Wings of Danger

"Wings of Danger" is a disappointing Hammer film directed by the cult-director Terence Fisher. The plot of blackmailing and smuggling is messed and weak despite the expectations of the fans. There is nothing to highlight in this forgettable film. My vote is five.

Title (Brazil): "Asas do Perigo" ("Wings of Dnger")

The first Hammer noir I saw was the excellent Hell is a City; and it's a good job too because if the first one I saw was one of the ones I saw after Hell is a City, I probably wouldn't have bothered watching any more! Wings of Danger is directed by Hammer veteran Terence Fisher, who also directed the disappointing Hammer noir The Stranger Came Home. This one is actually slightly better, but there's not a lot in it. Wings of Danger focuses on cargo plane pilot Richard Van Ness. He tries to stop another pilot from flying due to the weather, but is blackmailed into allowing it. The plane crashes and this leads the police to begin questioning Richard about his own affairs. The film is very short at only seventy minutes, and I do have to say that's a good thing because any longer and I've have gotten really tired of it. The plot is always at least fairly interesting and the film does manage to present a handful of interesting characters. The dialogue can be a little suspect at times, but that's not such a bad thing as it's often unintentionally comedic. The film holds the audience's interest for the duration and boils down to an interesting and satisfying conclusion. Overall, I really wouldn't recommend this film, though I wouldn't say it's awful either.

Taking advantage of arrangements favoured by the UK's Eady levy (a state film subsidy established after the war) in 1950, American producer Robert Lippert formed a business alliance with Hammer studios. Under the agreement, Lippert would provide American acting talent - frequently shop-worn stars or just supporting actors who fancied a profitable trip out of the country - while Hammer would supply the rest of the cast and the production facilities. Together they would split the profits. Famous for his concern with the bottom line, Lippert produced over 140 films between 1946 and 1955, characteristically genre pieces such as I Shot Jesse James or Rocketship XM. For the British deal, most of the films were noir-ish thrillers - and include WINGS OF DANGER.

Zachary Scott does a professional enough job as a pilot who faces disaster through suffering unpredictable blackouts. To add to his woes, when his girlfriend's brother appears lost in a cargo plane accident, he falls into a police investigation over blackmail, counterfeiting and smuggling. Robert Beatty and Kay Kendall support in a solid tale never less than watchable, even if not ultimately memorable. Light tramlines from the source print are evident at some points - unusual for a set with generally good picture quality. Kendall seems out of place as a minor femme fatale, too nice to communicate the double-crossing her character demands. Scott's most important noir roles previously were probably Ulmer's Ruthless and Mildred Pierce; here the actor is not helped by fairly anonymous art direction and by a story never really bringing out his internal conflicts.

For the most part drab and talky, it shows evidence, however, of Hammer upgrading their product. This particularly shows in the female contingent with Diane Cilento receiving an 'Introducing' credit and the funniest line going to Kay Kendall: "It's your own fault. You shouldn't go around murdering people!"

"Dead on Course" is sort of like an American film noir movie but made in the UK. And, like many European films from the 1950s, they lured an American actor (Zachary Scott) to star in the film-- presumably to give the film greater international marketability. Unfortunately, it's still a relatively bland film.

Richard (Zachary Scott) is a pilot working for his small air transport company. His friend, Nick, knows Richard's secret--that he occasionally blacks out due to some old injury! So using this as leverage, Nick takes off in a plane during crappy weather---and the plane crashes. What follows is a dark story involving smugglers and Richard trying to sort out who his real friends are.

The best thing about this film is Zachary Scott and his dialog. It's pure noir--and works very well. But the rest of the cast all seem very dreary--with limp dialog and an almost complete lack of menace. Not terrible...just not all that interesting.