Ajouter une intrigue dans votre langueWilliam fires an arrow, barely missing Popeye; then tells Popeye that he has just lost his son in an unfortunate arrow incident (the picture of his son is Groucho Marx). Tell then defies the... Tout lireWilliam fires an arrow, barely missing Popeye; then tells Popeye that he has just lost his son in an unfortunate arrow incident (the picture of his son is Groucho Marx). Tell then defies the king and is ordered to shoot an apple off his son's head; Popeye stands in for his son. T... Tout lireWilliam fires an arrow, barely missing Popeye; then tells Popeye that he has just lost his son in an unfortunate arrow incident (the picture of his son is Groucho Marx). Tell then defies the king and is ordered to shoot an apple off his son's head; Popeye stands in for his son. The arrow goes astray, but it hits Popeye's can of spinach.
- Directors
- Writer
- Stars
- High Governor
- (voice)
- (uncredited)
- Popeye
- (voice)
- (uncredited)
- …
- William Tell
- (voice)
- (uncredited)
Avis en vedette
Dave Fleischer is credited as the director, but it's Shamus Culhane who does the honors. It shows with a fluid and clean style of animation unusual for the series. The gags are also unusual, with the King's soldiers looking like and behaving like Keystone Kops, and a lack of the small gags that usually filled the Popeye cartoons.
The Fleischers' studio was busy with the aftermath of their first feature, GULLIVER'S TRAVELS, and the forthcoming MISTER BUGS GOES TO TOWN. In fact, the new series started at this time showed the same streamlined work.
BEWARE OF CRUDELY REDRAWN COLORIZED VERSIONS!
Despite not being close to being one of my favourites of the series or of the work Fleischer Studios did overall, 'Popeye Meets William Tell' does a nice job with its premise, is very entertaining and is quite interesting. It may not be a great cartoon, or one of the series' funniest or most imaginative, but 'Popeye Meets William Tell' was interesting and entertaining to see such a wacky, more absurd to usual side to the character and the series.
Of course it is far from perfect. Do agree about an explanation for why Popeye was in England and during this period being necessary, and do think that it was a shame that that wasn't explored as it would have made things a little less absurd than it turned out. While the wackiness was generally fun, the action did get a little too weird in spots from the silliness going into overkill.
It is agreed too that 'Popeye Meets William Tell' could have done with more laughs. It's certainly not devoid of any but there are not many that are that inspired or hilarious.
On the other hand, the animation is neatly and expressively drawn (especially with Popeye) and still very much like the work that goes into the backgrounds. The music, appropriately like its own character, is as beautifully orchestrated and characterful as ever. 'Popeye Meets William Tell' is far from flawless in the humour, but the snappy asides are very funny and the sight gags generally are fun, such as the photo of Groucho Marx one and the arrow scene.
The story is not great by any stretch, but it did interest at least and had a lot of energy. Had never seen William Tell portrayed this way, more exaggerated than the usual noble character he's portrayed as (i.e. Rossini's opera) and his interaction with Popeye is wonderfully sharp and wacky. The voice acting is on point. The anti-smoking message is not laid on too thick and very ahead of the time at this point, at a time where smoking was even more common than it is now. Being a non-smoker and someone who personally hates it, it was appreciated.
Concluding, a little overkill on the weirdness and silliness but mostly very entertaining with quite a number of interest points. 7/10.
Our Sailor Man is justing by, minding his own business, when an arrow nearly takes his head off. Popeye turns back, spots this nerdy-looking little guy with a squeaky voice who turns out to be the famous "William Tell." "Well, blow me down!" says Popeye upon learning this. The two exchange verbal unpleasantries and then the story gets really weird. One thing leads to another and it winds up, with Popeye pretending to be Tell's son and standing next to a tree doing the famous shoot-the-apple-off-the-son's head-routine. All kinds of mayhem ensue with a couple of shocking surprises (including that famous arrow scene) and a few very good sight gags.
It's kind of stupid and outrageous but it is fun for the most part and very entertaining. You won't believe some of the goofy material that's in this cartoon.
There is a good message, however, and way ahead of it's time: it concerns the evils of smoking. Popeye evens puts that message into his usual song finale, although he never put it into practice. As far as I know, Popeye always smoked his pipe!
Le saviez-vous
- AnecdotesThe photo of William Tell's "late" son is actually an animated photo of Groucho Marx. The wife of this short film's director Shamus Culhane is Maxine Marx, who is the niece of Groucho Marx.
- Citations
[last lines]
William Tell: Son, how many times do I have to tell you to quit smokin'?
Popeye: I guess he's not jokin' - I shouldn't be smokin' / That's Popeye the Sailor Boy!
- Autres versionsAlso available in a computer colorized version.
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Détails
- Durée6 minutes
- Couleur
- Rapport de forme
- 1.37 : 1