Road to Bali

Trying to avoid shotgun weddings, two entertainers (Bob Hope, Bing Crosby) run away and take jobs as deep sea divers. This leads them to Bali and princess Dorothy Lamour. Inevitably both guys vie for Dorothy's affections while tangling with bad guys and a giant squid.

Routine 'Road' picture with the notable difference of it being in color. Hope and Crosby are always fun, especially when they break the fourth wall. Lamour is lovely in color. This was her last film for ten years. Some of the gags are tired but there are still lots of yuks. Also some decent songs. Overall the likable personalities of the trio keep it afloat. Jane Russell, Martin & Lewis, and Humphrey Bogart (through African Queen footage) all have cameos. There is one rather odd sequence where Dorothy dreams of her childhood pet monkey and we see a real chimp wearing a very creepy Bob Hope mask.

On a scale of one to a million this rates about a 999,999 on the silly scale. In colour and with beautiful production values ROAD TO BALI made in 1952 contains as many up to date movie and social references as an encyclopedia written by Ludwig Von Drake. In a huge theatre these ROAD films must have lifted the roof with laughter, and as a DVD diversion in 2006 any of them can be a generous and loony mood lifter. There is actually many laugh out loud moments still to be had even if you weren't born or aware of life in the early 50s. THE ROAD TO BALI (pronounced "Bally" by Americans; "Barley" by the rest of us) is basically flat-out hilarious with quips and ad libs galore. Even if you cringe at Bing Crosby as I do, there is enough genuinely funny lines and situations and terrible gags to overwhelm you...much like THE PRODUCERS released this year insists we find it relentlessly dementedly funny. To me Bob Hope has always been Daffy Duck (Groucho Marx was Bugs Bunny) and it is his vaudeville lunacy that carries Crosby inbetween squabbling over Lamour and pushing through all parts of the set. This film has some excellent special effects, very admirable for '52. A hilarious cameo from Jane Russell is the cherry on the icing. Some big dance scenes are an added bonus. Fun fun and demented fun. What a year 1952 was for hilarious films (look 'em up).

In this very lighthearted comedy, Bob and Bing ham it up in the South Pacific, in search of women and adventure. The plot, which involves deep-sea diving for sunken treasure, is super shallow ... so to speak. But of course the film is just an excuse to highlight the talents of the comic and the crooner. And talent they had. But here, neither the jokes nor the songs are memorable. Fortunately, Dorothy Lamour is on hand to spice things up. The sets are mildly interesting, in a tacky sort of way.

For me, the real value of the "road" movies is the perspective they bring to cinema viewing. My ... how movies have changed in fifty years, and not necessarily for the better. "Road To Bali" wouldn't fly today ... or float, for that matter. But for fans of Hope and Crosby, the film is a pleasant, harmless diversion, a reminder of a more innocent, bygone era in film-making.

ROAD TO BALI (Paramount, 1952), directed by Hal Walker, reunites the famous trio of Bing Crosby, Bob Hope and Dorothy Lamour in another wild and crazy adventure for their sixth "Road" outing. Having traveled through "Singapore" (1940), "Zanzibar" (1941), "Morocco" (1942), "Utopia" (1945) and finally "Rio" (1947), with a lot of other territories to explore such as Borneo, Venice or even outer space, the writers came up with "Bali" as their next stop. With newfound surroundings, added Technicolor and surprise guest stars along the way, the material supplied, though hardly original, was no doubt quite popular in its day.

