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IMDbPro

I'm Still Alive

  • 1940
  • Approved
  • 1h 12m
ÉVALUATION IMDb
5,7/10
138
MA NOTE
Linda Hayes and Kent Taylor in I'm Still Alive (1940)
ActionAdventureDramaRomance

Ajouter une intrigue dans votre langueSteve Bennett is a daring flier who crashes airplanes for the movies, and Laura Marley is an arrogant movie star who is transformed into a very likable woman when she marries Steve. But she,... Tout lireSteve Bennett is a daring flier who crashes airplanes for the movies, and Laura Marley is an arrogant movie star who is transformed into a very likable woman when she marries Steve. But she, fearing for his life, at her insistence Steve abandons his risky profession and seeks a l... Tout lireSteve Bennett is a daring flier who crashes airplanes for the movies, and Laura Marley is an arrogant movie star who is transformed into a very likable woman when she marries Steve. But she, fearing for his life, at her insistence Steve abandons his risky profession and seeks a less-hazardous livelihood...but can't find one. And since he's not the type to depend on hi... Tout lire

  • Director
    • Irving Reis
  • Writer
    • Edmund H. North
  • Stars
    • Kent Taylor
    • Linda Hayes
    • Howard Da Silva
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    5,7/10
    138
    MA NOTE
    • Director
      • Irving Reis
    • Writer
      • Edmund H. North
    • Stars
      • Kent Taylor
      • Linda Hayes
      • Howard Da Silva
    • 8Commentaires d'utilisateurs
    • 1Commentaire de critique
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos1

    Voir l’affiche

    Rôles principaux37

    Modifier
    Kent Taylor
    Kent Taylor
    • Steve Bennett
    Linda Hayes
    Linda Hayes
    • Laura Marley
    Howard Da Silva
    Howard Da Silva
    • Red Garvey
    • (as Howard da Silva)
    Ralph Morgan
    Ralph Morgan
    • Producer Walter Blake
    Don Dillaway
    Don Dillaway
    • Tommy Briggs
    Clay Clement
    Clay Clement
    • Roger, First Director
    Fred Niblo
    Fred Niblo
    • Fred-Third Director
    Alec Craig
    Alec Craig
    • Mr. Briggs
    • (scenes deleted)
    Asta
    Asta
    • Skip
    • (uncredited)
    Polly Bailey
    • Mrs. Cady
    • (uncredited)
    Cliff Bergere
    • Stuntman
    • (uncredited)
    Eddie Borden
    Eddie Borden
    • Film Crewman at Pier
    • (uncredited)
    Frank Bruno
    • Bruno
    • (uncredited)
    Lorna Dunn
    • Marge Randall
    • (uncredited)
    Dick Elliott
    Dick Elliott
    • Dan Foley
    • (uncredited)
    James Fawcett
    • Stuntman
    • (uncredited)
    Gus Glassmire
    • 1st Doctor
    • (uncredited)
    Averell Harris
    • Earl McGill
    • (uncredited)
    • Director
      • Irving Reis
    • Writer
      • Edmund H. North
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs8

    5,7138
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    Avis en vedette

    7planktonrules

    Art imitating life.

    Whether it was intentional or not, RKO Studios was successfully sued because of "I'm Still Alive". Apparently, the story of an actress' marriage to a stuntman was WAY too close to that of star Helen Twelvetrees and her then stuntman husband, Jack Woody. That marriage did not last...and when you watch the movie, you can certainly understand why.

    Steve (Kent Taylor) just completed a deadly stunt on the film set. At the same time, obnoxious actress Laura Marley (Linda Hayes) is having a typical sort of tantrum--and Steve tells the stuck-up actress to shut up! From this inauspicious beginning is a relationship between the stuntman and actress. But the marriage is doomed...not because they don't love each other but because Laura insists Steve stop stuntwork. You can certainly understand why...but Steve is bored with just sitting around as well as letting his masculinity take a hit. Can the two somehow patch things up or is the marriage (like in the real life story) beyond repair?

    Despite being a B-movie and having mostly small-time actors, this is a very good quality production. I really liked the romance (while it lasted) and having professionals like Ralph Morgan and Henry De SIlva (playing a nice guy for a change of pace) on hand to offer support, it's a terribly enjoyable film. My only complaint was the overuse of the song "Darling Clementine"....which, after a while, became tedious....but cheap for RKO to use.

    By the way, in one brief scene Steve is chatting with the director, Fred. In reality Fred was the real director, Fred Niblo. And that familiar looking Fox Terrier is Asta of The Thin Man movies.
    6ksf-2

    can stuntman give it up ?

