Million Dollar Mermaid

Esther Williams and that the water ballet sequences were choreographed by Busby Berkeley were my two main reasons for seeing 'Million Dollar Mermaid'. As well as that Annette Kellerman's story is an interesting one.

While highly fictionalised as a real-life biography (not unexpected, this was true of a lot of film biopics made then and it's a trend that still hasn't gone away with a few exceptions), 'Million Dollar Mermaid' (aka 'The One Piece Bathing Suit') as a piece of entertainment or a film in its own right is a good film and one of Williams' better films by quite some distance.

As for Williams herself, she is captivating and really does radiate a million dollars. Not just in the water, where her aquatic skills are second to none, but she gives a heartfelt and committed out of the water too. She is well supported by handsome Victor Mature (who really does try to inject charm and energy into a character written in a way not worthy of those attributes), very amusing and sympathetic Jesse White and endearing Walter Pidgeon.

Berkeley is another star here, the aquatic sequences are wonderfully ornate, exquisitely shot and simply jaw dropping to watch, actually being better than the term "aqua spectacular". Anybody looking for a contender for the best aquatic sequences in an Esther Williams film, or even on film full-stop, 'Million Dollar Mermaid' is a definite contender.

'Million Dollar Mermaid' looks beautiful, with lavish cinematography (especially in the aquatic sequences), big, bold, rich colours and opulent costumes and sets, even if the studio's version of England has to be seen to be believed. The music is always pleasant to listen to, while the script avoids being too frothy, sentimental or cheesy and is actually tight, sometimes amusing and sometimes heartfelt. Even though fictionalised (with some glaring inaccuracies and omissions that one wishes were in the film), the story still has a high nostalgic value and emotional impact and is much more eventful and sincere than most of the usual stories in Esther Williams' films.

Not without faults. 'Million Dollar Mermaid' does go on slightly longer than necessary and drags ever so slightly in places where the drama sags a little. More of a problem was that the chemistry between Williams and Mature could have been more believable and not as ill at ease, not Williams' fault nor Mature's but more to do with the very unsympathetic and caddish way that the latter's character is written in.

Overall, a good film with Williams radiating a million dollars. 8/10 Bethany Cox

Wonderful film exhibiting the talents of Esther Williams portraying swimming Annette Kellerman at the turn of the 20th century.

The water sequences were never lovelier and the story of Kellerman, who overcame adversity as a young child, was remarkable.

Victor Mature is in fine form as her promoter and eventual lover, Frank Sullivan. Jesse White brings his comic relief as Sullivan's side-kick and Walter Pidgeon is endearing as her father.

Coming from Australia to star in the Hippidrome and other features, Kellerman exhibited outstanding talent in her swimming career while at the same time trying to maintain her dream of being a ballerina. Ballet star Maria Tallchief brief appears as the legendary Pavlova in the film.

When professional differences end her romance with Sullivan, Kellerman really makes it on her own thanks to the help of David Brian, as the head of the Hippidrome.

While the tragic accident she had while making "Neptune's Daughter" in Hollywood almost cost her her life, it brings on a wonderful moving ending.

This is a highly entertaining film.

In Australia, little Donna Corcoran (as little Annette Kellerman) swims to overcome polio. Supported by father Walter Pidgeon (as Frederick), she becomes a little swimming champion. The cute girl quickly grows up to be attractive trophy-collecting Esther Williams (as the adult Annette Kellerman). She meets manly Victor Mature (as James "Jimmy" Sullivan) and goes to America. Mr. Mature puts her in a shocking one-piece bathing suit and Ms. Williams is accused of "indecent exposure." They are mutually attracted, but Williams must listen to Mature tell her:

"Wet you're terrific, dry you're just a nice girl who ought to settle down and get married."

Understandably, this nervy line puts a cramp in their romance. Williams also attracts "Hippodrome" owner David Brian (as Alfred Harper). While not classically handsome, kangaroo-trainer Jesse White (as Doc Cronnol) gets no action; he's faithful, supportive and funny, but apparently not Williams' type. All this silliness is based on a few facts from the real turn-of-the century celebrity Annette Kellerman's life. The original "Million Dollar Mermaid" was also famous for appearing for the public in only her "birthday suit" - but this biography keeps Williams' Kellerman modestly covered.