Opening with a commentary and visual over the map of Australia leading to the city in Melbourne, the story gets underway in a vaudeville house where American entertainers, George Cochran (Bing Crosby) and Harold Gridley (Bob Hope), longtime pals, are performing. Back stage are a couple of angry fathers with their daughters to whom these guys proposed, but each having no intention of marrying. Making their getaway, they soon end up on a train from which they jump out to avoid another angry father, ending up in a far away place surrounded by sheep. Arriving in another city as part of a cargo of sheep, the bearded George and Harold agree to accept jobs from Ken Ahok (Mervyn Vye) working as deep sea divers (with Harold doing the underwater job) to help locate buried treasure. Upon their arrival on an island paradise, the boys encounter Ahok's cousin, Lalah (Dorothy Lamour), a princess of Scottish descent. Because Ken Ahok happens to be responsible for the deaths of his previous divers, with intention of doing the same for these Americans, Lalah warns them that their mission means certain death. After Harold dives for and acquires the buried jewels, the trio break away from Ahok's murderous cutthroats and set sail out for Bali. While on the tropical island, further danger and numerous surprises awaits.

A movie being more fantasy than its intended South Seas island spoof, the film's best moments are its opening 20 minutes. In spite of every effort made turning out a great 91 minute comedy in the tradition of ROAD TO MOROCCO or ROAD TO UTOPIA, this latest "Road" installment grows tiresome long before it's all over. Crosby the con man, Hope the stooge, and Lamour the sarong girl in the middle, revive their past "Road" adventures with much familiarity, continue acting like over-age kids with their one "paddy cake" routine along with an assortment of ad-libs. In-jokes are put to the maximum this time around, some at a total loss for viewers today. Best bits however, are Hope and Crosby surrounded by beautiful maiden girls. An agonizing groan is heard off screen: Crosby: "What was that?" Hope: "It's Errol Flynn. He can't stand it." Or a clip insertion of Humphrey Bogart hauling The African Queen. (I thought Bali is in Indonesia!) Then there's Bing Crosby's brother Bob doing his bit with a "shot in the picture," along with Dean Martin and Jerry Lewis, as well as Jane Russell in some amusing bits. There's also a running gag throughout the film where the boys play a flute to see what slowly grows out of the basket. Murvyn Vye makes a fine villain, but it would have been nice having Anthony Quinn ("Singapore" and "Morocco") back for old times sake.

Musical interludes are a tradition in the series, with new score by Johnny Burke and James Van Heusen, including: "Chicago Style" (sung by Bing Crosby and Bob Hope); "Moonflowers" (sung by Dorothy Lamour); "Hoot-Mon" (sung by Hope and Crosby in kilts, performed by handmaidens and warriors); "To See You" (sung by Crosby); "The Merry-Go-Round Around" (sung by Bob Hope, Dorothy Lamour and Bing Crosby); "Moonflowers" (reprize by Lamour); and "Wedding Chant" (natives). For Crosby's solo, Hope faces the camera addressing the theater audience that it's time for them to step out and get some popcorn.

Having fallen to public domain, poor quality prints of ROAD TO BALI have turned up on home video and DVD over the years. Better prints available happen to come from cable channels American Movie Classics and Turner Classic Movies. Being a Paramount film, notice the TCM print with both Columbia and Paramount studio logos for its introduction.

ROAD TO BALI almost became the final "Road" adventure. Ten years later, an attempt was made to revive the formula, being THE ROAD TO HONG KONG (United Artists, 1962), starring Crosby and Hope with Lamour strangely reduced to cameo appearance. Overall, any movie that can make a "monkey" out of Bob Hope, can't be all bad. (***)

One of the actors making a cameo in Road to Bali is missing from the credit list--Humphrey Bogart! Bogie is seen pulling "The African Queen" through the marsh just as he did in the movie "The African Queen"! This film is full of site gags like the earlier Road pics, including Martin and Lewis in a dream and Bing's brother Bob shooting wild game! There have been various versions of this film released on video. TCM just showed a great copy in its original form with the Paramount logo. Earlier versions had cut the logo. This film must have fallen into public domain since it was produced by Bing (and Bob?) and only released by Paramount. The interesting thing about the new TCM version is that it has an early-'50s Columbia logo at the start! They must have gained access to it as the did Road to Rio years earlier.