    Steve is a stunt pilot for the movie studio. But when he gets hitched, laura, the new wife asks him to stop flying. She's worried that something horrible will happen to him. But ... when steve can't find another job, he thinks about going back to it. Similar story to "the bride walks out". What happens when the wife makes (a lot) more than the husband? Such a crush to his ego back then. An issue probably just as volatile back than as it is now. Will their marriage survive? Taylor and hayes were both minor players for RKO. And that dog running around the whole time sure looks like asta from "thin man". And yes, that's dick elliott in the bar as dan; he was also the mayor in andy griffith. Director irving reis died young at 47. Story by edmund north. It's not bad, for an RKO B shortie film.
    5bux

    Stunt men doing stunts in Hollywood

    This is a rather light tale of a Hollywood stuntman that falls in love with a big name actress and still wants to pursue his risky career. The little women gives him a choice-the stunts or her. He chooses the stunts and still manages to get her. A nice inside look at how Hollywood wanted the public to think the movies were made, circa 1940.
    5AlsExGal

    Woman of the Year it is not...

    ... because little RKO just didn't have the star power and budget to put much energy, excitement, or depth to this story. And yes, Katharine Hepburn as the big star would have made this film much better, but RKO had already deemed her box office poison, mainly because of their own awful scripts, and sent her packing to MGM, where the next ten years would prove her to be otherwise. But I digress.

    This is the tale of a Hollywood stuntman, (Kent Tayler as Steve Bennett) who first feuds with then falls in love with and marries a big star (Linda Hayes as Laura Marley). Then, AFTER the ceremony, AFTER she sees Steve do his first big stunt post nuptials, THEN Laura pouts until he gives up the profession he loves and becomes a bit actor - and a mediocre one at that - in Laura's films. His first reaction is - "Well, I couldn't keep doing this the rest of my life." That is true. But he needed to come to that realization on his own schedule. And surely Laura must have noticed that all of her dates with Steve involved adventurous sports?

    Eventually, Steve is brought down by a combination of missing his old profession, feeling he is under the thumb of his influential wife, and an accident on the set for which he blames himself because he was not the experienced guy doing the stunt. I'll let you see yourself how this paint by numbers plot pans out.

    This film has a few things that recommend it. First, RKO has found its own Asta in Skip as Laura's dog that actually brings the feuding couple together in the first place. Second, there is the bar - "The Graveyard" - where all of the Hollywood stuntmen gather for a drink that closes anytime a stunt man dies. How does such a bar stay in business with such a narrow clientele and such a gloomy name? Finally, there is a laugh out loud minute at the beginning of the film where Steve and Laura go to their "trailers" on the movie set, before they first meet. Inside each "trailer" the place looks like a dressing room complete with cheery drapes on sunny windows. But outside - they look like the big portable trash containers you rent if you are moving and need to throw away a pile of junk! It was just a great comical art direction moment in film.
    7boblipton

    85 Years Later, I'm Pretty Sure He's Not

    Kent Taylor is a fine stunt man in Hollywood. Then he marries movie star Linda Hayes. She's terrified by his deadly stunts, and forces him to quit.

    There's a lot to recommend this movie, from the stunts to the general ambiance of the stunt players' bar, to a cast that includes Asta and Fred Niblo (playing Fred Niblo the director). To Howard Da Silva and Ralph Morgan. Unfortunately, Miss Hayes is not very good, and there's one of those endings in which they hand wave away all the problems that have been building up for 71 of its 72 minutes. This leads me to think that screen writer Edward North had a far more tragic ending in his original screenplay. Still, for the first 71 minutes, it's pretty good.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Actress Helen Twelvetrees sued, claiming that the film was based on her and her actor and stuntman husband Jack Woody's life story. She won her case in January 1943 but was awarded only $1,100 (about $21,000 in 2025).
    • Gaffes
      When Steve goes to pour coffee after making pancakes, the bandage on his forehead disappears and then reappears in the next shot.
    • Générique farfelu
      Opening credits are shown in picture frames.
    • Connexions
      Referenced in Arena: The Orson Welles Story: Part 1 (1982)
    • Bandes originales
      (Oh My Darling) Clementine
      (1884)

      Music by Percy Montrose

      Lyrics by H.S. Thompson (1863)

      (from "Down By the River Lived a Maiden")

      Played on a radio and sung by Kent Taylor and Linda Hayes

      Hummed and sung a cappella by Kent Taylor often

      Played on piano by Linda Hayes and sung by party guests

      Played as background music often

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    Détails

    Modifier
    • Date de sortie
      • 20 septembre 1940 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Stunt Man
    • Lieux de tournage
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • société de production
      • RKO Radio Pictures
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 12 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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