey Bogart and William Holden (Why did they make him blond?)as the Larabee brothers who vie for Miss Hepburn's affections.
But the film is clearly Miss Hepburn's and one can see why she was one of the most beloved actresses of her time. Watch Sabrina and you too will fall in love with her. A marvelous film.
The picture is enhanced by the direction of Billy Wilder and the casting of Humphrey Bogart and William Holden (Why did they make him blond?)as the Larabee brothers who vie for Miss Hepburn's affections.
But the film is clearly Miss Hepburn's and one can see why she was one of the most beloved actresses of her time. Watch Sabrina and you too will fall in love with her. A marvelous film.
Le saviez-vous
- AnecdotesHumphrey Bogart was a last-minute replacement for Cary Grant (supposedly, Grant rejected the part because he did not want to carry an umbrella onscreen). Bogart and William Holden couldn't stand each other. Bogart disapproved of Audrey Hepburn (he wanted his wife Lauren Bacall in the role), while Holden fell in love with her. Bogart got $300,000, Holden got $150,000, and Hepburn only $15,000. Asked how he liked working with Hepburn, Bogart replied: "It's OK, if you don't mind making a dozen takes."
- GaffesSabrina slips her suicide note under her father's door. Even though she doesn't go through with the suicide, the note he would undoubtedly find should have to be dealt with.
- Citations
Baron St. Fontanel: A woman happily in love, she burns the soufflé. A woman unhappily in love, she forgets to turn on the oven.
- ConnexionsFeatured in Precious Images (1986)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Cô Phù Thủy Nhỏ Sabrina
- Lieux de tournage
- George Lewis Mansion - Benedict Canyon Drive, Bel Air, Los Angeles, Californie, États-Unis(Larrabee estate, demolished in the 1960's)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 238 813 $ US (estimation)
- Brut – à l'échelle mondiale
- 3 985 $ US
- Durée
- 1h 53m(113 min)
- Couleur
- Rapport de forme
- 1.75 : 1
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