Seuls les anges ont des ailes

This is a great old movie, back in a time when men were men and women were all former showgirls or something. Men flying airplanes, men flying airplanes through obscured mountain passes during violent rainstorms, men dropping nitroglycerin on condors (but just wait, they will get their revenge), men dying, their friends dealing with death the way men should -- with denial and booze. Set in one of those remote, out-of-the-way jungle locales where miraculously everyone crosses paths, kind of like Casablanca but with a lot more rain. The pilot who bailed out and left his mechanic behind to die meets up with the brother of said mechanic, and the brother ain't too happy about it. But through an inevitable turn of events they end up together in a burning plane and have to bail, but one of them can't. What would you do? The pilot's wife is a real looker, Rita something, but our hero is shocked to realize she is the old flame who crushed his heart. Is that really you Judy, Judy, Judy? (yes, this is the movie where Cary Grant never actually says this). There are so many situations that make no sense. The girl from Kansas or Maine or golly geewillikers I'm not sure where spends about 10 minutes getting the cold shoulder from our hero, and then goes on to confide her worries about whether it is right to tie him down. Well, he is Cary Grant, so I guess it is these leaps of sudden commitment aren't too fanciful. When the "Kid" fails his eye test, Cary tells him he is through flying. That's right, there is not a single optician in all of South America.

In short, I loved this movie. Made me want to become a pilot and learn how to smoke. It will have the same effect on you too.

To quote to the movie cliché on the back of the VHS cover, this is old-time adventure, "the kind they don't make anymore."

Well, they've always made good adventure stories through the years but you get the message: it's simply a good, solid story done well on film .

What puts this a notch above other adventure tales of its day are: 1 - excellent cinematography; 2 - interesting aerial scenes with neat-looking planes flying in the fog and around and above the treacherous Andes Mountains; 3 - a top- notch cast featuring Cary Grant, Jean Arthur, Rita Hayworth, Richard Barthelmess, Thomas Mitchell, Allyn Joslyn, Sig Ruman, John Carroll and Noah Beery Jr., and 4 - a story that is generally interesting.

I say "generally" because there are a few dry spots, mainly Arthur's continued pining over Grant, but most of it fun to watch and it gets you involved in the story. Ruman and Barthelmess were especially good in their supporting roles. Hayworth's role, one of her first, was not that much.

In all, a solid adventure-romance tale, and I'm shocked it gets so little attention on this website, with under 20 reviews as of my writing.

This movie makes much more sense when you put it in the context of early talkie World War I flying movies like Hawks' Today We Live or The Dawn Patrol or

Dieterle's The Last Flight (starring, not coincidentally, Richard Barthelmess). By 1939, with another war looming, audiences were long since sick of such tales, but by resetting the tale at a South American airport (where Cary Grant runs a mail service which is in danger of losing its contract), it was just barely possible to come up with a credible situation where Grant could again order his flyers to their deaths, and where death would be greeted with the callousness that

comes from knowing you're probably next and your best friend will eat your

steak for you. The reviewers who say Grant doesn't play it serious enough here are exactly missing the point-- his seemingly breezy, actually brittle facade IS the Lost Generation attitude, straight out of The Sun Also Rises.

This is one of the great tough romances, whose real romance is with death itself, which needless to say makes it several steps darker than Hawks' superficially similar To Have and Have Not, let alone Rio Bravo (which reproduces its main

characters almost exactly-- Grant as John Wayne, Arthur/Angie Dickinson as the woman trying to get into the boy's club, Barthelmess/Dean Martin as the guy

with a guilty past of failure, and Mitchell as the guy who age is catching up with/ Walter Brennan, old age fully caught up). In gleaming black and white on the DVD, the foggy, fake studio set and the silver skies might be the dreams of a pilot in the instant before his crash. Too grim a bite of caviar for the general, perhaps, but a testament for a generation that saw more than it could put on film, and one of the greatest works of art to sneak out of the studio system under

disguise of glamorous entertainment.

Geoff Carter is the head of a small run down air freight company in Barranca, one of his best pilots (and friend) is killed, but this is merely only one of the problems he has to deal with as ex flames, potential new sweethearts, and dissension in the camp, all fuse together to test him to the limit.

Howard Hawks was the perfect man for this film because of his aviation background, the result is a very well crafted character study set in a very small locale. Looking at it from the outside you would think that the film was lining up to be a soft soap romantic fable, but here the emotion is channelled into a sort of character bravado that is flawed - yet something that makes for a viewing experience that draws you in deep with the finely etched characters.

The cast are on fine form. Cary Grant gets to flex his non comedic muscles with great results as Carter, the film relies on Grant to glue the story together which he does with great aplomb. Jean Arthur & Rita Hayworth are the girls in amongst this strongly male orientated story, and it's a testament to both of the ladies ability that they don't get bogged down by all the macho heroism pouring out in the plot. Smart camera work and exciting aerial sequences further up the quality that is dotted within the piece, and were it not for some terribly twee dialogue, Only Angels Have Wings would surely be ranked as a classic of the 1930s. As it is, it's a wonderfully involving film that shows Hawks at his most humane. 8/10

This may be an overlooked Howard Hawks film. It's really a thoughtful film with substance under the guise of Hollywood famous stars and lively screenplay banters. Subject touches on death just 20 minutes into the film. Certainly no dull pacing. It has golden segments, like the exchanges between Grant and Barthelmess, Grant and Mitchell, Mitchell and Arthur, Arthur and Grant, and 10 minutes later, we see people gathered round by the piano singing songs and cajoling - not without sorrow beneath. Be not fooled, sentiments are there for friends passed away. It's not, but it is, a way of handling grief.

It's life, matter of fact and not hung up or lingering, simply moving on, devil may care, with boldness, dare, and risk-woe-begotten (or forgotten, for that matter). Men - one track-minded, to fly to deliver no-matter-what. Women - worry, or why worry. To love the man, much of letting go and let him be comes with the territory, even if it's Jean Arthur or Rita Hayworth. The story revolves around not just Cary Grant's Geoff leading the pack in the Andes, but also Thomas Mitchell's brother gone, Richard Barthelmess' past recur, Rita Hayworth's nostalgic fear, and the spunky, sentimental Jean Arthur's Bonnie wraps it all up. The supporting cast aptly contributes from the restaurant-hotel-mailing service owner, the lively South American accents and melody, to the pilots who are green and know not what peril is, and the lone fog-watcher and his donkey. Secrets revealed, conflicts challenged, and there's a growing promotion of trust through it all. Between business partners, colleagues, friendship or marriage - that unquestionable trust, without asking out loud but understood within - is what life and dare all about.

This film grew on me. I first saw it on cable TCM the latter half and couldn't wait to catch it again for the full story. Screenplay by Jules Furthman, music score by Dimitri Tiomkin, directed and produced by Howard Hawks, "Only Angels Have Wings" 1939 (available on DVD) is full of life, humor, drama, adventurous spirits, and non-stop exchange of word deliveries - entertaining, enjoyable, and heart-warming.