Castle on the Hudson

Castle on the Hudson (1941)

** 1/2 (out of 4)

Pretty much a scene-by-scene remake of the 1932 drama 20,000 YEARS IN SING SING has gangster Tommy Gordon (John Garfield) being sentenced to prison but he's not worried because he thinks his "connections" will get him out. Soon Tommy realizes that those on the outside want him to remain in prison so he thinks about escaping but the Warden (Pat O'Brien) tries to talk some sense into him. Spencer Tracy and Bette Davis were the stars of the original film, which is slightly better than this one thanks in large part to see the two legends working together. If you've seen that version then nothing here is going to come as a shock to you because I wouldn't be surprised if Warner just dusted off the previous screenplay and used it again, just changing names this time. That original film wasn't a classic so if you haven't seen it then you'll probably be caught up in the story plus we get Garfield turning in another winning performance. His character was too large of an ego and comes off as a major jerk but Garfield could always play these characters and in the end make you care about them. That's what pretty much happens here because after Tommy takes his beatings he finally comes to except prison life and how it actually is. Garfield is so believable in the part that you can't help but want to see him succeed in what he's doing no matter what he was convicted of. O'Brien plays his character countless times before in a number of Warner pictures. That heart of gold who takes in the bad and makes them see how good they could be. O'Brien and Garfield work extremely well together and they're certainly the main reason to check this film out. Ann Sheridan plays the girlfriend and isn't too bad in the part but the character is so poorly written that she becomes quite annoying due to how stupid she is. Burgess Meredith plays a fast-talking convict who tries to talk Garfield into escaping and Guinn Williams is the lovable lug head. Warner made a ton of gangster and prison pics and while this here isn't nearly the best, there are at least enough good moments to make it worth viewing but I'd still catch the original first.

This is a silly,cliche-ridden prison movie that is nevertheless entertaining and interesting. An almost-unrecognizable (young!) Burgess Meredith plays a good part here in this film as a fellow-inmate of the star inmate/gangster played by John Garfield.

As far as the actual storyline goes,it's all just a bit too much to believe,in fact some of it is downright ridiculous to put it gently.

However,this is a beautifully-made black and white film that is interesting from start to finish. The film/print quality was crystal-clear,the action scenes are pretty wild and suspenseful. Overall,I liked it.

This is a very melancholy crime drama in which a very arrogant young gangster gets pinched by the cops and goes up the river where the warden isn't very sympathetic to his "tough guy" attitude or ways. Eventually the warden wears him down and becomes a semi-productive prisoner. Until a fellow inmate wants to make a breakout attempt to see his pregnant girl and he panics when he discovers it's on Saturday...his unlucky day.

The gangster is played by John Garfield and he has a very sympathetic and understanding girlfriend played by Ann Sheridan.

There are no real likable or sympathetic characters, but it was a short prison-centric gang story for those who might enjoy that.

One of my favorite lines: "Come on and shove over. What do you want me to do catch cold?"-Tommy.

Remake of the 1933 prison drama with Spencer Tracy and Bette Davis, and I haven't seen that one in so long that I can't compare them. But on its own, this is a solid in-the-slammer melodrama, with John Garfield, always sympathetic no matter what he played, getting us to care about Tommy Gordan (the closing credits misspell it Gordon, but it's been Gordan in all the headline sequences), a ruthless crook with an inflated sense of self. When sent literally up the river, and the film gets the Sing Sing location right and has some helpful stock footage, he trusts his lawyer Jerome Cowan to get him out quickly, and he shouldn't. He has a faithful girlfriend in Ann Sheridan, who looks wonderful and was a heck of an actress as well, but here she mainly has to wrinkle her forehead and cry a lot. Gordan engineers a breakout with smart crook Burgess Meredith and stupid crook Guinn Williams, but thinks the better of it, and tough-but-fair warden Pat O'Brien begins to see him in a new light. Then some more plot complications and Tommy getting convicted of another crime he didn't commit, and a somber finale that isn't lightened up by the bombastic Warners music accompanying the fadeout. Nothing unfamiliar here, and a couple of plot points that are tough to buy, but it's mostly smacking good entertainment, and a reminder of what the screen lost when Garfield prematurely left us.

L.W. Lawes wrote the original story, which has been made over a couple times. Garfield had only been in Hollywood a couple years when he made this. Garfield and Sheridan star as Tommy and Kay, with their trials and tribulations, as Tommy is in and out of jail. Pat O'Brien is the warden, his antagonist. Grant Mitchell and Burgess Meredith are in here with minor roles. The usual prison flick capers. Escape attempts. Prisoner scuffles. Pretty well done. Volume goes up and down, but the picture quality is quite good. Must have been restored. Directed by Litvak.. he and Garfield also made "Out of the Fog" together. Sadly, Garfield croaked pretty young at 39, of heart issues. He had been caught up in the communist scare of the 1940s. For a really Great Garfield film, see "Postman Always Rings Twice". Much better all around. Postman shows on Turner and may other channels pretty often.