The Fake

"The Fake" is a British film made in 1953 and features two American leads, film noir stalwarts Dennis O'Keefe (T-Men, Raw Deal) and Coleen Gray (The Killing).

O'Keefe plays an American detective who is in charge of guarding a masterpiece painting by Leonardo da Vinci during an exhibition at London's famous Tate Gallery. Gray plays the American daughter of a somewhat destitute British painter who never received the artistic recognition he deserved and who arouses O'Keefe's suspicion.

O'Keefe is investigating the theft of two other da Vinci masterpieces that had occurred earlier in Florence and New York. In both cases, the paintings were stolen and replaced with near-perfect forgeries as cover-ups. O'Keefe suspects something similar is bound to happen at the Tate Gallery, which would give him a chance to catch the thief and cash in on a $ 50,000 reward. Problem is, while he suspects Gray's father to be involved in the art forgery scheme, he also falls in love with her.

While certainly no film noir, the movie does use some typical and nice to look at noirish lighting techniques. The film's pace and storytelling is more American than British and O'Keefe and Gray do a credible job, although neither gets much of a chance in terms of character development, not to mention the other actors.

The Tate Gallery footage seems to have been shot on location, which lends the picture an air of authenticity. A splendid touch is the use of variations on Mussorgsky's famous composition "Pictures At An Exhibition" for the musical score.

While "The Fake" is certainly no masterpiece, it does keep the viewer interested while it lasts. Being both an O'Keefe and a Gray fan, I give the movie 7 out of 10 points.

Dennis O'Keefe stars in "The Fake," a 1953 film set in London. There are a lot of these films from the '50s featuring an American or two, such as Cesar Romero, in a British mystery.

O'Keefe plays Paul Mitchell, who is checking on the security of the Tate Gallery (with scenes actually filmed there) as the gallery gets ready to show Da Vinci's Madonna and Child. He is also interested in the $50,000 reward for two other stolen masterpieces where the paintings in their place were found to be fakes. He begins to suspect that the father of an employee (Colleen Gray), who is an accomplished painter, might have painted the fakes. But for whom? This is a pretty good mystery with a nice upbeat performance by the affable O'Keefe, and it's always great to see Colleen Gray in anything. For my money she was underused by Hollywood.

These types of films are usually quite enjoyable and atmospheric, and also on the short side. They make for good watching.

Most valuable today for it's record of early fifties London in general and the Tate Gallery in particular (an unlikely place to show a Da Vinci, by the way), the soundtrack is probably the most imaginative thing about it, from the gallery acoustics to the Mussorgsky score.

It is well written with qualified actors, but it's not just a thriller about forgeries and thefts and the madness of a great art collector and lover gone wrong. The most interesting story here is the tragedy of the artist, John Laurie, who is a perfectly honest and meticulous artist who knows his profession and tries hard to stick to his good decent work, but he never reaches recognition and is ruthlessly used by art parasites which dilemma leads to his ruin. Fortunately though he achieves some posthumous triumph by in his last painting giving away his profiteers by presenting it with a clue and a lead, which saves more lives than one. The film is mainly shot within the Tate Gallery, which provides many fascinating scenes and shots, and for music the film makes use of Mussorgsky's "Pictures at an Exhibition" aptly enough and no other music. You might object against two Americans given the leads, Dennis O'Keefe and Colleen Gray, in this very British museum drama, while all the English actors are rather played down, even Hugh Williams. Nevertheless, as an art thriller it is interesting indeed and better than most art thrillers.

Dennis O'Keefe shines as a detective hired to protect a famous da Vinci painting on exhibition at the Tate in London. Later, he engages himself in trying to uncover an art forgery ring to cash in on a $50,000 reward. Hugh Williams, Guy Middleton, John Laurie, and Coleen Gray are marvelous in support. I love the way "Pictures at an Exhibition" is used as the soundtrack through the film. IMO grossly underrated on this site for reasons that aren't totally clear. This is another solid O'Keefe vehicle to go along with "The Leopard Man", "Lady of Vengeance", and "T-Men" in which I have enjoyed his performances.