Ajouter une intrigue dans votre langueA Los Angeles bank assistant-manager devises a plan to steal money from the bank's vault and to flee to Brazil with his unsuspecting wife.A Los Angeles bank assistant-manager devises a plan to steal money from the bank's vault and to flee to Brazil with his unsuspecting wife.A Los Angeles bank assistant-manager devises a plan to steal money from the bank's vault and to flee to Brazil with his unsuspecting wife.
- Raglin - Bank Teller #2
- (as Bill Hudson)
- Cleaning Woman
- (uncredited)
- Man in Barber Chair
- (uncredited)
- Bank Teller
- (uncredited)
- Bank Teller
- (uncredited)
- Airplane Passenger
- (uncredited)
Avis en vedette
Cotten has a likable everyman quality about him, so as he decides one day to make his day dream become a reality it's easy for the audience to identify with him. Yes, he's breaking the law and by all the moral codes of society he is wrong to do so. Yet we can't help but root for him because of the intelligence and audacity that his character displays.
This film is quite suspenseful at times and tightly paced by director Andrew Stone. It's a short little 85 minute feature and doesn't waste any time in telling it's simple but involving tale, with all the unexpected complications that arise threatening to scuttle Cotten and his plans for a new life with all that loot.
Since The Steel Trap was made in the '50s when the Hollywood production code dictated that no film character can attempt such a plan without paying a price for it, I was pleasantly surprised at the film's resolution, which I found to be both unexpected and satisfying.
One more thing for film noir buffs. Visually The Steel Trap has none of the chiaroscuro lighting effects that we so love about '40s noirs. In fact, the visuals of this film are the least of its virtues. The emphasis is upon plot development and, increasingly as the film progresses, its pacing. The film also reunites Cotten with his Shadow of a Doubt co-star, Teresa Wright. Wright gives a lovely performance (the moral conscience of the film) as Cotten's wife who initially hasn't got a clue as to her husband's plans. Her character eventually turns out to play an important role in the flow of the narrative.
Joseph Cotten was a fine actor, capable of playing a smooth talking charming psychopath (Shadow of a Doubt) as well as personifying an everyman, as an earnest, slightly awkward leading man (The Third Man). He also gets my nomination as the actor who possibly appeared in more outstanding Hollywood productions during the 1940s than any other.
While The Steel Trap hardly rates among Cotten's best films, it does have something in common with the actor, that of being good, largely neglected and underrated.
'The Steel Trap' didn't disappoint at all. Completely agree with all of the users that have written of the film favourably and don't have an awful lot to add to their very well expressed reasoning. It may not quite be a classic and it is not quite on the same level as, briefly comparing, 'Shadow of a Doubt', but 'Steel Trap' is a fine example of a very good film with many brilliant elements. One of the better films seen for the first time this week on the whole in a mixed bunch quality-wise.
By all means the film isn't perfect. To me, it was too dimly lit in spots.
While unexpected the ending was a bit too abrupt and didn't quite gel with the rest of the film. It is true that there are some ridiculous spots, but to me it was not near as improbable as has been made out by some.
Any of those not so convincing spots are more than compensated and outweighed the literally non-stop high level of suspense, with the heisting being especially well staged and suitably panic inducing. The story is a very clever one and never felt too obvious or too convoluted with plenty of diverting and surprising turns. The script is tautly structured and has plenty of intriguing and entertaining lines. The direction is always efficient and stops the film from becoming dull or routine.
Despite the lighting being on the dim side, the photography is suitably stylish and has atmosphere. Dmitri Tiomkin's score is a mix of cheerful (in spots) and ominous with typically lush orchestration. Both Cotten and Wright are excellent. Especially Cotten, who balances fraught intensity and easy going likeability adeptly, one oddly roots for him but is freaked out by him at the same time. Wright's role is less interesting but she is appealing in it, the two scintillate together. The supporting cast are all fine but not quite on par with the leads.
Concluding, very good. 8/10
The film made a lasting impression on me, especially the New Orleans setting, as I was living there at the time. The scenes were all familiar places and very nostalgic, bringing to mind the New Orleans I remembered from my childhood of the early 1950's. All of the New Orleans characters and extras spoke in an authentic New Orleanean manner and had the "look" and style of locals.
The dramatic tension in the film was almost unbearable, with Joseph Cotton performing a masterful ex post facto narration. This added to the suspense of the film. It certainly prevented me from taking my planned nap. After the film ended, there was no chance of going to sleep--I was totally awake and mentally back in "the big easy."
I've never been able to locate the film for viewing again, but hope that Netflix or Blockbuster will one day have it available. Apparently, TCM doesn't have it in their portfolio. If you ever get a chance to watch this film, don't miss it--a real noir thriller!
Le saviez-vous
- AnecdotesThis is the second movie that Joseph Cotten and Teresa Wright appeared in together. They were previously in Alfred Hitchcock's L'ombre d'un doute (1943) as uncle and niece.
- GaffesSeveral times it is noted by airline personnel that the suitcase with the cash weighs 115 pounds, and yet neither Cotton nor others who handle it have any trouble picking it up, as if it weighed no more than 30 or 40. Picking up 100 pounds with one hand, without straining, is not easy, and cannot be done without showing effort.
- Citations
[first lines]
[as the film begins, a family of three can be seen exiting a house, a man, a woman, and their daughter. This is Jim Osborne, his wife Laurie, and their daughter, Susan. They can be seen approaching a car and entering it. As this is going on, Osborne can be heard narrating]
Jim Osborne: I left the same house at approximately the same hour every working day for over eleven years...
[the camera then fades to a scene of Jim arriving at a train station, where he can be seen walking up to a train]
Jim Osborne: I caught the same car...
[the camera fades to show Jim exiting a station in the city]
Jim Osborne: I emerged from the same terminal and dodged the same traffic...
[the camera then fades to show Jim rounding a street corner]
Jim Osborne: Rounded the same corner...
[the camera than shows Jim walking up to a bank and entering]
Jim Osborne: Entered the same bank...
- ConnexionsReferenced in Screen Directors Playhouse: The Final Tribute (1955)
Meilleurs choix
- How long is The Steel Trap?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Panic Stricken
- Lieux de tournage
- Bourbon Street and Bienville Street, New orleans, Louisiane, États-Unis(In front of The Old Absinthe)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 25 minutes
- Couleur
- Rapport de forme
- 1.37 : 1