Le faucon d'or

Sterling Hayden is surprisingly good as a dashing privateersman and even good-looking for a change, and he plays his part well with many fights with swords and fists, in which as usual everything around is smashed to pieces. Rhonda Fleming matches him well with equal dashing merits and no less eager for fights and violent settlements. The colours are splendid, so are the costumes, and there are many rowdy scenes with drunken sailors and loose women and everything you could want from a film of wild buccaneers. The story is about the seizing of a town called Cartagena in Spanish South America which enterprise is not entirely successful. Still, the film is definitely worth watching for its great entertainment value and magnificent display of colourful life at sea among very robust pirates,

This Sam Katzman production is actually pretty good, considering the talent in front of the camera and the botched story. Sterling Hayden shows some life as a French privateer and, considering the by-the-numbers acting -- which seems to concentrate more on the clarity of the words than the subtlety of the emotions -- even Rhonda Fleming as another pirate captain with whom he is in love, is pretty good.

The best part of the movie, however, is provided by William Skall's cinematography. A Technicolor specialist, he keeps the camera moving in a lively fashion throughout and seems to have settled on 17th Century Dutch painting, with frequent Rembrandt-like dark backgrounds and muted tones for a lot of shots. This was something you could do with Technicolor, playing around with the chroma of the prints, that was lost when Technicolor fell out of fashion, that has only recently been restored to modern movies by computer techniques.

There isn't much that will surprise anyone familiar with pirate movies, but the overall effect is worthwhile.

Although Rhonda Fleming and Maureen O'Hara were both Titian-tressed beauties whom technicolor was seemingly invented, O'Hara was known for playing the kind of parts that she would have been playing in The Golden Hawk, that of a lady pirate. I wonder if Sam Katzman sent this script to the wrong redhead or he couldn't get O'Hara and settled for Rhonda Fleming.

As history I really couldn't quite figure out just when The Golden Hawk is taking place. We've got Spanish pirate John Sutton, French pirate Sterling Hayden, and English lady pirate Fleming. Add to that Helena Carter who is the promised bride of Sutton who Hayden holds for a ransom at one point. So we've got the nationalities straight, but I couldn't figure out the time and place historically for how these alliances seem to shift and change.

As for the casting these are all competent players, but Sterling Hayden is as French as Anna May Wong. As for Sutton, fine actor that he is why didn't Sam Katzman go get Gilbert Roland who would have been believable. Maybe he did and Roland turned him down.

The hidden plot gimmick is that there's something going on between Sutton and Hayden which I can't reveal. There are some nice battle sequences, but that's the best thing The Golden Hawk has to recommend it.

Maureen and Gilbert dodged a bullet with this one.

Rhonda Fleming cuts a comely figure in the publicity pictures as a lady buccaneer named Captain Rouge in blouse, thigh-high boots and wielding a sabre. Sadly in the picture itself she spends most of her time in petticoat and frocks; just as the action is mostly confined to the soundstage. Although given the opportunity she demonstrates her ability to wield a mean bottle.

The weight of most of the swordplay instead falls upon the broad shoulders of Sterling Hayden; although as usual he looks as though he would rather be somewhere else, especially as Miss Fleming's method of saying 'No' to his advances is to discharge a pistol.

Directed by a specialist of this kind of topics, Sidney Salkow already gave us RAIDERS OF THE SEVEN SEAS and PRINCE OF THE PIRATES too. Besides, Columbiia Pictures also provided such films: LAST OF THE BUCCANEERS. This is not at the scale as SPANISH MAIN, ANNE OF THE INDIES nor BLACKBEARD THE PIRATE, but it can esaily match AGAINST ALL FLAGS, BUCCANEER'S GIRL (Universal Pictures and CARIBBEAN (Paramount Studios). I was surprissed to see Rhonda Fleming here, she who was under contract - if I am right - with Paramount whilst Yvonne de Carlo was at Universal for this kind of material. So this film is a good surprise for pirtes movies buffs, despite the producer Sam Katzman whose it is one of his best efforts, compared to what he gave us with director Bill Castle for instance. Great scenes or fighting for such a low budget.