Stick around for the sensational aquatic scenes. This is where Williams, choreographer Busby Berkeley, and cinematographer George J. Folsey really shine. They didn't do it alone, of course, as the MGM production team employed hundreds of hard-working helpers. Ballet dancer Maria Tallchief (as Anna Pavlova) and one of the seemingly endless cute Corcoran kids are additionally noteworthy. Young Donna won a "Film Daily" acting nomination in their juvenile category, Mr. Folsey's color photography received "Academy Award" consideration, and Williams drew in the crowds.

****** Million Dollar Mermaid (12/4/52) Mervyn LeRoy ~ Esther Williams, Victor Mature, Walter Pidgeon, David Brian

I've heard that this movie was not a completely accurate story of the life of Annette Kellerman. Since I don't really know her story, I cannot say, but I did enjoy this film, as I've enjoyed all of Esther Williams' films. Esther Williams is the most wonderful, beautiful, sweetheart of a girl to watch. Even when she gets upset (which is never that often cause she always has such good spirits), she still seems so nice and innocent. And her swimming is always a joy to watch. In "Million dollar mermaid", Esther starts off as a little girl who is overcoming polio. She still can't walk straight, but she tries to swim. And she does it pretty well for the first time. Her father is concerned at first, but then really admires her determination and decides he will be right there with her.

As she's grown up, we see Esther as a terrific swimmer and diver. One scene in particular, Esther gets in trouble on a NY beach for indecent exposure. She is wearing a one piece bathing suit that shows all of her arms and about 75% of her legs, but nothing else. I know that this film takes place at the turn of the 1900s, but it's still jarring to see a woman making such a scene and getting arrested for that when today you've got topless women all over the beaches of Europe (and the Caribbean and Miami) wearing absolutely nothing but the tiniest g string bikini bottoms.

As the film continues, we see her achievements, first as Esther swims all the way down the Thames in London to Greenwich, and then her performing at the Hippodrome in New York. She does some dazzling numbers there such as flipping around underwater, sitting in a giant clamshell with a pearl, jumping off a 50 foot high platform ( the platform itself is so beautiful, it's like a tall thin vertical waterfall). I heard somewhere that she badly injured herself one time rehearsing that scene when she jumped from that platform. And they had to stall film production while she recovered. Esther's father was the maestro of the orchestra playing during her water shows. One night, there's a tragedy with her father during one of her shows just while she was getting in the clam. Another time, a tragedy happened with Esther while in a water tank and the glass of the tank cracked and broke. Thank God, she recovered. There's also a subplot in this film of a friend of Esther's who's trying to fly his plane around the world, and there's also a part with a kangaroo. And the very best of all of Esther's water ballets is here. Starting with a lot of her crew and herself jumping from these high flying trapeze bars just swinging out of these pretty colorful clouds, some brilliant overhead patterns of Esther and the girls in the water, along with other terrific plays such as Esther and the girls wearing dazzling, sparkling crowns as they're slowly coming out of the water. This was a great film. There has never been anyone else quite like Esther Williams. She was amazing and wonderful. And like Mickey Rooney, she only left us a few years ago (both in 2013), both living into their 90s. There were sadly, the last of the wonderful surviving Golden age celebrities. Esther Williams and Judy Garland were both the most wonderful women ever to grace this earth. They were both angels. Judy, sadly hasn't been with us since 1969, and Esther, now sadly has left us too. Dear God, please take the best care of these two wonderful angels in heaven. Someday when it is my time for God to take me, perhaps I will see both Judy and Esther up there.

Entertaining biopic of Annette Kellerman, an Australian swimmer turned vaudeville and early Hollywood star. Esther Williams is a natural fit for the role and does a fine job. Of course, it's an old-school Hollywood biopic so there's more fiction than fact in their telling of Kellerman's story. That sort of thing never really bothers me but it does some so be advised ahead of time this isn't a documentary. Esther is lovely as ever and has some excellent aquatic numbers choreographed by the great Busby Berkeley. A couple of these numbers are classics that every Esther fan will want to see. The rest of the cast, including Walter Pidgeon, Victor Mature, and Jesse White, is solid. The only problems are that the movie is overlong and the romance with Mature is less than exciting. But it's Esther Williams swimming in Technicolor and that definitely needs to be the headline.